Añade un argumento en tu idiomaCharlie, competing with his rival's race car, offers Mabel a ride on his motorcycle but drops her in a puddle. He next joins some dubious characters in abduction of his rival just before the... Leer todoCharlie, competing with his rival's race car, offers Mabel a ride on his motorcycle but drops her in a puddle. He next joins some dubious characters in abduction of his rival just before the race for the Vanderbilt Cup. With her boyfriend locked up in a shed, Mabel takes his plac... Leer todoCharlie, competing with his rival's race car, offers Mabel a ride on his motorcycle but drops her in a puddle. He next joins some dubious characters in abduction of his rival just before the race for the Vanderbilt Cup. With her boyfriend locked up in a shed, Mabel takes his place. Charlie does what he can to sabotage the race, even causing Mabel's car to overturn.
- Dirección
- Guión
- Reparto principal
- Henchman
- (as Andy Anderson)
- Cheering Spectator
- (sin acreditar)
- Spectator in Grandstand
- (sin acreditar)
- Mabel's friend and race spectator
- (sin acreditar)
- Race Spectator
- (sin acreditar)
- Spectator in Grandstand
- (sin acreditar)
- Spectator in Grandstand
- (sin acreditar)
- Spectator in Grandstand
- (sin acreditar)
- Cheering Spectator
- (sin acreditar)
- Henchman
- (sin acreditar)
Reseñas destacadas
Charlie takes Mabel for a ride on his motorcycle but ends up accidentally dumping her in a giant mud puddle. Not surprisingly, she's not happy and she soon goes off with another guy in his race car. Oddly, while this happens right AFTER the mud puddle incident, she's 100% clean...and not a trace of mud.
Charlie is angry he lost her, so he now plots revenge (as you can tell with a bit of overacting by Charlie). He even ends up slugging poor Mabel (which isn't very funny)! This isn't the end to Charlie's nasty behavior--which also includes rock throwing and popping the car's tire. In fact, Charlie is such a jerk you really are rooting for her to run off with Charlie's rival.
In the second part of the comedy, there is a big race and Charlie and his goons kidnap the rival so that he cannot race. So, it's up to Mabel to save the day.
While slapstick comedy is supposed to be violent, seeing Charlie slugging Mabel is terribly unfunny and I cannot imagine audiences of the day liking this, as I've seen hundreds of slapstick films and never recall this sort of behavior. Usually it's more exaggerated and oddly funny. You also see no sign of Charlie's sweet and likable Little Tramp character here...he's just a nasty jerk. Clearly not among Chaplin's best and seeing him behave this way isn't exactly endearing. Fortunately, Chaplin soon stopped playing villain roles and went on to far better things.
Mabel was all sweetness after the furore, although she was unsure about riding pillion with Charlie on the Keystone motorbike – a type of machine he claimed to have ridden before. According to Mabel, the crazy Briton crashed the bike into a ditch before they'd gone twenty yards. He'd lied! Once he'd mastered the technique, all was set for a mad ride along a muddy track, where the hapless Mabel would be dumped in a mud pool. This was the cue for the usual Keystone battle of bricks between Mabel plus boyfriend and Charlie. Interesting how there are always some handy bricks lying around to be thrown by inmates of Sennett's 'University of Nonsense'. Charlie becomes a Ford Sterling- type villain for this film, and initiates various dastardly deeds, such as sticking a pin into Mabel's leg, thumping her in the face, and tying her boyfriend up. Without wishing to give the whole plot away, Mabel ends up taking over her boyfriend's racing car drive. The whole film is clearly based around a famous race filmed in Santa Monica, where a front wheel breaks off a car at Dead Man's Curve, causing it to overturn in spectacular fashion. Mabel openly enjoys the adulation she receives from the spectators and team at the conclusion of the race. Oh, how the cast adored their Keystone Girl!
Things to Note: [1] Charlie's motorbike is a chain drive 1912 Thor IV model. [2] The No. 4 racing car could be Sennett's own Stutz. [3] It is amusing to see the startled old fellow in shirtsleeves and braces,standing in his garden watching Charlie restart his motorbike – he thinks the Hell's Angels are in town. [4] Many roads around Hollywood in those days were seemingly rutted, muddy tracks. [5] When Mabel and Charlie have a fight, a seated spectator looks bemused,then positively scared.[ 6] The entire Keystone company appears to be in this film. [7] The race team's toolkit consists of one spanner, a file, a hand drill, and a bucket. High-tech that. [8] Mabel thinks race preparation comprises taking out a compact and powdering her nose. [9] The mechanic is in the race car to pump fuel and oil (furiously). [10] When the actual race car crashes, the mechanic is thrown out onto his feet. In the faked keystone crash scene the mechanic ends up under the vehicle.[11] There are plenty enough gags for Charlie in the film, and the lack of the standing on the hose gag (which caused the two stars to fall out) does not detract from the film. [12] Charlie reverts to a type of Ford Sterling costume for this film. Could it be that Mabel refused to work with the Tramp, as she feared being upstaged by the scruffy character? She might also have been fearful of the filthy Tramp outfit (Mrs Arbuckle claimed that Mabel used to buy Charlie new clothing, as he never washed his attire).
Chaplin hadn't gotten along with his earlier directors, Henry Lehrman and George Nichols, but according to his autobiography having to take direction from a mere "girl" was the last straw. Charlie and Mabel argued bitterly during the making of this film. Chaplin was still a newcomer at Keystone and his colleagues didn't know what to make of him, but everyone loved Mabel. Producer Mack Sennett was on the verge of firing Chaplin when he learned that the newcomer's films were catching on and exhibitors wanted more of them A.S.A.P., so Chaplin was promised the chance to direct himself in return for finishing this movie the way Mabel wanted it.
In light of all this it's appropriate that Charlie and Mabel are at odds during much of Mabel at the Wheel. In the opening sequence Charlie is courting Mabel and offers her a ride on his bike, but she tumbles off into a mud-hole and, soon afterward, Charlie reveals his villainous nature. We notice right away that Chaplin looks odd here, sporting a goat-like beard on his chin and wearing the top hat and frock coat from his very first film appearance, Making a Living. The outfit suits the over-sized, Ford Sterling-style villainy he displays. He's certainly no gentleman. When Mabel strikes him across the face he promptly hits her back, and during the course of the film he sticks a pin in almost everyone's derrière. What a mean guy! The central plot concerns an auto race in which Mabel's beau (Harry McCoy) is scheduled to compete, but wicked Charlie and his henchmen abduct the lad, and Mabel must take the wheel in his place. For all the racing around, brick hurling and finger-biting the film is frankly short on laughs, but there are some points of interest. There's good cinematography and editing in the race sequence, though there aren't really any gags, just lots of frantic activity. Visible in the stands at the race track are several Keystone stalwarts such as Chester Conklin, Edgar Kennedy in a strangely dandified get-up, and a more characteristic Mack Sennett, hawking up spit and doing his usual mindless rube routine. As a performer Sennett was about as subtle as the movies he produced, but you have to give him credit: he knew what people liked. These films were hugely popular in their day. Mack's performance doesn't add much to Mabel at the Wheel, but he probably had to be on hand for the filming just to make sure his stars didn't murder each other.
The story is clear, not overly confusing plus the racing sequences are very interesting. It seems that there was more effort put into this one than many other Keystone productions. It might be because Mable Normand directed this film together with Mack Sennet. Mable, being a star, wanted a more polished film.
'Mabel at the Wheel' is one of the best early Chaplin's movies and probably my favorite Mabel Normand movie. It was his eleventh film - imagine - making eleven movies within barely three months. What a schedule.
I hereby recommend reading wmorrow59 review which shares some light behind the scenes on how Mabel and Chaplin didn't get along.
¿Sabías que...?
- CuriosidadesThe motorcycle in the opening scene is a Thor Motorcycle Model M Type IV.
- PifiasIn the hilarious scene where Mabel gets dropped in the mud puddle, and where she splashes around getting out/up, she is clearly soaked. Immediately after, when Harry McCoy rolls up in the race car, Mabel runs up to him, and despite some splashes on her dress, she is more or less dry.
- ConexionesFeatured in El cómico más grande del mundo (1967)
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- Mabel y el auto infernal
- Localizaciones del rodaje
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
- Duración23 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1