PUNTUACIÓN EN IMDb
6,8/10
3,8 mil
TU PUNTUACIÓN
Un trampero dado por muerto tras sufrir el ataque de un oso trata de vengarse de los compañeros que lo abandonaron a su suerte en un peligroso territorio indio.Un trampero dado por muerto tras sufrir el ataque de un oso trata de vengarse de los compañeros que lo abandonaron a su suerte en un peligroso territorio indio.Un trampero dado por muerto tras sufrir el ataque de un oso trata de vengarse de los compañeros que lo abandonaron a su suerte en un peligroso territorio indio.
- Dirección
- Guión
- Reparto principal
Reseñas destacadas
Savage and unrelenting, but, compassionate and immensely rewarding tale of a fur trapper, near-fatally mauled by a bear, surviving to exact revenge upon those who left him for dead. A distant and withdrawn character, Zachary Bass (Harris), who through a series of ordeals, recalls both the tumultuous and neglected events in his life that he is now compelled to resurrect. His quest is both a harrowing and moving experience, with a sincere, thoughtful performance by the late Richard Harris.
"Man in the Wilderness" boasts breathtaking scenery, a memorable score, and supporting performances played with conviction, particularly by John Huston and Percy Herbert. While it might draw parallels with Harris' "Horse" trilogy, this role is a more complex characterisation, developed without the benefit of dialogue, but through actions, expressions and emotions.
I've read reviews of this film that claim that the movie is uninvolving and gratuitously violent, but nothing, in my opinion, could be further from the truth. If ever there was a character with whom you could empathise, and follow to a poignant (and satisfying) conclusion, Zachary Bass is that character. A metaphoric journey from his own personal "wilderness" to a state of self consciousness in both his existence, and purpose. If ever there was a movie that could depict the challenges that he would face, and intertwine them with the complex motivations for his desire to survive, "Man in the Wilderness" is that movie. A rare gem.
"Man in the Wilderness" boasts breathtaking scenery, a memorable score, and supporting performances played with conviction, particularly by John Huston and Percy Herbert. While it might draw parallels with Harris' "Horse" trilogy, this role is a more complex characterisation, developed without the benefit of dialogue, but through actions, expressions and emotions.
I've read reviews of this film that claim that the movie is uninvolving and gratuitously violent, but nothing, in my opinion, could be further from the truth. If ever there was a character with whom you could empathise, and follow to a poignant (and satisfying) conclusion, Zachary Bass is that character. A metaphoric journey from his own personal "wilderness" to a state of self consciousness in both his existence, and purpose. If ever there was a movie that could depict the challenges that he would face, and intertwine them with the complex motivations for his desire to survive, "Man in the Wilderness" is that movie. A rare gem.
Based on the same true story that inspired the much more recent "The Revenant", "Man in the Wilderness" is a truly impressive survival drama. It stars Richard Harris as Zachary Bass, one of a group of fur traders in the Northwest Territories in 1820. They've spent two years collecting their wares, and are now making their way South to a particular river that will take them to trading posts. However, as the film opens, Bass is very badly maimed by a bear. His companions believe he's a goner, and leave him behind. But Bass has an incredible will to live. His struggles to exist in the wilderness - and possible desire for revenge - form the balance of the film.
"Man in the Wilderness" is exquisitely shot in scope by the talented Gerry Fisher, written with heart by Jack DeWitt, and directed extremely well by Richard C. Sarafian of "Vanishing Point" fame. Bass' resolve is simply amazing, and Harris does a very fine job of creating a vivid and engaging character, a man who lived his life not particularly caring for what others consider "Gods' will". This man earns his sympathies honestly, and his situation is compelling every step of the way. There are some beautifully poignant moments throughout, both in the past (we see flashbacks to earlier parts of Bass' life) and present.
At the head of the supporting cast is a typically commanding John Huston as Captain Henry, the leader of the trappers who insists that everything be done his way. Henry demands that their ship continue to be transported along with men, mules, and supplies, despite the fact that it really slows them down. Henry Wilcoxon, Percy Herbert, Dennis Waterman, Prunella Ransome, Norman Rossington, and James "Scotty" Doohan are all fine as well.
There are some scenes that may be upsetting to some in the audience, but things remain convincing and believable for the duration of this well executed production.
Eight out of 10.
"Man in the Wilderness" is exquisitely shot in scope by the talented Gerry Fisher, written with heart by Jack DeWitt, and directed extremely well by Richard C. Sarafian of "Vanishing Point" fame. Bass' resolve is simply amazing, and Harris does a very fine job of creating a vivid and engaging character, a man who lived his life not particularly caring for what others consider "Gods' will". This man earns his sympathies honestly, and his situation is compelling every step of the way. There are some beautifully poignant moments throughout, both in the past (we see flashbacks to earlier parts of Bass' life) and present.
At the head of the supporting cast is a typically commanding John Huston as Captain Henry, the leader of the trappers who insists that everything be done his way. Henry demands that their ship continue to be transported along with men, mules, and supplies, despite the fact that it really slows them down. Henry Wilcoxon, Percy Herbert, Dennis Waterman, Prunella Ransome, Norman Rossington, and James "Scotty" Doohan are all fine as well.
There are some scenes that may be upsetting to some in the audience, but things remain convincing and believable for the duration of this well executed production.
Eight out of 10.
I was very saddened to read that Richard Harris died. He was a very fine actor who left an outstanding body of work. Man In The Wilderness really showcases this remarkable actors talent. Its based on a true story about Hugh Glass (here called Zack Bass) a man on a trapping expedition torn apart by a bear and left for dead. He travels miles and miles to get revenge(Jim Bridger was one of the men who left him). I'm amazed this man lived after such a savage attack and being left to die. Bass did some unusual first aid on himself, he rolled in maggots so they would eat the dead flesh off his body. This film has got an outstanding opening score. Its one of the best I ever heard. Harris's challenge is that he doesn't have a lot of dialogue and has to act like he is crippled and in pain for most of the film. John Huston is also fine as the sinister leader of the expedition who leaves him for dead.
Richard Harris is horribly mauled by a grizzly bear and left to die in the primeval forest of 1820's America, by trapping expedition captain John Huston. The injured Harris is forced to go to extraordinary lengths in order to survive and catch up with the rest of his party.
A very offbeat, handsomely produced outdoor adventure, Man In The Wilderness is a story that's told primarily in pictures, with very minimal dialog. This moody, sometimes cerebral film might not be for everyone, though others will find it quite satisfying.
Richard Harris delivers a great performance, despite the fact that the script only allows him to speak five times during the movie, three of which were near the end. He's forced to convey emotions mainly through body and facial expression.
Some favorite scenes are when the trappers are pinned down by the weather and begin to imagine a vengeful Harris, coming out of the wilderness to get them, and of course the fascinating climax and finale.
The film's basic premise was borrowed four years later, in the bad drive-in movie Apache Blood. That film is not recommended, whereas this would make a pretty good double-bill with A Man Called Horse or Jeremiah Johnson.
A very offbeat, handsomely produced outdoor adventure, Man In The Wilderness is a story that's told primarily in pictures, with very minimal dialog. This moody, sometimes cerebral film might not be for everyone, though others will find it quite satisfying.
Richard Harris delivers a great performance, despite the fact that the script only allows him to speak five times during the movie, three of which were near the end. He's forced to convey emotions mainly through body and facial expression.
Some favorite scenes are when the trappers are pinned down by the weather and begin to imagine a vengeful Harris, coming out of the wilderness to get them, and of course the fascinating climax and finale.
The film's basic premise was borrowed four years later, in the bad drive-in movie Apache Blood. That film is not recommended, whereas this would make a pretty good double-bill with A Man Called Horse or Jeremiah Johnson.
Well I am putting this in after just watching the Revenant. I took another look at this film which scared the heck out of me as a kid. I can remember watching this on television, weekend days at least 2x. It is a horrifying story, but keeps your attention.
The persistence and human will portrayed are somehow inspiring.
The weird old boat and hunting party that drag along add to the weirdness that makes this memorable. This story of Hugh Glass has been told many times, I guess. The fear of native Americans on the frontier drives this plot of this film too. Portrayals like this trained me how to think in ways.....which are very hard to overcome.
Having spent a lot of time in the woods, seeing bears (black only) and having spent time in the woods in winter, this story is very hard to believe. I can't imagine trying to fight a grizzly. As we all know now, watching survival shows, just getting water that doesn't make you sick is a big deal. You could die from something small like that let alone mortal wounds, no proper clothing, knives and hunting implements.
This film seems to focus on the psychological, but its the tools and skills that would allow someone to survive.
The persistence and human will portrayed are somehow inspiring.
The weird old boat and hunting party that drag along add to the weirdness that makes this memorable. This story of Hugh Glass has been told many times, I guess. The fear of native Americans on the frontier drives this plot of this film too. Portrayals like this trained me how to think in ways.....which are very hard to overcome.
Having spent a lot of time in the woods, seeing bears (black only) and having spent time in the woods in winter, this story is very hard to believe. I can't imagine trying to fight a grizzly. As we all know now, watching survival shows, just getting water that doesn't make you sick is a big deal. You could die from something small like that let alone mortal wounds, no proper clothing, knives and hunting implements.
This film seems to focus on the psychological, but its the tools and skills that would allow someone to survive.
¿Sabías que...?
- CuriosidadesJames Doohan was an 11th-hour casting choice. He replaced two actors who dropped out.
- PifiasIndian horses were not shod. But any horses stolen by the Indians or purchased by them might have been.
- Citas
[last lines]
Zachary Bass: I believe that's my gun. I've got a son out there. I'm going to find him. I'm going home.
- ConexionesFeatured in It'll Be Alright on the Night 2 (1979)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- L'home en una terra salvatge
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 2.000.000 US$ (estimación)
- Duración1 hora 44 minutos
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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