El dragón chiflado

I happened upon this film during a late night when nothing else was on TV, and couldn't have been happier that I came across it.

In this, we're taken behind-the-scenes of Disney studios circa 1941, and given a humorous (and, I'm sure, highly fictionalized) tour of the studio and its various departments. While I've always been a fan of Disney's animation, I'd never been given a glimpse of the animators themselves, and I always thought that they deserved to be as well known as the Warner Brothers stable of talent. Well, here they're given a chance to hog the spotlight (as Disney himself doesn't show up until the final few moments of the film) and show off their talents.

Not only is this a good chance for you to see how some of your Disney favorites were brought to screen, the linking device with comic Robert Benchley is charming throughout, and the attitude is more than a little self-deprecating (playing up the notion that one is indoctrinated into the "Disney way of life" in working for the Mouse, Benchley's guide is portrayed as a militarily-garbed, wormy little walking Disney Rule Book). The animation itself is great (as is usual for Disney of this vintage) and the live-action work is funny in a way that most Disney live-action works aren't. All of this adds up to a most rewarding, and highly neglected, classic from the Vaults of Disney.

I am sure a lot of younger folks watching it will be disappointed. That's because the story of the "Reluctant Dragon" only makes up a tiny portion of this movie. So, if you expect to see a full-length cartoon, you are in for a big surprise.

The film is a behind the scenes look at the Disney Studio, though I must confess that it's VERY heavily orchestrated to give a happy look to the workers--even though at the time a VERY divisive strike was taking place. To make this image of one big happy family, many of the animators and other workers at the studio are actually portrayed by actors! This is dishonest but interesting as you see a very young Alan Ladd pretending to be a Disney animator! In addition, you'll see the prolific character actor John Dehner along side Ladd--but you might not recognize Dehner, as he's VERY skinny here! However, I must confess that despite being a faux look, many of the techniques were real and it still was very satisfying to watch.

This is all part of an over-arching story involving the witty Robert Benchley. His wife nags him to go talk to Walt Disney about making a cartoon out of his story, "The Reluctant Dragon". But, Benchley's heart isn't in it and he mostly just wanders about the studio--watching the workers doing their craft and interacting with them. In addition, you see a rough version of a cartoon about a genius baby and, at the end, the story of this dragon--which is downright adorable. In fact, the film is worth seeing just to see this great dragon tale--it's among the studio's best work, albeit short in length.

The whole package is great--well worth seeing--especially if you are interested in the craft of animation. And, some of the scenes are shot in some of the most vivid color of the era. A nice film in every way--just not what the kiddies might be expecting!

The film stars Robert Benchley as a man whose wife encourages him to pitch an idea to Walt Disney about adapting a children's book into a movie. So Benchley goes to the Disney Studios, where he wanders around and gets a behind-the-scenes look at the animation process. He's treated to a brief bit of Donald Duck, Bambi, and the storyboarding of a cartoon in production called Baby Weems. He also gets to watch a new Goofy cartoon, How to Ride a Horse. Then he meets Walt Disney and gets to see a 20-minute cartoon based on the book Benchley wanted to be adapted, The Reluctant Dragon.

The first 20 minutes or so of the live-action part of the movie is in black & white then it changes to beautiful Technicolor. It's a nice time capsule that shows us the goings-on at the Disney Studios back in the day and how they made cartoons. I found a lot of this fascinating. I absolutely loved the "paint mill" part! Robert Benchley is always funny. Walt Disney himself appears (wearing a groovy suit). Alan Ladd, Frances Gifford, and Frank Faylen all play Disney employees. The two major cartoons are the Goofy short and The Reluctant Dragon itself. The Goofy short is amusing.

The Dragon cartoon, which is I imagine why most people went to see this, is about a boy who befriends a shy, poetry-spouting dragon that doesn't like to fight. Well, for some reason, the boy is intent on getting the dragon to fight elderly knight, Sir Giles. Even after Sir Giles and the dragon meet and realize they both have a love of poetry in common, the boy still pushes for the fight. Finally the fight takes place, sort of, with Sir Giles and the dragon putting on a show for the villagers. I have to admit I didn't get the point of most of this. Why was the boy so intent on getting the dragon, whom he seemed to genuinely like, to fight? Once Sir Giles proposes the idea of faking the fight, he seems okay with it. So what was the point of pushing for the fight in the first place? Just let the dragon be! I know I'm probably looking too closely at it but it just seemed weird to me. Anyway, it's easy to see why this story wasn't enough for its own feature. It's animated nicely and has a sweet charm and humor about it, but the story needed reworking for sure. The dragon is impossible to dislike. Love his "Ode to Upside-Down Cake."

This movie was a flop at the time of its release, which is understandable. It was a very different kind of movie for Disney. Still, it's a joy to watch if you like little glimpses back in time as well as great old Technicolor and some nice cartoons. There are no hidden Pinocchios here or anything but they are pleasant with lovely animation. Robert Benchley is great fun. This probably isn't for everybody, and will especially turn off people expecting it to be a feature-length cartoon, but I liked it.

This little classic spends just short of an hour touring the Disney Studios in the company of Robert Benchley, the humorist who acts like a big kid in a candy store (and is thus the perfect guide for something like this).

We see how the cartoons are made, moving from the recording studio - where the real-life voices of Donald Duck and Clara Cluck sing an aria - through to clay models of the characters to be animated - the sound effects dept. (we see the full Casey Junior sequence, some of which ended up in 1941's 'Dumbo') - the scenario department (we see a whole cartoon - Baby Weems - in storyboard format) - the animation department (we see a cartoon feature on riding a horse, and see Donald Duck showing us how he walks) - and much more. There's also a neat segue from black and white to Technicolor.

'The Reluctant Dragon' is a book which Benchley hopes to pitch to Disney, only to find the film has already been made; the last 20 minutes of this feature is the cartoon about the (rather camp) dragon, and a classic bit of Disney work.

The whole movie is engrossing and a fantastic overview of the state-of-the-art work being done by the Disney Studios at the beginning of the 40s.

God, I love this film. It's just such fun.

At the time this film was made, Disney was primarily known for his animation but was positively itching to branch out into live-action. This is his first venture into "traditional" filmmaking. The story concerns comedic actor Robert Benchley (whose "How To" film series inspired many classic Goofy shorts) who, at the urging of his wife, searches the Disney studio top to bottom trying to sell Walt on the idea of making a movie about Kenneth Grahame's "The Reluctant Dragon" (Grahame's masterpiece "The Wind in the Willows" wouldn't become a Disney film for many years yet.) On the way he meets voice actors, musicians, animators (one played by Alan Ladd) and even Donald Duck and Goofy. When he finally finds Walt, he is shocked to see that his story has already been produced as one of Disney's most charming animated shorts.

Needless to say, this film is pretty dated in the age of "Toy Story" and "Finding Nemo" (I refuse to put the Dreamworks' "S" word in the same category as these two features) but the interesting thing is how many of these tried-and-true practices remain in effect to this day.

Surprisingly, this live-action film is ideal for animation fans. Not so much for the "How does it work?" element, but just the thrill in being immersed in that world. From sound effects recording to paint application. And Benchley's funny, let's not forget that.