La pícara tahitiana

Nancy Kwan was at the height of her American fame when this film came out. However it was a distinct step down in most regards from her previous films. Very little acting ability and even less plot development was required. If you are a fan of the "veddy" British "Carry On" type films you will enjoy this cute romp with Nancy carrying the film on her lovely and perfectly shaped shoulders. You will see Nancy swimming underwater, posing nude for a campus painter (for his eyes only, not ours!), climbing campus towers in her knickers, drenched to the skin in a formal gown and sailing above a track and field obstacle course. Surely the camera crew for this film was a very happy lot. Nancy Kwan, Tamahine, is as perfect a physical specimen as God has ever created.

The plot of the film is simple enough: Polynesian girl Nancy is sent away from her simple, primitive island life to live with her deceased

father's brother who runs a "veddy" proper British men's academy in England. Being the free-spirited soul that she is, Nancy-Tamahine, finds the restrictions placed on her innocent actions confusing. Her naivete infatuates the entire student body and causes her 40-something guardian, John Fraser, to vacillate between righteous indignation and succumbing to the waif's warm and childish charms. Some wonderful closeups of Mr. Fraser's dilemma are the dramatic highlight of the film.

Overall if you enjoy comedy based upon the old-fashioned morality which caused young men to cover their eyes when in the presence of nude females -- standard reaction in the "Carry On" films -- you will enjoy this film. It combines that sort of humor with the very vigorous, physical activities of Tamahine which predominate almost every scene.

If however you are are of the current school which recognizes nothing save anatomy as the difference between the sexes, if you are not comfortable with the idea that men instinctively want to protect as well as possess women, then avoid this film. It is a throwback to an earlier era when the roles of men and women were better defined if somewhat less democratic. Whether it's Hamlet, Peter Pan or some other tale, this reviewer is able to empathize with the characters and enjoy their situations without fear of destroying social values.

Tamahine (Nancy Kwan) is a teenager who has spent her entire life living in Polynesia. Then, out of the blue, she is sent to live with a relative in England...a culture as unlike the British one as you can find! Oddly, no one ever thinks about trying to educate and acclamate her to the English customs and instead they deny her normal sexual drives and attempt to force her to be like a lady...without ever teaching her was being a lady means. This really, really annoyed me because it goes by a very dim assumption--that these smart, educated people in England are in fact total morons. So, instead of realism, the story plays it all for laughs as again and again, Tamahine does things which upset her tightly wound guardian, the headmaster of a boys school! My feeling is that the film had a decent idea for a story but instead of playing it out intelligently, it went for cheap laughs and cliches. It's a shame, as Nancy Kwan is excellent and radiant...and deserved better.

Nancy Kwan is exquisite and I would watch her in anything, but unfortunately everything draped around her in this film is a bore. Without really delving in to her character as a person, the film quickly transports her from Polynesia to London via Paris early on, the set up being an excuse to show off a beautiful young woman and the culture clash with the boys at a boarding school. "She loved the whole student body ... and they sure loved hers!!" as the movie poster blares.

Kwan's character, Tamahine, is childlike in her innocence, but talks bluntly about sex and seems to have a one-track mind for pleasure. She uses the word "love" for "sex," e.g. "At what age is permitted love?" and "On my island, we have schools for loving." She talks about her father having many lovers, men needing women, and says "I am thinking, there is only one thing that will make a boy into a man. A woman." She wants to see the sex education film shown the young boys, and strips off her clothes without being asked for an artist ("It's only my body!"). She also tosses flowers down to boys from a balcony in her underwear, and later climbs a phallic tower after taking off her skirt. I loved that Kwan got a role in a sex farce in 1963 when representation was lacking, so while silly and exploitive, these were easily the best parts of the film.

Unfortunately, the stereotypes were hard to overlook and diminished my enjoyment. Tamahine is shown to come from a race of simple people, uninterested in anything other than pleasure. She also discusses her family's cannibalistic feasts back home, so we get the idea they're savages. Almost all her dialogue is delivered wide-eyed, in broken English. I was still captivated by her, but just wish the script was a little better, even considering the genre. When Kwan isn't on the screen, we get subplots like the headmaster's daughter carrying on with a teacher that aren't in the least interesting. If you're a Nancy Kwan fan as I am, watch it but be prepared to cringe; if you're not, skip it.

The first reviewer has clearly confused John Fraser and Dennis Price,as the later plays the headmaster. The films premise is totally unoriginal. Even allowing for that the film is unfunny,and overlong at 92 minutes.

Nancy Kwan lights the screen up with an engaging portrayal of a Polynesian girl, daughter of a British civil servant who as they say back in the United Kingdom, went native. You should hear Kwan tell it how he was a one man population explosion, but she's the only one whose mother he married.

Anyway with both parents dead Kwan is now in the custody of a cousin of her father, Dennis Price who is the very proper schoolmaster of a prep school whose graduates will be running the Empire or what's left of it. His son John Fraser also goes to this school and both have their libidos boiling over with Kwan around.

This is Nancy Kwan's show and the rest are all in support of her. The plot is skimpy and the supporting characters are not particularly fleshed out in the script.

But for Kwan fans the film is a must.