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6,8/10
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TU PUNTUACIÓN
Añade un argumento en tu idiomaBuster Keaton shoes horses and repairs cars, with mixed results.Buster Keaton shoes horses and repairs cars, with mixed results.Buster Keaton shoes horses and repairs cars, with mixed results.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 nominación en total
Buster Keaton
- Blacksmith's Assistant
- (as 'Buster' Keaton)
Edward F. Cline
- Engineer
- (sin acreditar)
Virginia Fox
- Horsewoman
- (sin acreditar)
Billy Franey
- Sheriff
- (sin acreditar)
Joe Roberts
- Blacksmith
- (sin acreditar)
Malcolm St. Clair
- Engineer
- (sin acreditar)
Reseñas destacadas
Buster Keaton was nothing short of a genius, in comedy or for anything for that matter. Not just because of his humour hilarious, his charm endearing and his physical comedy enough to make many envious, but also because of how he was never afraid to take risks (his most daring work making the jaw drop) and because he was an unparallelled master when it came to deadpan, a lot of people struggle to do it well but Keaton was brilliant at it.
He did do a lot better than 'The Blacksmith', whether short films or feature films. When it comes to his short films, there is a preference for the likes of 'The Scarecrow', 'The Goat' and 'The Boat', which like a lot of other Keaton outings were much funnier, more imaginative, more daring and played to Keaton's strengths more. His physical comedy has been better served elsewhere as well, to me at least. That sounds like 'The Blacksmith' is bad. Actually, it is definitely worth watching and is well done, just a little underwhelming by inevitably high Keaton standards.
'The Blacksmith' is very thinly plotted and even as a short film it feels a little over-stretched. The romantic subplot is (for a Keaton short and feature film) uncharacteristically bland and feels padded.
For Keaton, 'The Blacksmith' is pretty tame. The pace is not as breakneck compared to most of Keaton's work and the physical comedy not near as daring or inventive. The gags are definitely well constructed and bring a smile to the face but they don't rise above pleasantly amusing.
As said though, this does not mean that 'The Blacksmith' is bad. It is a good looking short film, not among the most technically advanced of Keaton's but it's not primitive either. As said, the gags are pleasant and amusing and are timed well. It is not dull generally, not breakneck but there is energy, and there is an easy-going charm and natural likeability.
Keaton has great comic timing and is easy to endear to, his deadpan "Great Stone Face" acting style, expressive and nuanced as always, having not lost its appeal.
Overall, nice enough but not exceptional. For Keaton, this could have been better. 7/10
He did do a lot better than 'The Blacksmith', whether short films or feature films. When it comes to his short films, there is a preference for the likes of 'The Scarecrow', 'The Goat' and 'The Boat', which like a lot of other Keaton outings were much funnier, more imaginative, more daring and played to Keaton's strengths more. His physical comedy has been better served elsewhere as well, to me at least. That sounds like 'The Blacksmith' is bad. Actually, it is definitely worth watching and is well done, just a little underwhelming by inevitably high Keaton standards.
'The Blacksmith' is very thinly plotted and even as a short film it feels a little over-stretched. The romantic subplot is (for a Keaton short and feature film) uncharacteristically bland and feels padded.
For Keaton, 'The Blacksmith' is pretty tame. The pace is not as breakneck compared to most of Keaton's work and the physical comedy not near as daring or inventive. The gags are definitely well constructed and bring a smile to the face but they don't rise above pleasantly amusing.
As said though, this does not mean that 'The Blacksmith' is bad. It is a good looking short film, not among the most technically advanced of Keaton's but it's not primitive either. As said, the gags are pleasant and amusing and are timed well. It is not dull generally, not breakneck but there is energy, and there is an easy-going charm and natural likeability.
Keaton has great comic timing and is easy to endear to, his deadpan "Great Stone Face" acting style, expressive and nuanced as always, having not lost its appeal.
Overall, nice enough but not exceptional. For Keaton, this could have been better. 7/10
This is a very pleasant and amusing Buster Keaton short. Never heard of this one. Here he plays a blacksmith that, well, since this IS a Buster Keaton film, gets into a lot of various shenanigans. EG, new ideas for saddles for horses, a spotless white horse gets some new stripes, and so on. Actually, when viewing this, you get a very interesting view of a blacksmith's shop circa the 1920's. Apparently they were also doing auto mechanics as well? Keaton also has some gags with what looks to be an S.U.V. for that time period. And of course, he gets in trouble with the boss (with the boss getting his just desserts (which happens in nearly every Buster Keaton movie ever made) ) and Buster gets the girl (ditto). A very funny and light little short.
Buster Keaton works as apprentice in the blacksmith's shop. When little misunderstanding sends the blacksmith into jail, Buster has to take over all the jobs. One little mistake leads to another and accidents grow bigger, until Buster destroys gleaming white Rolls Royce, and he is finally chased out from the town.
'The Blacksmith' doesn't include stunts on the large scale, but every little gag is so well tied with the next one, that it makes the film flow. Above the average on Buster Keaton scale, but probably the best one in the sense of pure storytelling - every joke and gag moves the story forward, and are not there just for the laughs. Or just for the sake of performing big stunt.
'The Blacksmith' doesn't include stunts on the large scale, but every little gag is so well tied with the next one, that it makes the film flow. Above the average on Buster Keaton scale, but probably the best one in the sense of pure storytelling - every joke and gag moves the story forward, and are not there just for the laughs. Or just for the sake of performing big stunt.
This is an excellent short comedy with a lot of creative material and a good variety of gags. The setting, with Buster as a blacksmith's assistant, lends itself to a lot of good laughs. Buster is very funny in his approach to helping out various horse-owners, and then it gets even funnier when he tries his hand at repairing cars. There's not really much of a plot, but there's a lot of good material that keeps on coming, and it's good fun right up to the very clever last shot.
I would rate this below-par for a Buster Keaton short. It's not bad, just not quite up to Buster's wild and craziness he usually exhibits in these short 20-minute films. He set high standards.
Instead of amazing physical feats or a bunch of chase scenes, most of the jokes are either Buster getting a horse dirty or breaking something or someone else doing it, or a nutty invention for a "shock absorber" for riding a horse. They are all mildly amusing, but that's it.
Perhaps part of the problem is that most of the movie takes place in a blacksmith shop/automobile garage. Keaton, with his athletic prowess, needs room to maneuver, and he doesn't have it here.
Instead of amazing physical feats or a bunch of chase scenes, most of the jokes are either Buster getting a horse dirty or breaking something or someone else doing it, or a nutty invention for a "shock absorber" for riding a horse. They are all mildly amusing, but that's it.
Perhaps part of the problem is that most of the movie takes place in a blacksmith shop/automobile garage. Keaton, with his athletic prowess, needs room to maneuver, and he doesn't have it here.
¿Sabías que...?
- CuriosidadesThe gleaming Rolls-Royce destroyed in the film was reportedly a wedding present given to Buster Keaton by his in-laws. By the time this film was made, relations with them had soured considerably.
- Versiones alternativasIn June 2013, Argentine film collector, curator and historian Fernando Martín Peña (who had previously unearthed the complete version of Metropolis) discovered an alternate version of this film, a sort of remake whose last reel differs completely from the previously known version. Film historians have since found evidence that the version of The Blacksmith Peña uncovered was a substantial reshoot undertaken months after completion of principal photography and a preview screening in New York. They now believe the rediscovered version was Keaton's final cut intended for wide distribution. Following Peña's discovery, a third version of the film, featuring at least one scene which doesn't occur in either of the other two, was found in the collection of former film distributor Blackhawk Films.
- ConexionesFeatured in Grandes biografías: Darryl F. Zanuck: 20th Century Filmmaker (1995)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- Títulos en diferentes países
- The Blacksmith
- Localizaciones del rodaje
- Melrose Avenue, Hollywood, Los Ángeles, California, Estados Unidos(shock absorbers horse ride)
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
- Duración19 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1
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By what name was El herrero (1922) officially released in Canada in English?
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