He Couldn't Say No

"He Couldn't Say No" ranks as one of the top ten worst films I have ever seen. Jane Wyman, a brilliant, Academy Award winning actress, is completely wasted in this film. There are brief humorous moments, but they are overshadowed by the cardboard plot and insufficient character development. Frank McHugh was well-cast in the lead, but the film is so unbelievable that this is the only point in its favor.

The basic "plot" (such as there is) is as follows: Lambert, a less than average looking fellow (McHugh), who is fascinated by the beautiful Iris Mabby (Diana Lewis), a senator's daughter, is engaged to one his coworkers (Wyman). His fiancé dominates him and has an overbearing mother (Cora Witherspoon) as well. The three of them go to an auction to buy furniture to furnish the apartment in which all three (!) of them will live after the wedding. At the auction, Lambert spends an outlandish sum on a nude statue that looks exactly like Iris Mabby, infuriating his fiancé and her mother. From then on, the film centers around his attempts to keep the statue despite a great deal of crusading efforts from numerous other people.

All of the actors in this film were far more talented than this film makes them appear. If you are a Jane Wyman or Diana Lewis fan, don't disappoint yourself by watching this pathetic motion picture. There are a great many far better classic films that you could be viewing instead.

I noticed that one of the reviews for this film says it's among the 10 worst films that they've ever seen. I can't understand this unless you just haven't seen all that many movies. I see it instead as a seriously flawed film but a decent time-passer nevertheless. It's the sort of nonsensical story you need to watch without thinking or complaining--just accept it for what it is.

The film begins with Frank McHugh playing a meek man (Lambert) who has a secret--he has an infatuation with a society lady, Iris Mabbey. You never really have any idea why--he just thinks she's the most beautiful woman on Earth. There is a woman who works with him (Jane Wyman) and she and her mother have just taken for granted that she WILL marry Lambert! And, while it looks as if Lambert doesn't want to marry her, he's so meek that he can't say no. Later he takes her and her super-obnoxious mother shopping for furniture at an auction. However, instead of spending his money on furniture, there's a statue that appears to be Iris--and he buys that instead. The two women are infuriated with him but for the first time he's clear--he MUST have that statue. Even when a blustering Senator (Iris' father) offers him a ton of money for it, Lambert isn't swayed--he MUST have that statue! Where all this leads, you'll have to find out yourself.

While the plot above is pretty silly and some parts of the ending are ridiculous, the film has a likable charm as well. No brilliant by any standard, still, I had a hard time disliking this cute film.

Frank McHugh is a browbeaten man with an overbearing boss, a hectoring fiancee in Jane Wyman, and a awful prospective mother-in-law in Cora Witherspoon. They go to an auction house to purchase furniture, but McHugh sees a statue that looks like his ideal woman. He buys it for $100, arousing the ire of the two women, and the offers for profit from Berton Churchill; it seems the statue is modeled on his daughter, Diana Lewis. But McHugh will not sell

This is a well-constructed comedy that irritates me far too much to enjoy. McHugh isn't strong enough to carry even a 57-minute comedy. He's playing one of those characters who are timid as rabbits, which annoys me. I think the people who made this movie understood they had to dig for giggles, so they named McHugh's character .Lambert T. Hunkins, and his employer Oxnard O. Parsons, and had him put the statue on a plinth so it could continually wobble and threaten to fall and shatter. All of those things annoy me. I think it's a matter of personal taste, so I'm giving it the benefit of the doubt.

In the midst of all this annoyance, I should note that Tom Kennedy gives a nice comic performance as a gangster deputed to guard McHugh and the statue. But it isn't enough to make me like this movie.

Frank McHugh is mild-mannered office worker Lambert Hunkins. Timid, obedient and physically unimpressive, Lambert is an unlikely hero—until we see him display a unique single-mindedness concerning a life-sized sculpture and the girl after whom it's modeled.

Jane Wyman is McHugh's office co-worker and would-be girlfriend; when he gets a $10 raise, she brings him home to dinner where her mother (Cora Witherspoon) announces that they can now get married—to McHugh's quiet acquiescence rather than great delight.

Witherspoon and Wyman are intended as comic foils, minor villains of a sort; unfortunately, they both come across as more annoying than humorous. McHugh, too, in the early going at least, is a fairly pathetic creature—Stick up for yourself! we want to yell at him. Luckily, before too long he meets…

Diana Lewis, the model for the statue McHugh has purchased (to the shock and dismay of the mother-daughter team, who wanted him to spend the money on furniture). The beautiful Lewis is a bright spot—not only is her performance charming and lovely, but her character's appearance gives McHugh's character a much-needed jolt of energy.

Overall, there's not much to this picture, but it's easy to take….It would have been nice to see Frank McHugh given a little meatier role to star in, but he is likable enough in this very slight but moderately pleasant B movie.

Frank McHugh is the star. He is a soft-spoken employee of a big company. As the movie starts, we see him on a very realistic looking subway to work.

Jane Wyman works with him. Wyman looks different from her usual. Her hair is dark, as it was in her later movies. But the face seems a little different. As always, she is appealing. Her mother is played in hilarious fashion by Cora Witherspoon.

The lovely Diana Lewis is an heiress McHugh is pining for. She looks gorgeous and plays this aloof but kind character to perfection.

The title refers to an auction. What happens at the auction results in the appearance of standard comical bad guys. One of them is burly Tom Kennedy, who played the same sort of role over and over -- always amusingly -- at Warner Brothers in the 1930s and forties.