Ladrones anónimos

This has got to be one of the most least reviewed films of the century. It deserves far more praise than it actually gets. The cast is excellently cast for the roles because they all look so convincing as criminals, especially Stanley Baxter as Brother Widdows. Definitely one of Leslie Phillips most finest films, definitely the one to watch for good old black and white comedy.

Crooks Anonymous certainly has a refreshing story that elevates it from being a sub par Carry On type comedy.

Captain Forsdyke (Leslie Phillips) is a career criminal always tempted by pickpocketing and safecracking. His real name is Cox and never even seen real service. His girlfriend Babette (Julie Christie) a showgirl wants him to go straight.

Babette comes across a group called Crooks Anonymous, founded by Mr Montague (Wilfrid Hyde-White) they help hardened criminals go straight.

Forsdyke is taken by Brother Widdowes (Stanley Baxter) during a robbery when he is disguised as a policeman and taken to the Crooks Anonymous headquarters. Forsdyke admits to Montague that he wants to give up the life of crime and marry Babette.

During his time the society puts him through numerous tests to help him give up his former life such as locking him in a room filled with safes, which contain cigarettes, food, drink and a number of booby traps which make opening them hazardous.

Forsdyke finally manages to succeed in being resisting temptation to an opportunistic crime and is released into society where he gets a job as Father Christmas in a department store. He is also set to marry Babette.

However one night a perfect opportunity to commit a crime arises, he rings Crooks Anonymous, but each time they send someone round to rescue him, they also succumb to temptation.

The film has some 1960s Swinging London tropes, such as Christie as the glamorous blonde but what it has going is a sly story of villains made to go straight told with charm. Stanley Baxter has a hoot donning various disguises as he outwits Forsdyke at every turn. There are a host of familiar character actors that were a staple of 1960s British cinema, catch Dick Emery early on in the movie.

Crooks Anonymous is directed by Ken Annakin and written by Henry Blyth and Jack Davies. It stars Leslie Phillips, Stanley Baxter, Wilfrid Hyde-White, Julie Christie, James Robertson Justice and Pauline Jameson. Music is by Muir Matheson and George Martin and cinematography by Ernest Steward. Plot finds Phillips as a habitual criminal who is desperately trying to go straight for his gorgeous girlfriend (Christie). He enrols at Crooks Anonymous, a secretive organisation run by Hyde-White that uses interesting tactics to wean their clients off the thieve.

Out of Anglo-Amalgamated Film Distributors, Crooks Anonymous is the kind of innocuous black and white British comedy that gets in and does its entertaining job without fuss or pointless filler. Cast are most agreeable, the story has the requisite daftness about it, and it's all smiles come the finale. Trick of the narrative is having us the audience be on the side of the thieving bounder, who is wonderfully essayed by the suave Phillips. That he wants to do right by the scrummy Miss Christie (her first year of big screen acting) obviously resonates with the red blooded male members of the audience, but that he is so charming, elegant even when relieving unsuspecting members of the public of their possessions, really has all comers cheering the gentleman cad on! Fun is garnered here from the tactics used by Hyde-White to get Phillips on the straight, methods such as booby trapped safes bring the joy, as does the many guises used by an on form Stanley Baxter. While a flip flop for the Christmas set finale has a delicious ironical flavour to it. There's nothing overtly side-splitting about the film, and definitely there's no raucous-like-screwball histrionics within either, this is just good old enjoyable fare from a production company who had a particularly good track record in the light entertainment department. 7/10

Kleptomaniac (Phillips) wants to marry his girlfriend (Christie) but it's conditional on him going straight. After being tempted to pull off a safe cracking job, he's caught in the act and offered salvation via the benevolent guardian angel society known as "Crooks Anonymous" (when you're tempted to offend, just dial "uncrook" for assistance), led by former thief Wilfrid Hyde-White. Phillips proves to be a willing if troubled case, with guardian angel Stanley Baxter ready to test his honesty with ruses that Phillips routinely fails. But it turns out that not everyone is as rehabilitated as they portray.

Novel tale is amusing and Phillips is a likable comedian, ably supported by impressionist Baxter, light leading man Michael Medwin and other British notables; Norman Rossington features prominently as a department store night watchman toward the end of the film, and James Robertson Justice is memorable if brief as the store's ill-tempered owner. Her fans should also enjoy seeing fresh-faced Julie Christie in her film debut.

No belly laughs or side-splitting antics, but Baxter's impersonations and the set-ups for which Phillips falls are all capable of coaxing a giggle or two if you're in the right mood.

Why, someone must have thought, isn't there a 'crooks anonymous' as you have an alcoholics anonymous as well? That's the premise of this film, in which 'brother' Forsdyke undergoes the program, to win back the heart of his love, Babette la Verne. Forsdyke is forced to go in rehab, to get the criminal instincts out of his veins. He is tortured by booby trapped safes only to look for a cigarette.

It is a must-see for fans of British comedy, with a lot of 'I saayyy' and 'sport', witty humor, an unrivalled politeness of the characters and, last but not least, almost invisible sexual innuendo ('You'll get my Christmas present later', says a man when hasty leaving after a kiss).

I enjoyed it a lot, thanks to decent comedic acting of Leslie Philips, Wilfird Hyde-White and Stanley Baxter (in a fitting part in which he changes his outfit all the time, as a predecessor of his own TV show that started a year later). Perhaps only Julie Christie, in her first serious role, is a bit of a dissonance. But she would be great in Fahrenheit 451 a couple of years later.

Director Ken Annakin made all kinds of films (The Battle of the Bulge, for example), but was really into silly adventure comedies with rather long titles, like Those Magnificent Men in Their Flying Machines or How I Flew from London to Paris in 25 hours 11 minutes and Those Daring Young Men in Their Jaunty Jalopies, all scripts from Jack Davies, as is also this one. Of course, it is all a bit dated now and then, but sometimes I wonder why this kind of innocent comedy has just died out in this day and age. It is almost impossible nowadays to see a film that is not either totally ludicrous, or over-dramatic. That's why we have this problem today that so many comedies are packed with boring melodrama. Not this one though!