Mientras sean felices

I noticed one reviewer compared this movie to the later American film "Bye, Bye Birdie"...and that is a pretty astute observation. Both films have a lot of similarities, though "Birdie" is much more of a musical, though there's plenty of singing and teenage hi-jinx in both.

When the film begins, the American crooner Bobby Denver (not to be confused with the "Gilligan's Island" actor) arrives in Britain...and the women there are losing their minds for him! Shortly after his arrival and the mobs of women attack him, he is tricked into going to Wimbledon (just outside London) to stay with the Bentley family. As for the Bentley's, the father is the world's biggest square, his wife is sadly neglected and their three daughters are screwy! Now, you add Denver to the household and chaos naturally ensues. But something else happens...and that you'll need to see for yourself.

According to imdb, Bobby Denver is a character inspired by American singer Johnnie Ray. While he's pretty much forgotten today (partly because he went deaf while still quite young), apparently when he visited the UK and Australia, it was like Beatle-mania and Elvis--with screaming women following him everywhere!

So is it any good? Well, yes...but I should point out that the film is NOT subtle in any way! In other words, the humor is pretty broad and low-brow. As for me, I didn't mind this and a few of the jokes were cute--such as Denver's propensity to cry and make people cry as well as how the women of the Bentley household got over their infatuation with Bobby. I also enjoyed seeing Diana Dors in the movie. There really was no reason for her to be in the film, but she was nice to look at here. But remember....the film is certainly not subtle in the least and may annoy you with its characters who seem, much of the time, like caricatures. I can see why some reviewers hated it...but I didn't mind the silliness.

Having always loved his knockout performance as the egoticstical producer in "The Band Wagon" and being familiar with his recordings I watched this latterday Jack Buchanan movie with great expectation. A parody of the Johnny Ray type celebrity it's based on a long running stage show that also starred Buchanan. The idea itself isn't bad and with the right handling it could've been a British equivelent of "The Girl Can't Help it" (it even features Britain's own blond bombshell - Diana Dors, in a cameo) But the satire is limp, and J Lee Thompson is far more at home in gritty thrillers than froth like this. What we end up with is a silly (in the annoying sense) witless piece typical of the mediocre stuff Rank was churning out in the 50's.

The film is dominated by constant mugging and bad performances (the teeth grindingly unfunny psychiatrist rates special mention) clumsy slapstick (Joan Sims repeatedly swooning whenever she sees the singer, Buchanan falling into a fish pool, or falling onto a trampoline, or repeatedly getting his hat pressed down over his eyes etc.) This might sound mildly amusing and maybe it was back in the 50's but now the whole thing is so predictable and laboured, with most gags being repeated ad nauseum that the only reaction is to groan. Furthermore it's a musical of sorts and our (minimal) enjoyment is dampened by some tedious songs. Of these only "Cry" hit's the mark being exactly the type of song Johnny Ray would've sung and this provides the sole amusing scene in the film when a slightly drunk Buchanan decides to have a crack. Apparently this was a real show stopper on stage. Here it's a brief chance for Buchanan to shine and he milks it for all it's worth.

By the last 5 minutes I was longing to fast forward this particular turkey when out of the blue the film gave us a few minutes of vintage Jack, in a brief song and dance number after all the plot points were been resolved.

If the whole movie had been like this few minutes of good humoured hoofing from a guy who knew how, then it would've been a very pleasant experience indeed. Unfortunately it isn't and although everyone tries hard (too hard) it's a laboured piece and unworthy of it's star.

There's the Rank gong. and they even mention Arthur Rank in the first few minutes! in spherical Eastman color. Stars Jack Buchanan as John Bentley. and this was one of the last things he did... because he died just a couple years after making this. In the story, Jerry Wayne is Bobby Denver, the crying crooner. although on imdb, he was only in eleven films, and doesn't even have a photo. but it's Diana Dors month on TCM, so she's in here as Pearl. the running gag here is that the daughters are all wiring daddy for money, when their own no-good husbands run into trouble. so singer Denver and the daughters all converge at the family home, and Buchanan's acting is over the top, which is probably just what the director was going for. a fast talking, fast moving, caper, almost cartoon-ish pace. and, of course, it's from a show, so the talking and singing just go on and on. and on. Let's do the hokey pokey polka! This one is energetic and fun. Long as #$$$ though. should have been so much shorter. Diana Dors appears at the cast party about halfway through. Directed by oscar-nominated Lee Thompson. looks like his biggest films were Navaronne and Cape Fear.

This film is about an American singer named Bobby Denver, who is known as the "Crying Crooner" (a la Johnnie Ray), who stays with a stockbroker's family by mistake when he comes to England. The stockbroker, played by Jack Buchanan, has three very pretty daughters with the youngest Gwen (played by Janette Scott) madly in love with him so much she wants to marry him. Eventually, the stodgy stockbroker deals with his wife and daughter as well as his maid Linda (played by Joan Sims, who keeps fainting every time Bobby sings) being so infatuated. This is a comedy with music, and it also has the sexy Diana Dors in it, as well as a cameo by Norman Wisdom. Yes, its not brilliant or even laugh out loud funny, but all these years later it does have some charm. Recommended for lovers of British comedy at the time, it has enough fun moments to recommend, if not greatly praise.

Really, almost a warmup to the Strouse-Adams stage musical of five years later, in that it's about a teen-idol singer (a crooner here, rock and roll being just on the horizon) who invades an upper-middle-class suburban home, antagonizes the paterfamilias, enthralls his impressionable teenage daughter, and generally charms the women of the neighborhood. As the dad, Jack Buchanan mainly purses his lips and inserts nasal insults into the proceedings; he's nowhere near as broad as Paul Lynde, nor as funny. (But then, his lines are unusually feeble.) And he only gets one brief dance, near the end, and a smattering of vocals. David Hurst, as a cartoonish German shrink studying the effects of a teen heartthrob on the bourgeoisie, is just unforgivably bad. It's not all his fault: J. Lee Thompson, as he did years later with "What a Way to Go!", overemphasizes everything and hammers the comedy into the ground. Jerry Wayne, as the Conrad Birdie of the piece, sings some Johnnie Ray-type ballads with the right sobbing style. And Jeannie Carson, as another of Buchanan's girls, is the best thing in the picture, pretty and spirited and talented, even in an overproduced musical sequence that hasn't much to do with anything. There's also Diana Dors, the camera lingering lovingly on her cleavage, as a good-time party girl. None of it makes sense, the subplots are unrelated to each other, and there's no payoff, but as a chronicle of how the British tried to adopt American pop-culture customs even as they were satirizing them, it's kind of fascinating.