Ambientada en los momentos previos a la ejecución de Isaac Broadway, quien encomienda a su distanciado hijo, Henry, una tarea imposible: matar al hombre que le inculpó de un crimen que no co... Leer todoAmbientada en los momentos previos a la ejecución de Isaac Broadway, quien encomienda a su distanciado hijo, Henry, una tarea imposible: matar al hombre que le inculpó de un crimen que no cometió.Ambientada en los momentos previos a la ejecución de Isaac Broadway, quien encomienda a su distanciado hijo, Henry, una tarea imposible: matar al hombre que le inculpó de un crimen que no cometió.
- Dirección
- Guión
- Reparto principal
Anthony J. Sharpe
- Austin Benton
- (as Anthony Sharpe)
Reseñas destacadas
My title speaks for itself , those are some really big names and so I was anxious to see it and they both, Jackson , Brosnan deliver. But the the script is tacky, no, cringe worthy. Predictable and sappy. I thought I was watching a bad soap opera despite all the mayhem, killing and violence. The story at first glance should have had lots of suspense, like you can't look away, I couldn't wait to get away, no suspense here dear reader. The production design was not even at an amateur's level. I do not know the budget for this film was but somebody somewhere must be feeling some buyer's remorse : I know I am for the time and money . . . I . . . Expended. Steer clear.
Thoroughly enjoyed this film, set in stunning Montana in the 1880s. Well cast characters who bring their own backgrounds to the story and add to the authenticity of a young USA still developing. I especially appreciated that the actors and actresses used their own natural accents to emphasise that the USA back then was even more a land of immigrants than it is now, with no homogenised American accent, so Veronica Ferres spoke with her own German accent, Pierce Brosnan with his Irish brogue and Samuel L Jackson with his deep south accent.
The story line made sense with interesting twists and turns to keep the audience paying attention, with enough humour to lighten the load, and violence to keep people alert.
All in all a very good film.
The story line made sense with interesting twists and turns to keep the audience paying attention, with enough humour to lighten the load, and violence to keep people alert.
All in all a very good film.
I enjoyed the movie. The cast is fantastic, featuring Brandon Lessard, Samuel L. Jackson, Pierce Brosnan, and Veronica Ferres. The plot follows a classic Western theme where a son seeks revenge for his father's hanging by a corrupt sheriff. However, it includes some intriguing twists and well-rounded characters. There's no clear-cut villain; everyone has their own justified motives. I particularly liked the character development of young Henry Broadway (Brandon Lessard), who is innocently drawn into the adventure and faces constant moral dilemmas. Samuel L. Jackson's portrayal of the dubious St. Christopher is also a standout.
The film's setting in Montana is stunning, with innovative camerawork in the fight scenes. It has some humorous moments and isn't overly violent. While the story has minor plot holes and some characters develop (too) quickly and make irrational choices, these don't detract significantly from the overall experience. Some critics mentioned the varied "dialects" due to the international cast, but the movie explains each character's background well enough. Considering the diverse immigrant population in the 1870s West, this aspect feels authentic and isn't a dealbreaker.
The film's setting in Montana is stunning, with innovative camerawork in the fight scenes. It has some humorous moments and isn't overly violent. While the story has minor plot holes and some characters develop (too) quickly and make irrational choices, these don't detract significantly from the overall experience. Some critics mentioned the varied "dialects" due to the international cast, but the movie explains each character's background well enough. Considering the diverse immigrant population in the 1870s West, this aspect feels authentic and isn't a dealbreaker.
This would have been a good ol' RSP back in my day of the early to mid 1990s (or uh 1970's? 1950s? That is before my time) - and for the layman in the back, that of course stands for a "Reliable Studio Programmer" - yet now a film like The Unholy Trinity stands as an independent production that squeek by with a theatrical release only/thanks to the still-apparent star power of Samuel L Jackson and to an extent Pierce Brosnan. It may be putting faint praise on this by saying that it really keeps ones attention because of Jackson most of all, and if nothing else one should look to this as a sign that we still underrate him as not only one of the last "Movie Stars" but as a damn good actor.
If this is not a Major Marquis Warren ala Hateful Eight level performance then it is of course due to this not having anywhere near those ambitions nor the artistic acumen or brutality of that Theatrical Epic. This is largely shot like it is meant for a TV show, and that is not meant as a knock but rather simply what it is, that this story of a young man who comes to a town to seek out some possible answers (or may-hap some buried gold) and comes upon some bad dudes and a murder or two or ten.
That said, when Jackson is talking with the Sheriff's wife and the tension is mounting as to what he may do next and what she is going to do, it is one of those examples of why we should at least give his latter-day vehicles a chance (after all, how many of these can he have left in him?)
It is absolutely adequate and thankfully goes by quick in 90 minutes, with a climax that brings the bullets if juat minimal/Mid-competent craftsmanship. Maybe it is that I cant help but wish this was actually a movie from 70 years ago starring Randolph Scott in the Brosnan role (formidable as he is) and directed by Budd Boetticher and written by Burt Kennedy. At the least it would have more scale in its B movie dimensions than what was shot here on some OK Digital Camera.
If this is not a Major Marquis Warren ala Hateful Eight level performance then it is of course due to this not having anywhere near those ambitions nor the artistic acumen or brutality of that Theatrical Epic. This is largely shot like it is meant for a TV show, and that is not meant as a knock but rather simply what it is, that this story of a young man who comes to a town to seek out some possible answers (or may-hap some buried gold) and comes upon some bad dudes and a murder or two or ten.
That said, when Jackson is talking with the Sheriff's wife and the tension is mounting as to what he may do next and what she is going to do, it is one of those examples of why we should at least give his latter-day vehicles a chance (after all, how many of these can he have left in him?)
It is absolutely adequate and thankfully goes by quick in 90 minutes, with a climax that brings the bullets if juat minimal/Mid-competent craftsmanship. Maybe it is that I cant help but wish this was actually a movie from 70 years ago starring Randolph Scott in the Brosnan role (formidable as he is) and directed by Budd Boetticher and written by Burt Kennedy. At the least it would have more scale in its B movie dimensions than what was shot here on some OK Digital Camera.
I normally don't watch movies like this, but the opening scene led me to expect more from the narrative. It's an okay story with elements of western movies from days past.
The action was decent, though most of the cast isn't memorable. Maybe I'm alone in feeling this way however many characters lacked development or seemed flat. I personally don't care for the main character, he's too bland for my taste.
Despite the movie's shortcomings I still appreciate an attempt to do something "new". It's a short movie and that's perfectly fine. The fact they didn't pad it into 2hrs or more is great, because brevity works here. This isn't a must see in my book but a fun watch nonetheless. It had a few funny moments.
The action was decent, though most of the cast isn't memorable. Maybe I'm alone in feeling this way however many characters lacked development or seemed flat. I personally don't care for the main character, he's too bland for my taste.
Despite the movie's shortcomings I still appreciate an attempt to do something "new". It's a short movie and that's perfectly fine. The fact they didn't pad it into 2hrs or more is great, because brevity works here. This isn't a must see in my book but a fun watch nonetheless. It had a few funny moments.
¿Sabías que...?
- Banda sonoraJoplinesque
written by John W Lenehan (PRS)
courtesy of: West One Music Group Inc
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Ebapüha kolmainsus
- Localizaciones del rodaje
- Emigrant, Montana, EE.UU.(Yellowstone Film Ranch)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 927.959 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 571.962 US$
- 15 jun 2025
- Recaudación en todo el mundo
- 932.422 US$
- Duración1 hora 35 minutos
- Color
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What is the French language plot outline for The Unholy Trinity (2024)?
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