The Large Rope

Donald Houston returns to his small town after two years in prison. He was sent there by the testimony of Vanda Godsell, who admits to him that she lied when she said he assaulted her, but what's a girl to do? When she goes missing, Scotland Yard in the person of Richard Warner investigates, but the town isn't willing to let justice take its leisurely course.

Good performers are in abundance - although one of them speaks uniquely in this film in stages West-County-Old-Coot accents. Neither are the crowd scenes well directed. Still, despite the patent set-up, it's a decent study in mob hysteria.

Donald Houston stars in "The Long Rope" from 1953, also starring Susan Shaw, Robert Brown, Peter Byrne, Richard Warner, and Vanda Godsell.

After spending time in prison, Tom Penney (Houston) returns to his home town. His ex-girlfriend is marrying someone else; his father doesn't want him in the house; and as soon as the local floozy is murdered, he gets the blame.

Donald Houston reminded me of a homely version of Ingo Rademacher, an actor on General Hospital, and a young Lloyd Bridges. He certainly evoked sympathy in the role.

Interesting look at guilty until proven innocent in a small English town.

Before becoming known as THE LONG ROPE, director Wolf Rilla's THE LARGE ROPE meant that Donald Houston's central character, a young man released from jail and returning to his small hometown village, is basically caught right in the thick of it...

Not only does no one want him around, especially ex-girlfriend Susan Shaw and his former best friend she's marrying, but he winds up accused of murdering a flirtatious older woman played by an actress who made a living brilliantly playing them...

After Vanda Godsell's killed by a person she sees and we don't, what's a kind of frantic melodrama becomes a bonafide whodunnit, and Houston does a nice job frowning and arguing his way through various domiciles and a crowded pub full of drunks who basically want him dead...

Director Rilla, who'd later make another small town thriller in VILLAGE OF THE DAMNED, keeps the pace on a hectically intriguing level, and the British actors (including Robert Brown, Peter Byrne and Edward Judd) are topnotch, going beyond the minuscule budget - that actually suits the desperate one-street purgatory.

Seven years later this film's director & cameraman made 'Village of the Damned' from John Wyndham's 'The Midwich Cuckoos'. This earlier film has a more conventional plot (it's easy to guess whodunnit, for example) but the mood and look compares favourably with classic French rural dramas of the previous decade like 'Le Corbeau' and 'Panique'.

A large and largely unfamiliar cast include one of the first film appearances by Edward Judd and one of the last when she was still an unknown bit player by Katie Johnson.

Donald Houston who plays Tom Penney, is released after three years from prison for a crime of serious assault, which he alleges he didn't commit. However, despite being 'inside' he rashly decides to return to the village where the young woman who accused him of assaulting her is still living. Needless to say many of the villagers are not so keen to 'forgive and forget' Penney's crime, and within a short while are not afraid to show their verbal hostility to the ex con. Matters are not helped when a young, attractive women is found strangled in the woods, and very quickly village suspicion turns to Penney. The storyline rattles along at a good pace and with the arrival of the police, Penney now faces the wrath of the village as well as intense questioning by the police. Sadly, it is at this point, that the storyline gets bogged down as if the director is looking for a way to develop a successful second half of the film but is uncertain how to sustain the drama, with the result that the film runs out of steam. The ending is frankly disappointing! The real killer was easy to identify, and the inept policing handling of the murder investigation is embarrassing. An Americans director would have given Houston more edge to his character as he becomes a potential victim of the village vigilante mob. Also, Houston would have been snarling at the police, as well as the villagers as his innocence is proved beyond doubt, An angry, rebellious Donald Houston, walking away at disgust at his accusers would have been thoroughly justified and merited, but the director decides to let the villagers off the hook. A lame ending to a film which could have been far more dramatic!