Miedo a la muerte

The classic trope of several people in a house with a killer. Right away, we're assaulted by a garish color palette, but OK whatever. We're introduced to the cast one-by-one and we are trying to figure out whodunit and why. Pretty standard so far. Then about 65 minutes in, the killer is abruptly revealed and the movie ends. Wait, what? The movie starts out not being too bad, and seems like it could have gone somewhere, but ultimately it's like they just gave up (ran out of time? Money?) and ended it. The unsatisfying ending turns a mediocre movie into a somewhat bad one.

Bela Lugosi had a notable career during the 1930s--but success of his landmark performance in the 1931 Dracula combined and his exotic appearance and accent left him typecast, and during the 1940s he found work increasingly difficult to obtain. By the mid-1940s he was so greatly pressed that he began to accept work in low-budget independent movies. Among the first of these was the 1947 SCARED TO DEATH, a film often described as the only color movie in which Lugosi appeared. This is not strictly true: although he was not the star, Lugosi also appeared the color 1930 VIENNESE NIGHTS--but given that both films are so little known it's hardly worth arguing about.

The story begins with a clever idea: a woman's body lies on a slab in a morgue and through flashback she relates the way in which she was murdered. Sad to say, though, this clever idea is not only badly executed, it also happens to be the only clever idea in the entire show. The plot, such as it is, concerns a doctor with a questionable background whose son has married a woman with a questionable background (our soon-to-be corpse.) The family is suddenly descended upon by the doctor's brother, a hypnotist (Lugosi, of course) with, yes, a questionable past. Throw in a surly maid, a mean dwarf, a newspaper reporter, a dumb blonde, and a green mask that keeps floating in front of the window and you have SCARED TO DEATH.

The only saving grace in this nonsense is the cast. Although he receives star billing, Lugosi's role might be better described as the second lead; whatever the case, and in spite of a truly ridiculous script, he gives the role more sparkle than you would expect. The film also includes a number of character actors who like Lugosi shone most brightly in the 1930s--George Zucco, Nat Pendleton, and Joyce Compton--and they too deliver more than the silly script actually allows.

Even so, the charms of the cast cannot raise SCARED TO DEATH above the level of slightly-less-than-mediocre, and for the most part watching the movie is an uphill battle. Lugosi would go on to make one or two more films for major studios, most notably the 1948 ABBOT AND COSTELLO MEET FRANKENSTEIN, and he would make a few television appearances as well, but for the most part SCARED TO DEATH would mark the beginning of his career's rapid slide into the likes of BELA LUGOSI MEETS A BROOKLYN GORILLA and his wildly dire association with the notorious Ed Wood in such appalling (and accidentally hilarious) films as GLEN OR GLENDA and PLAN 9 FROM OUTER SPACE.

For the sake of Lugosi, Zucco, Pendleton, and Compton I'm giving SCARED TO DEATH three stars, but truth be told it really doesn't deserve more than two, and that's throwing roses at it. Although it does have a few moments--and I do mean a very few--this is one Lugosi film that is best left to die-hard fans.

GFT, Amazon Reviewer

Norm thinks more of this turkey than I do. I found it inept in plotting, dialog, direction---well, everything. Lugosi tries, but the deck's stacked against him. Watch as Zucco takes the dead girl's pulse, lets go of her hand, and it hangs there for a second before dropping to the floor. Lines get flubbed but they go on anyway. Hear the corpse stick her two cents in periodically, while the same spooky chord plays every time. Okay, I've seen it, but the next time I watch it I'll have some liquored up friends over for some solid laughs.

I do admit to someone not into classic films this movie will seem boring and it is in fact not on the same level as the greats of this time period but it does have endearing qualities. For one as others have mentioned Lugosi and Zucco play solid roles. Second it does have good comic relief with the bungling ex detective and the ditzy fiancee of the reporter. Also I like the wide open ending where you are left wondering what exactly happened. Now it does have flaws also, the major one being switching back to the morgue ever few mins to have the woman on the slab tell you what is coming up next, a complete waste of film. But, All in all a decent movie for the time period.

Most of the reviews on IMDb for Scared to Death give it a good trashing. And, while I understand it has many flaws, I didn't find it to be as bad as some of the reviews would lead one to believe. Maybe I was just in the right frame of mind or something.

The basic story: A women is slowing being driven mad. So mad in fact, that by the end of the movie she is literally scared to death (I'm not giving anything away as the fact she is dead is presented in the first minute of the movie). She is presented with numerous images and circumstances that become too much for her to bear. There are several suspects - her husband, her father-in-law, the maid, her husband's mysterious uncle, the uncle's dwarf companion, or could it be someone else? But which one of the suspects is behind it? You'll have to watch to find out.

Scared to Death stars Bela Lugosi and George Zucco. Lugosi is obviously having fun. He seems to understand just how silly some of the situations are, yet he handles each as if it were life and death. Zucco, on the other hand, acts most of the film as if he would rather be someplace else. Very aloof. The rest of the cast does a decent job with the material they are given.

This is the only time I've ever seen Lugosi in color. The film is marketed as being his only color picture, although I'm not sure that's true. The color is very nicely used throughout the movie. Very vivid.

Some of the flaws in the movie: a little stagey at times, goofy dialogue, and it may prove slow to some. The biggest annoyance, however, is the way the story is told. It's presented in a series of flashbacks from the dead woman at the morgue. It gets old real quick. But for the most part, I was able to look past these weaknesses and have a good time.

One final note. I picked up the DVD for $5 from Alpha. This is one of the better Alpha DVDs I've seen. While there are a few spots and other picture flaws here and there, overall the picture quality is good. The sound (so often bad on older films) is above average. All in all, for $5, Scared to Death is a wonderful addition to my DVD library.