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IMDbPro

American Empire

  • 1942
  • Approved
  • 1h 22min
PUNTUACIÓN EN IMDb
5,6/10
325
TU PUNTUACIÓN
American Empire (1942)
DramaHistoryWestern

Añade un argumento en tu idiomaTwo men join forces to build a cattle empire, battle rustlers, bad weather and each other.Two men join forces to build a cattle empire, battle rustlers, bad weather and each other.Two men join forces to build a cattle empire, battle rustlers, bad weather and each other.

  • Dirección
    • William C. McGann
  • Guión
    • J. Robert Bren
    • Gladys Atwater
    • Ben Grauman Kohn
  • Reparto principal
    • Richard Dix
    • Leo Carrillo
    • Preston Foster
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    5,6/10
    325
    TU PUNTUACIÓN
    • Dirección
      • William C. McGann
    • Guión
      • J. Robert Bren
      • Gladys Atwater
      • Ben Grauman Kohn
    • Reparto principal
      • Richard Dix
      • Leo Carrillo
      • Preston Foster
    • 13Reseñas de usuarios
    • 5Reseñas de críticos
  • Ver la información de la producción en IMDbPro
  • Ver la información de la producción en IMDbPro
  • Imágenes16

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    Reparto principal29

    Editar
    Richard Dix
    Richard Dix
    • Dan Taylor
    Leo Carrillo
    Leo Carrillo
    • Dominique Beauchard
    Preston Foster
    Preston Foster
    • Paxton Bryce
    Frances Gifford
    Frances Gifford
    • Abigail 'Abby' Taylor
    Robert Barrat
    Robert Barrat
    • Crowder
    • (as Robert H. Barrat)
    Jack La Rue
    Jack La Rue
    • Pierre - Beauchard Henchman
    Guinn 'Big Boy' Williams
    Guinn 'Big Boy' Williams
    • Sailaway
    • (as Guinn Williams)
    Cliff Edwards
    Cliff Edwards
    • Runty
    Merrill Rodin
    • Paxton Bryce Jr.
    • (as Merrill Guy Rodin)
    Chris-Pin Martin
    Chris-Pin Martin
    • Agustin - Beauchard Henchman
    • (as Chris Pin Martin)
    Richard Webb
    Richard Webb
    • Crane
    William Farnum
    William Farnum
    • Louisiana Judge
    Etta McDaniel
    Etta McDaniel
    • Willa May
    Hal Taliaferro
    Hal Taliaferro
    • Malone
    Ben Corbett
    Ben Corbett
    • Rider
    • (sin acreditar)
    Dick Dickinson
    • Rider
    • (sin acreditar)
    Sam Flint
    Sam Flint
    • Doctor
    • (sin acreditar)
    Homer Holcomb
    • Rider
    • (sin acreditar)
    • Dirección
      • William C. McGann
    • Guión
      • J. Robert Bren
      • Gladys Atwater
      • Ben Grauman Kohn
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios13

    5,6325
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    Reseñas destacadas

    6drystyx

    "Everymen"

    This is the old time basic Western, and one interesting aspect about it is how it is one of the "models" for most later TV series.

    Perhaps the best way to illustrate this is by the star billing. Dix and Carillo are top billed, yet it is obvious from the start that Preston Foster and Frances Gifford are the lead romantic interests.

    Romantic leads were not always the standard. Top billing in "THEM!" went to the chief characters of Gwynn and Whitmore as the eccentric show stealing scientist and the policeman who was followed throughout the story. In "THE RAVEN" the two young romantic lovers play second fiddle to three with star billing in Karloff, Price, and Lorre.

    So it's not new. What is important is that the character played by Dix is the one who is the strong, solid, stable influence. This is the character who would be the mainstay of just about every TV Western series to follow, and most other TV shows. He was Cheyenne, Bronco, Matt Dillon, Ben and Adam Cartwright.

    Foster was the mistake prone fellow who lacked the solid fundamentals. He learns some bitter lessons the hard way. Unfortunately, as in real life, it is other people who pay for them. In this case, his first born son does.

    The villainy of the Mexicans is on the racist side. One interesting bit is that when the two good guys meet up with the villain Carillo, it is their own man who is at fault for the troubles, but they are men of experience and savvy, and recognize Carillo for what he is.

    Frances makes a very nice entrance, and she is very stunning. She appeals to both the male libido and the female intellect.

    Dix, though seemingly shadowed in the background, is no more shadowed than Bronco or Ben Cartwright were in their endeavors. They were the main character, because they were not just one man, but representative of a lot of men who would try to make things work. They weren't "Everyman". They were "Everymen".
    Snow Leopard

    An Entertaining Western

    Good action and an interesting story make this Western good entertainment despite a few minor flaws. The characters aren't very deep, but they're interesting, and the pace moves along very nicely as it builds up the tension and leads up to a good and often exciting climactic sequence. Richard Dix helps a lot with a pretty good performance as the key character.

    The story sets up a situation with a lot of possibilities. On the one hand is the hard-headed Bryce, head of the big cattle empire. Then there are the rest of the ranchers, whom Bryce has alienated and angered by his aggressive policies. Finally there is the wild card, the crafty rustler Beauchard, out only for himself. In the middle of all the conflicts is Dix's character Dan Taylor, trying to hold things together. As the story develops from there, Dix generally underplays to good effect (making a nice contrast with, for example, his better known but rather overblown performance in "Cimarron"), and lets the situation speak for itself when it should. Only some shallow characterizations and some ineffective comic relief hold it back a little at times. Otherwise, it gets pretty good mileage out of its potential, and has most of the things you could ask for in a Western.
    6boblipton

    That's Texan Empire!

    Richard Dix and Preston Foster give up their Mississippi paddlewheeler to become co-owners of the largest ranch in Texas, with Dix's sister, Frances Gifford, marrying Foster. Pressures ensue. Foster wants to forbid other ranchers from crossing their immense territory, and won't grant rights for the railroad to cross their ranch, while Dix wants to leave room for the little guy. Meanwhile, Cajun Leo Carrillo raids their cattle to become the largest rancher in Louisiana.

    There are some anachronisms in this movie, like entire herds being whitefaced Hereford; the breed was only being introduced into Texas when the latter portions of this movie take place. Nonetheless, it is an exciting movie, with three battle scenes. Rough humor is provided by 'Big Boy' Williams and Cliff Edwards as two of their crew who move from shipboard life to ranch life without much trouble. Edwards also sings a couple of songs.
    6FightingWesterner

    Cowboys Versus Cajuns

    An encounter with Frenchman Leo Carillo gives riverboat operators Richard Dix and Preston Foster the idea to start a ranch by buying property already inhabited by wild cattle, that had multiplied on the un-worked land during the Civil War. Things go well for awhile, until Carillo shows up to take what he believes is owed him, leading to misunderstandings with the neighbors that leave Foster acting more and more tyrannical.

    I'll give the filmmakers credit for managing to squeeze an epic tale into eighty-one minutes and nine seconds, on a low budget, but the ambitious, episodic script is just too loose for it's own good. The producers should have spent some extra money to develop it more.

    Still, it's an entertaining enough time-filler, thanks to the colorful performance by Carillo, better known for his role on TV's "The Cisco Kid" and a spectacular, action-filled final act.

    Foster's pretty good at playing bitter SOB's and Dix is a likable actor, as is Guinn "Big Boy" Williams, who plays an ex-whaler/cowboy. They're worth watching too.
    7bsmith5552

    Ambitious Epic of Post Civil War Texas

    "American Empire" is another of a series of modestly budgeted features produced by Harry "Pop" Sherman, who also was responsible for the highly successful Hopalong Cassidy series. This one deals with the emergeance of the cattle ranches in Texas in the years following the Civil War.

    Two soldiers of fortune, Dan Taylor (Richard Dix) and Pax Bryce (Preston Foster) are ruuning a freight business from their riverboat. One day they meet up with the unscrupulous Dominique Beauchard (Leo Carillo) who is driving cattle to his home state of Louisiana. The boys agree to transport the cattle to their destination for a set fee. When Beauchard fails to pay up they keep the cattle and decide to go into the cattle ranching business.

    Into the mix comes Taylor's sister Abby (Frances Gifford) with whom Bryce falls in love and marries. They soon have a son Pax Jr. (Merrill Rodin) and Pax Sr. becomes more and more ambitious as time goes on, much to the chagrin of his partner Dan. He has angered the smaller ranchers by refusing them permission to drive their cattle across his land. The ranchers decide to stampede the cattle through but Pax Jr. is killed in the stampede.

    Bryce becomes distraught and decides to erect barb wire fences around the ranch which forces Dan to dissolve their partnership. All this is resolved at the end when all realize that progress must prevail over the ambitions of one man.

    Also in the cast are Guinn "Big Boy" Williams and Cliff Edwards as the comic relief, Jack LaRue and Chris-Pin Martin as Carillo's henchmen, and veterans William Farnum and Hal Taliaferro in other roles.

    Foster is really the star of the movie despite being billed third. He delivers a solid performance. Dix, who was top billed, is really only a supporting player. Gifford looks lovely as the heroine. The action is well staged and there's one dandy of a gunfight at the climax of the film.

    A good western.

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    Argumento

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    • Curiosidades
      This was one of two dozen Walter Wanger/Harry Sherman/Cinema Guild films originally released by United Artists, re-released theatrically in 1948 by Masterpiece Productions, and ultimately sold by them for US television syndication in 1950. It was first telecast in Los Angeles Sunday 16 April 1950 on KTLA (Channel 5), in New York City Saturday 20 May 1950 on WCBS (Channel 2), in Cincinnati Saturday 3 June 1950 on WKRC (Channel 11), in Philadelphia Sunday 25 June 1950 on WFIL (Channel 6), in Chicago Monday 26 June 1950 on WENR (Channel 7), in Atlanta Wednesday 5 July 1950 on WSB (Channel 8), in Albuquerque Tuesday 18 July1950 on KOB (Channel 4), in Detroit Sunday 17 September 1950 on WXYZ (Channel 7), in San Francisco Saturday 14 October 1950 on KGO (Channel 7), in Pittsburgh Friday 1 December 1950 on WDTV (Channel 3), and in Boston Sunday 7 January 1951 on WNAC (Channel 7).
    • Citas

      Paxton Bryce: At least we had some excitement when we owned the old Hattie T.

      Dan Taylor: Wasn't it your idea to swap her for this?

      Paxton Bryce: Yeah, but the whole set-up has changed! There was a war on - a man could make some real money. Or don't you remember?

      Dan Taylor: Oh, I remember all right. I remember getting a broadside from a Union gunboat amidships and taking splinters from my, um, hide for two weeks.

      Paxton Bryce: You got a hundred dollars for each splinter.

      Dan Taylor: That's right - in Confederate money!

    • Conexiones
      Referenced in Los ilusos (2013)
    • Banda sonora
      Little Pal
      by Lew Pollack

      Sung by Cliff Edwards (uncredited)

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 11 de diciembre de 1942 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • My Son Alone
    • Localizaciones del rodaje
      • Kernville, California, Estados Unidos
    • Empresa productora
      • Harry Sherman Productions
    • Ver más compañías en los créditos en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora 22 minutos
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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