Vida y aventuras de Nicholas Nickleby

Personally, there are only two that are better, the 1982 production with Alun Armstrong as Squeers and the 2002 James D'Arcy version, with the weakest being the 2002 feature film with Jim Broadbent and Christopher Plummer, the 2002 film was quite good in my view. But from personal perspective, none of them are bad. The Life and Adventures of Nicholas Nickleby(1947) has problems; an intrusive music score, Derek Bond's wooden Nicholas, Sally Ann Howes' over-simpering Kate and Mary Merrall playing Mrs Nickleby as too much of a silly caricature. The film is beautifully and expressively photographed and has an evocatively atmospheric setting. Alberto Cavalcanti does direct gracefully for one who is more of a surrealist director, while the dialogue is crisp and intelligent and the story draws you right in with little filler and delivers the narrative right to the point. Three performances may not have worked, but the others do. Coming off best is Cedric Hardwicke, by far and large the most evil of the Ralph Nicklebys of all the adaptations, truly diabolical. Alfred Drayton is loathsome and funny as Squeers, while Bernard Miles' Newman is appealing, Stanley Holloway is a sharp Crummles and the Smike of Aubrey Woods is very affecting. In conclusion, one of the better adaptations of the book and does a very good job on its own. 8/10 Bethany Cox

An impoverished family formed by a widow and his two children , a compassionate Nicholas Nickleby : Derek Bond and his sister Kate : Sally Ann Howes are dependent on their wealthy but villianous uncle : Sir Cedric Hardwicke . But the malicious uncle proves to be difficult and cold towards his relatives. Then Nicholas is forced to grow up quickly after his father died and he takes over as head of the family . He is jobless and ultimately gets an employment as an apprentice at an school for boys where they are really mistreated . He soon escapes and in the company of his new friend student Smike run away to a series of exciting adventures and misfortunes , finally joining a theater company .

A decent and nice production based on Charles Dickens classic , the film condenses the exciting plot for mass consumption . Dealing with the hard life during the unjust world of early Victorian England. Well played and competently directed with the unknown Derek Bond able but no outstanding in his agreeable role . The ensemble cast works hard to bring to life this famous novel , giving appropriate performances in an overall light-hearted and lively flick . As Derek Bond provides an acceptable acting as the young who struggles to save his family and friends from the exploitation of his cold-hearted , grasping uncle . He is well accompanied by a good cast , such as : Cedric Hardwicke , Stanley Holloway , Sally Anne Howes , Mary Merral, Cathleen Nesbitt , among others . The picture was well directed by Alberto Cavalcanti who reliably takes on this period piece, delivering an adequate retelling .

There are other renditions as Cinema as Television based on this notorious novel Charles Dickens' Nicholas Nickleby , these are the following ones : Nichola Nickleby 1977 by Christopher Barry with Níger Havers , Freddie Jones , Pauline Moran .The life and adventures of Nicholas Nickleby 1982 by Jim Goddard with Roger Rees , Alun Armstrong , Lucáy Gutteridge , Ian McNiece .The Life and adventures of Nicholas Nickleby 2002 by Stepher Whittaker with James D'Arcy, Charles Dance , Pam Ferris , Tom Hollander , Donald Sumpter , Dominic West. Nicholas Nickleby 2002 by Douglas McGrath with Charlie Hunnam , Christopher Plummer , Jim Broadbent , Juliet Stevenson , Alan Cumming , Timothy Spall , Edward Fox

It is difficult to dramatize this extensive novel involving so many characters and intrigues, but this has been a successful one, actually succeeding in condensing an unsurveyable human panorama into a fairly perspicuous form, but much of its high quality depends on the general excellent acting. This was both Derek Bond's and Aubrey Woods' greatest roles, but Aubrey Woods is the one who grips and stays in your heart. The film is much inferior to the great Shakespeare company production of 1982, where Roger Rees made the perfect Nicholas Nickleby, but here Smike is more human and natural without unnecessary exaggerations. Cedric Hardwicke is the perfect Ralph Nickleby, almost shockingly convincing in his cold cruelty, while Bernard Miles as Noggs also is a prize winner. Both versions deserve 10 points, but in its realism this film actually beats the 1982 theatre performance, maybe especially for its expert concentration of a vast human universe into just one film. The cinematography is also outstanding, and above all, in all its concise concentration, it has succeeded to remain very faithful to Dickens.

I'm afraid I find myself agreeing with the contemporary post-war reviewers: compared to the two recent David Lean adaptations of Dickens ("Oliver Twist" and "Great Expectations"), this version of "Nicholas Nickleby" is definitely lacklustre, despite a promising cast (Cedric Hardwicke; Sybil Thorndike; Bernard Miles; Stanley Holloway).

I did feel that the musical score for this production really doesn't help. There's nothing much wrong with it as such, but it is distinctly unsubtle. I found it actively intrusive in a number of scenes, interrupting any atmosphere that was being built up with its blatant attempts to steer audience emotions in the direction it thought they ought to go: pathos, tension, romance all came clumping in and clumping out again, to negative effect.

And matters were not improved by the failure of the two young female leads, Sally Anne Howes or Jill Balcon, to display any dramatic ability in this picture. Miss Howes in particular seemed to spend much of the film with a completely blank expression, even in scenes where she was supposed to be in considerable distress, and the entire storyline involving Nicholas's sister Kate was less compelling than it ought to have been as a result.

It is Cedric Hardwicke as Ralph Nickleby, top-billed above young Derek Bond as his eponymous nephew, who makes the most impression in this version of "Nicholas Nickleby". His is one of the few characters to be given depths beyond a surface caricature, and he makes the most of it in a compelling performance. Bernard Miles as his grotesque clerk Newman Noggs (I was reminded of Jerry Cruncher in "A Tale of Two Cities") is also memorable, and Stanley Holloway makes a typically resonant but all too brief appearance as the theatrical Vincent Crummles, incidentally reminding us of the close links between Dickens' novels and the popular Victorian melodrama, with their blend of pathos and broad comedy.

The opening scenes up until young Nicholas leaves Dotheboys Hall show promise; but after that the film declines into a rather thin series of events. I was interested ahead of time to see what Ealing Studios would make of this uncharacteristic attempt to produce a literary adaptation, but I'm afraid the result probably explains why the studio didn't make a habit of it! Worth watching for Hardwicke's talent, as ever; but not a great screen version of Dickens.

A better adaptation was broadcast by the BBC in 2002, featuring Charles Dance as an excellent Ralph Nickleby.

It's not so often that Sir Cedric Hardwicke takes centre stage in a film, but he does it quite menacingly in this adaptation of Charles Dickens's story of greed and belonging. We first meet his "Ralph" when his recently widowed sister-in-law (Mary Merrill) arrives on his doorstep with her children "Nicholas" (Derek Bond) and "Kate" (Sally Ann Howes). In need of his patronage, he agrees providing the children find gainful employment - a task he readily undertakes himself. She is to become an apprentice seamstress, he a teacher in a remote boy's school run by "Wackford Squeers" (Alfred Drayton) who rules his school with fear, starvation and a cane. Young "Nicholas" is repulsed by their methods, especially as both he and his wife (Sybil Thorndike) use their lackey "Smike" (Aubrey Woods) as a glorified slave. Abhorred, he takes direct action which promptly sets him on a series of escapades that eventually pitch him against his uncle and his powerful, and sleazy, friends. There are loads of engaging characters to help him along the way: "Crummies" (Stanley Holloway) runs a touring vaudeville troupe whom he and "Smike" do some popular writing for; Bernard Miles's "Newman Noggs" proves ever useful as his eyes and ears in his uncle's office and the always reliable James Hayter is on good form as the aptly named and generous "Ned Cheeryble". They all help this tale of the epitome of venality and wickedness come to it's head. It's never simple with this author, he always takes with one hand what he gives with the other - and the conclusion here is tinged with sadness. It's one of my favourite of this man's stories and Cavalcanti makes sure this superior cast pack plenty of characterful performances into this darkly photographed and gritty looking drama that sticks fairly faithfully to the original text.