Im Schloß der blutigen Begierde

I'm giving this flick five stars instead of the mere two or three the writing and acting deserve due to the gorgeously Northern European gothic setting and fairy tale like elements.

I felt The Castle of the Creeping Flesh had a lot of potential in the first 15-20 minutes then it turned into some weird role playing game of rich people who hadn't got the memo two or three centuries had passed, with the sort of creepy mannequin displays used much more effectively in films like The House of Wax (1953) or Tourist Trap (1979).

The execution of this skeezey sleaze fest is lacking to say the very very least. The brunette who keeps pursing her lips into an "oooh" face over and over would be considered a bad actress in a porno, let alone a movie that's actually supposed to be watched in its entirety.

Watched this film recently, it may have been controversial stuff in the 1960's but seems a bit tame by todays standards. The infamous rape scenes were well shot and although not the most pleasant subject, suited the storyline well and did not prove cringe-worthy or upsetting. There may well have been one or two continuity errors but these did not detract from the story for me. This has been described as a shocking film, all I can say is I must have been watching a cut version then. The gore content is pretty much a lot less than most horror films, the nudity displayed seems tame by todays standards and although I would not let children watch it, as adult late night fare it was an enjoyable horror film and not as bad as I was led to believe. Dated by todays standards but watchable if you enjoy traditional horror films of this era.

This is almost a typical castle Gothic, distinguished by an extraordinarily beautiful handful of locations and actresses, weak filmmaking from a terrible script, and a distressing, lascivious fascination with rape imagery, which, I guess, was a couple of years ahead of its time. It also features extensive real open-heart surgery (intercut with a sex scene, no less!), which is probably the most interesting thing about an otherwise dull and unrewarding picture. Unless you're heavy into this subgenre, don't bother.

I recently watched the German film 🇩🇪 Castle of the Creeping Flesh (1968) on Tubi. The narrative centers on a scientist's quest to resurrect his deceased daughter within an ancient castle. When a group of revelers stumbles upon this castle, the scientist seizes the opportunity to further his experiments, viewing them as potential donors for the body parts he requires.

Directed by Adrian Hoven (Mark of the Devil), the film features performances by Janine Reynaud (The Case of the Scorpion's Tail), Howard Vernon (Delicatessen), Claudia Butenuth (What Have You Done to Solange?), and Vladimir Medar (Fiddler on the Roof).

The film presents a mixed viewing experience. The opening sequences, showcasing a Ferrari navigating through wooded areas, are visually engaging. The castle's authentic settings and backdrops enhance the gothic atmosphere. The female cast members deliver commendable performances, and the film includes elements typical of the horror genre of its time, such as nudity. However, the protagonist's acting is inconsistent; his dialogue delivery, mannerisms, and facial expressions occasionally come across as forced, eliciting unintended humor. Notably, the surgical scenes, depicting the extraction of organs for experimental purposes, are executed with a level of detail that stands out.

In conclusion, Castle of the Creeping Flesh offers certain aspects that may appeal to horror aficionados, particularly those interested in European gothic cinema. While it may not fully realize its potential, it contains enough intriguing elements to warrant a viewing. I would rate it 5/10.

At one of those annoying beatnik parties that probably never happened in real life, a lecherous man called Baron Brack invites a lady and her friends back to his place in the country via a vigorous horse ride. This is just a ruse however to separate this lady from her mates and rape her, which of course the Baron blames on her. "You shouldn't have tempted me!" I hear Harvey Weinstein is going to use that one at his upcoming court case.

The ladies friends all arrive but shortly afterwards she does a runner towards an old castle where the gothic action starts off right away. Here lives Graf Saxon, an old scientist whose daughter has just been found raped and murdered, and now he's got a bunch of beatniks stinking up the place. These beatniks are all into dressing up in period costumes and carrying on their annoying ways during a dinner party, but when another one of their friends shows up, things are thrown into turmoil. Let's start a new paragraph so we can analyse this Gothic horror 'trope'.

It seems this new girl is the spitting image of Katerina, Graf's daughter. That's just standard practise in Gothic horror. People don't even grieve that much in these films as they know it's only a matter of time before someone is reincarnated as their departed or some doppelganger walks through the door complaining that their car broke down. Graf gets all excited and starts his evil plan right away to replace his daughter's heart with this dead ringer.

While that's happening there's also some sort of time slip/flashback/dream involving a previous rape committed thirty years previous which somehow this Graf fellow feels the need to reproduce using dummies in a room (why?). We then get to see our beatniks as previous versions of themselves, some as rapists, some as victims, some as butt-ugly witnesses. It's all a bit disjointed.

There is a random bear attack that was pretty good in its crapness. The whole thing I guess revolves around old rapey McGhee and the reincarnation of Katerina, but even then the strange meandering plot, high nudity levels (no thanks Janine Reynaurd!) and terrible acting make it watchable for all the wrong reasons.