Un hombre, de vida más bien licenciosa, es acusado del asesinato de su enferma, neurótica e insufrible esposa. Pero él tiene razones para sospechar que la culpable tiene que ser una de las m... Leer todoUn hombre, de vida más bien licenciosa, es acusado del asesinato de su enferma, neurótica e insufrible esposa. Pero él tiene razones para sospechar que la culpable tiene que ser una de las muchas y enigmáticas mujeres que lo rodean.Un hombre, de vida más bien licenciosa, es acusado del asesinato de su enferma, neurótica e insufrible esposa. Pero él tiene razones para sospechar que la culpable tiene que ser una de las muchas y enigmáticas mujeres que lo rodean.
- Premios
- 3 premios en total
- Warder
- (sin acreditar)
- Girl
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- Clerk
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- Mrs. Fellows
- (sin acreditar)
Reseñas destacadas
This film has a good cast, especially Jessica Tandy as Henry's friend "Janet", Cedric Hardwick as "Dr Libbard" and Mildred Natwick as "Nurse Braddock". Boyer is good but Blyth is very irritating in a Shirley Temple kind of way. The film drags whenever she is on screen.
The film has many good scenes, eg, when Janet and Henry are in the house sheltering from a violent storm - the use of German Expressionism in this scene (the use of darkness and lightning) will tell you all you need to know. Similarly, another good scene is when Janet visits Henry the day before his execution (the way the scene is framed will stick in your mind). And the scenes between Janet and Dr Libbard towards the end of the film are crammed with tension. I found that the film also had a particularly good moment of philosophical dialogue when Henry verbalized his acceptance of death to Doris.
You will, no doubt, guess who the guilty party is from the beginning but it's still a good film to watch again.
Aldous Huxley, adapting the script from his short story, has written a thoughtful, exciting, romantic drama, while many other films with a similar plot are just written to be a cheap thriller. If you're tired of the same old whodunnit, check out A Woman's Vengeance. There are many thoughtful speeches about life, death, love, and the preciousness of time, that you'll probably remember long after you watch this hidden gem. Cedric Hardwicke plays the family doctor and friend, and while he isn't particularly warm, he's very intelligent and important to the story. Mildred Natwick plays Rachel's nurse, and although she's very upset about her mistress's death, she was hoping to inherit a broach. Jessica Tandy is a neighbor harboring a long-standing crush on Charles, and her spastic, emotional craze is evident even in her earliest scenes. I might be a little picky, since I have a special relationship with A Streetcar Named Desire, but it felt like Jessica was trying to remind everyone of her success as Blanche duBois.
It's difficult to pick one star of this show, because it's a very good movie all-around, but if there is only one, it's Ann Blyth. Incredibly beautiful and adapting herself to a role different than she'd ever played, she's young without being naïve, uncultured without being un-classy, romantic without being stupid, and sensual without being loose. Every one of those characteristics is difficult to pull off, and they're all necessary for the plot of the movie to be meaningful. Charles Boyer is also very good, giving a sensitive performance rather than an over-the-top performance. Watch this movie. It's exciting from start to finish.
When the story begins, Henry (Charles Boyer) and his wife, Emily, are having a fight. It seems that Emily is a very histrionic and demanding woman...the sort that would be nearly impossible to love. On the other hand, Henry isn't exactly an angel...he's got a VERY young girlfriend (Ann Blythe) on the side. He also has a family friend, Janet (Jessica Tandy), who loves him.
One day after yet another fight brought on by Emily, Henry goes out to spend the day with his mistress. During this time period, Emily dies of a heart attack...thus freeing Henry to marry his girlfriend. But once he does, Janet and, especially, the family's maid (Mildred Natwick) begin to wonder if Emily died a natural death. Soon, there is an exhumation and it's determined that Emily was poisoned!! Did Henry do it? After all, he clearly had the most to gain and any man married to Emily would be likely to at least consider poisoning her! Or is there some other answer?
The story is greatly helped by its cast. It's easy to make a good film with the likes of Charles Boyer, Jessica Tandy, Mildred Natwick, John Williams and Cederic Hardwicke in a movie...and it's obvious Universal Pictures put a lot of money into the production.
It's also helped that the story is so clever and offers some interesting twists. I also appreciate that the characters are quite flawed...much like many real people. Overall, well worth seeing and wonderfully well acted.
His short story of 1922 'The Giaconda Smile' is his most anthologised and so as not to baffle the average cinema-goer the title here has been changed to 'A Woman's Vengeance' which merely serves to give the game away from the outset!
We should be grateful at least that the adaptation has not been assigned to some Hollywood hack but has been done by the author himself although the infernal compromises of film have obliged him to deviate from his original.
The suspected wife poisoner has been transformed from the flawed Anglo-Saxon Hutton to the Gallic Maurier of inveterate charmer Charles Boyer and his naive bit of fluff Doris, played by Ann Blythe, is needless to say no longer a Cockney! The character of Janet Spence, described by Huxley as resembling Agrippina 'or perhaps George Robey', is played by Jessica Tandy. All do what they do very well but it is the performance of the superlative Miss Tandy that lingers longest. She depicts frustrated passion and sexual repression as strongly as would have been permitted at the time and is absolutely riveting if a little too attractive.
For filmic purposes the character of Doctor Libbard has been fleshed out considerably by Mr. Huxley and is beautifully played by Cedric Hardwicke. His character not only serves as Maurier's conscience but saves him from the gallows, thereby drastically altering the original ending but that's Hollywood for you.
It is capably directed by Zoltan Korda although one senses that he is more suited to the great outdoors. Noirish touches by cinematographer Russell Metty and a suitably dramatic score by the great Miklos Rozsa.
It was Sir Cedric who said: "God felt sorry for actors so he created Hollywood to give them a place in the sun and a swimming pool. The price they had to pay was to surrender their talent." The same would apply to writers it seems!
¿Sabías que...?
- CuriosidadesHenry Maurier quotes from Wordsworth's 'Ode to Duty' (published 1807): "Stern daughter of the Voice of God"
- PifiasAlthough Emily's gravestone and numerous newspaper articles establish the time of the story as 1931 all the women's hair styles, clothing, and overall demeanor are strictly 1947.
- Citas
General Spence: Wouldn't have minded being a dog myself. Comfortable kennels, free meals, unlimited access to the females of the species, and when you're old, they shoot you. No wheelchairs, no torture, no blasted nurses - one bang and it's over.
- ConexionesReferenced in Inside the Actors Studio: Martin Scorsese (2002)
Selecciones populares
- How long is A Woman's Vengeance?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- A Woman's Vengeance
- Localizaciones del rodaje
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
- Duración1 hora 36 minutos
- Color
- Relación de aspecto
- 1.37 : 1