Añade un argumento en tu idiomaNightclub owner T.J. Brennon dies in a car accident and two narcotics agents are killed in his apartment, prompting an investigation by the local police aided by Brennon's cop brother.Nightclub owner T.J. Brennon dies in a car accident and two narcotics agents are killed in his apartment, prompting an investigation by the local police aided by Brennon's cop brother.Nightclub owner T.J. Brennon dies in a car accident and two narcotics agents are killed in his apartment, prompting an investigation by the local police aided by Brennon's cop brother.
Robert Anderson
- Police Sgt. Williams
- (as Bob Anderson)
Don Ames
- Nightclub Patron
- (sin acreditar)
Eddie Baker
- Detective
- (sin acreditar)
Rayford Barnes
- Police Technician
- (sin acreditar)
Louis Cavalier
- Bellhop
- (sin acreditar)
Reseñas destacadas
This is one of those noir films that is salvaged from ignominy by the fine work of actors in minor roles. Rod Cameron, the male lead does a workmanlike job, but leading lady Vera Ralston is almost unwatchable. The script calls for a traumatized woman, but she gives us a helpless and annoying whiner. This would have been a much better film had she been replaced by a Marie Windsor, Caroline Jones, or Jane Randolph. Unfortunately, Ralston was married to the the boss of Republic Pictures, so she managed to mess up a lot of movies before she retired.
Fortunately there are several good character actors here including Louis Jean Heydt as police captain Andy Hampton, Mike Mazurki as the lovesick bartender Rak, Jesslyn Fax as the snoopy old lady, and Gerald Milton & Richard Kaplan as the quarrelsome hit men. Its not The Blue Dahlia, but I'd give this film a 6.5 on a scale of ten.
This isn't a bad crime movie, with the fairly interesting story being well-written. Most of the cast perform very well, but the lead actress Vera Ralston is not a good actress, and so was the wrong person for the role.
Ralston was married to the boss of Republic Pictures and so was given leading roles she really wasn't qualified for. Her husband was replaced by the movie company after this movie was made, and she retired.
However the movie is worth watching because of the interesting situations and characters. Rod Cameron, a Canadian actor from Calgary, Alberta, performs competently as the lead male, and the actors portraying the criminals are convincing in their roles.
Ralston was married to the boss of Republic Pictures and so was given leading roles she really wasn't qualified for. Her husband was replaced by the movie company after this movie was made, and she retired.
However the movie is worth watching because of the interesting situations and characters. Rod Cameron, a Canadian actor from Calgary, Alberta, performs competently as the lead male, and the actors portraying the criminals are convincing in their roles.
Rod Cameron comes to town to discover his brother is dead and his widow, Vera Hruba Ralston, is being consoled by Mike Mazurki. The local cops tell him his brother was involved in the local drug trade, so Cameron agrees to stay on and help them crack the case.
It's Miss Ralston's last film appearance. Not entirely coincidentally, Herbert J. Yates was tossed out of his chairmanship of Republic Pictures. Nominally it was because of the strain of a shrinking market for B pictures and his unwillingness to release the Republic library to television. Miss Ralston almost certainly had a great deal to do with it. He tried to make her a star, a second Sonja Heinie, and had married her in 1952, but as an actor, she was a good ice skater, with a thick accent, no acting ability, and a middle-aged appearance. The fact that Republic spent a lot of money on her vehicles, and they didn't appeal to the public may have had something to do with the disappearance of husband and wife from the Republic lot.
And so might some foolish decisions in writing. While Cameron and the supporting cast, including Louis Jean Heydt, are pretty good, the big plot twist is given away by the title.
It's Miss Ralston's last film appearance. Not entirely coincidentally, Herbert J. Yates was tossed out of his chairmanship of Republic Pictures. Nominally it was because of the strain of a shrinking market for B pictures and his unwillingness to release the Republic library to television. Miss Ralston almost certainly had a great deal to do with it. He tried to make her a star, a second Sonja Heinie, and had married her in 1952, but as an actor, she was a good ice skater, with a thick accent, no acting ability, and a middle-aged appearance. The fact that Republic spent a lot of money on her vehicles, and they didn't appeal to the public may have had something to do with the disappearance of husband and wife from the Republic lot.
And so might some foolish decisions in writing. While Cameron and the supporting cast, including Louis Jean Heydt, are pretty good, the big plot twist is given away by the title.
"The Man Who Died Twice" is a film that, according to IMDB, sat on the shelf for many months after it was completed. Often, this means that the studio had little faith in the movie and it is a stinker. But in this case I suspect that it's because the studio was in serious financial trouble and soon was sold. Less than a decade later, it closed completely.
The film is a crime film but not one I'd categorize as film noir exactly. It does have some very tough and nasty crooks...but not the same dialog and camera work as you'd expect in noir.
Bill (Rod Cameron) has arrived to see his brother...only to learn he's dead as well as several others. The police soon approach him and ask him to help with their investigation, as Bill is himself a policeman from another part of the country. He agrees...and much of it is to determine whether or not the brother's wife (Vera Ralston) is involved as well in the drug trade.
The film has one big deficit...Vera Ralston. She was the studio chief's girlfriend (and later wife) and he insisted in starring her in many films...even though she really couldn't act and had a very thick accent. Here, her accent seems odd...especially since she's a lounge singer.
Apart from Ralston, however, the film is great. The script is very tough and features an interesting duo of psychopathic enforcers. It also has a few nice twists that keep it interesting. Overall, a good film...even with Ralston.
The film is a crime film but not one I'd categorize as film noir exactly. It does have some very tough and nasty crooks...but not the same dialog and camera work as you'd expect in noir.
Bill (Rod Cameron) has arrived to see his brother...only to learn he's dead as well as several others. The police soon approach him and ask him to help with their investigation, as Bill is himself a policeman from another part of the country. He agrees...and much of it is to determine whether or not the brother's wife (Vera Ralston) is involved as well in the drug trade.
The film has one big deficit...Vera Ralston. She was the studio chief's girlfriend (and later wife) and he insisted in starring her in many films...even though she really couldn't act and had a very thick accent. Here, her accent seems odd...especially since she's a lounge singer.
Apart from Ralston, however, the film is great. The script is very tough and features an interesting duo of psychopathic enforcers. It also has a few nice twists that keep it interesting. Overall, a good film...even with Ralston.
This is an important movie in regards to the history of Republic Pictures. Starting in 1957, Republic technically didn't make films anymore, but released or distributed films made by independent companies. But only one of these independent companies was made up of personnel from the original Republic Pictures, Ventura Productions. The Man Who Died Twice was the last film of seven or eight made by Ventura (December 1957), released by Republic in June 1958. So technically, this was the last real Republic Production, with Republic regulars at the helm: Joseph Kane, director, Jack Marta, director of photography, Bob Mark, makeup supervision, Rudy Ralston, Producer, etc. The two top stars were Republic stalwarts, Rod Cameron and Vera Ralston. It has a good story, is paced well, as usual, by Kane (named by Gene Autry to be the John Ford of B movies) and photographed beautifully in black and white and Republic's wide screen process, Naturama, by Marta. It is Vera Ralston's last film and Kane's last film for Republic. He moved on to directing westerns on TV and then in the mid 60s did some directing and 2nd unit directing for films. Republic collapsed in mid 1959, more valuable for the land its studio was sitting on and for its film library. Do your best to try and see the 70 minute film. It has a great supporting cast headed by Mike Mazurki (who appeared with Vera and John Wayne in 1945's Dakota from Republic, also directed by Kane).
¿Sabías que...?
- CuriosidadesFinal film appearance of Vera Ralston, who retired from acting after this role.
- Citas
William 'Bill' Brennon: I still want my cut.
Hart: Cut him!
- Banda sonoraThere I Was In Love
Words and music by Jerry Gladston & Al De Lory
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Rauschgift-Banditen
- Localizaciones del rodaje
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
- Duración1 hora 10 minutos
- Color
- Relación de aspecto
- 2.35 : 1
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By what name was The Man Who Died Twice (1958) officially released in India in English?
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