La mansión de los Fury

"Blanche Fury" is one of those films that is rarely aired on TV, impossible to find on video, and OUGHT to be released to DVD for magnificent production values, use of color, and all out dripping-with-Gothic eeriness. The leads are compelling (Valerie Hobson and Stewart Granger at both their primes). This is also one of those rare opportunities to see Michael Gough doing what he does best; behaving thoroughly despicably! (unfortunately, Gough is familiar to contemporary audiences pretty much only as Alfred the butler from the "Batman" films of the 90's, which is rather a crime since he's most proficient playing cads and sinister megalomaniacs).

Watching "Blanche Fury" is like diving head first into a Victorian Gothic romance novel, and is pulled off with style and panache in every sense. It's a film for revival houses, ripe for restoration and preservation on DVD/VHS, and would surely find an audience in today's society which seems pretty much preoccupied with escapism. Escape into the world of "Blanche Fury" and you might not want to resurface (yes, it's that good).

This dark, engrossing drama centers on a beautiful English girl(Valerie Hobson) who goes to live at her uncle's Gothic estate where she engages in an illicit affair with the head-strong steward(Stewart Granger). This is one of the Rank Studio's most impressive Gothic melodramas. It's rich in creepy, menacing atmosphere, and features solid direction by Marc Allegret and terrific performances by the multi-talented British cast. Most of these classic '40's British dramas were rightfully filmed in black and white. BLANCHE FURY was filmed in color, but color actually suits this film well and makes the wonderful Gothic architecture all the more enjoyable.

The 18th century costumes, manor-house setting, and forbidden romance make this look like a bodice-ripper to the idle channel-flipper, but it's not. It's a twisted and effective suspense movie in a period setting, more like "Dangerous Liaisons" than Harlequin books. It's about a beautiful and willful young woman (Valerie Hobson) who doesn't like her rich clod of a husband, instead she has the hots for poor-but-gorgeous estate manager Stewart Granger. At first it's all forbidden kisses and steamy dialogue... until they kill her husband. Then, things start to get real, and get creepy. It's easy to get excited over forbidden fruit that looks like Stewart Granger, but a whole lot harder to deal with a murderer who wants to marry you for reasons that have nothing to do with romance. Especially when it's impossible to refuse him because you're an accessory to murder, even after he...(sorry, no spoilers). It's rather like Hitchcock's "Shadow of a Doubt" or "Dangerous Liaisons", in which a well-to-do, polite exterior conceals a man and woman whose love has turned deadly. When I first saw this movie I was astonished at how good it was, and wondered why I'd never heard of it. It isn't a classic like "Kind Hearts and Coronets", but it sure grabbed me when I flipped across it. Between the solid performances by Hobson and Granger, the lush Technicolor photography, the steamy romance, and the creepy ending, this is one to look for. (I don't believe it's out on video, but is occasionally shown on AMC

Blanche Fullerton accepts an invitation to go and work for her wealthy Uncle out on the Clare estate. Tho the estate is the ancestral home to the Fury family, the Fullerton's take the name of Fury to be their own and run the estate as the rightful heirs. Philip Thorn believes he is the rightful heir to the estate but just can't find the proof needed to claim what he feels is rightfully his. Once Blanche enters the estate the men of the home have their heads turned, and from that point on Clare estate, and the whole Fury dynasty, is in danger of going down a very dark path that can may only lead to pain and misery. Is the ape curse of the Fury's about to strike again?

There is a good chance that I'll be reviewing this picture with a hint of bias, for Blanche Fury has everything that I personally look for in a Gothic classic picture. Two lead stars firing on all cylinders, both Stewart Granger and Valerie Hobson positively ooze grace and quality amongst the glorious colour and corking costumes. The mansion of the piece is just perfect (Wootton Lodge, Staffordshire, England), a poetic stone built structure by day that is surrounded by rolling countryside, but by night it's a hauntingly monolithic place of dreams and simmering passions. The dialect perfectly befits the late 40s British setting, where the story itself is crammed with passions and dastardly motives, adulterous leanings and murderous intent. But above all else it's the ending that seals the deal, as our protagonists respective futures unravel in yet another trip down some dark twisty road.

Based on the novel written by Joseph Shearing (who was actually Marjorie Bowen), the inspiration for the story is a real life case from 1848, this itself carries with it no small amount of potency, adding still further a fleck of nastiness to the unfolding drama. Blanche Fury is very much one for those who like Gothic melodramas or uneasy mansion set thrillers, the likes of Dragonwyck, House Of Usher, perhaps even Alfred Hitchcock's wonderful Rebecca. It's tightly directed by Marc Allégret and acted accordingly, whilst also technically the picture scores high as the score (Clifton Parker) and the photography (Guy Green/Geoffrey Unsworth) gives the picture an all round quality production. Blanche Fury, as a story itself? Well it's a little gem from the golden sub-genre of Gothic melodramas. At the time of writing Blanche Fury is still searching for a wider, more appreciative, audience, so if you get the chance to see it then don't pass up the chance because it's a must for fans of the films mentioned above. 8.5/10

The film is one I only saw partially once, two or three years ago. I wish it was on Video or DVD. Other early Stewart Granger historic films are out - SARABAND FOR DEAD LOVERS and CAPTAIN BOYCOTT. This one was based on a novel by Joseph Shearing, the female novelist who used a male pseudonym. All her books were based on actual crimes - see my comments on the contermporary film SO EVIL MY LOVE, with Ray Milland and Ann Todd. Here, Shearing turns to the murder, at Stanfield Hall, near Norwich, England of Isaac Jermy and his son (incredibly named Isaac Jermy Jermy)in November 1848. The perpetrator was a farmer, James Blomfield Rush, who was a tenant of the Jermys but was on bad terms with them for a series of debts he owed them, and attempts to claim title to the farm and other properties. Complicating the matter was that the Jermys title to their estate was subject to a law suit. Rush dressed in a disguise, and walked over two miles in the dark to the estate, where he shot the Jermys down in their home, and then shot the wife of the son and their maid. Apparently he wanted no witnesses. Unfortunately there were too many. Also, his alibi was supposed to be his children's governess, Emily Sandford, and she turned out to be more truthful at his trial than he hoped. The trial was notable because Rush insisted in defending himself. It turned out that he had a fool for a client. Rush was found guilty and hanged. The full story is not quite used in the movie, but bits and parts of it certainly are.