Cuando un brote de lepra asola el Hawai colonial del siglo XIX, un pequeño grupo de nativos hawaianos infectados se resisten al exilio ordenado por el gobierno y adoptan una valiente postura... Leer todoCuando un brote de lepra asola el Hawai colonial del siglo XIX, un pequeño grupo de nativos hawaianos infectados se resisten al exilio ordenado por el gobierno y adoptan una valiente postura contra el gobierno provisional.Cuando un brote de lepra asola el Hawai colonial del siglo XIX, un pequeño grupo de nativos hawaianos infectados se resisten al exilio ordenado por el gobierno y adoptan una valiente postura contra el gobierno provisional.
- Dirección
- Guión
- Reparto principal
- Premios
- 11 premios en total
Reseñas destacadas
This is a true story of real Hawaii in 1893 when the Queen and Kingdom of Hawaii was overthrown by businessmen. A beautiful story told in the wife's poetry! A family on the run from a Goverment quarantine during a Leprosy pandemic.
I think this is the first film to ever be shot in the whole native Hawaiian language "Olelo Hawaii". It's beautiful.
What I love about this film is that it shows the love, sacrifice, and fight of a family to not be separated by this disease, while still trying to not hate its oppressor. A lot of life lessons to take from this beautiful bio-pic.
Mahalo to all the film makers for telling a Hawaiian story that isn't Hollywoods version of Hawaii.
I think this is the first film to ever be shot in the whole native Hawaiian language "Olelo Hawaii". It's beautiful.
What I love about this film is that it shows the love, sacrifice, and fight of a family to not be separated by this disease, while still trying to not hate its oppressor. A lot of life lessons to take from this beautiful bio-pic.
Mahalo to all the film makers for telling a Hawaiian story that isn't Hollywoods version of Hawaii.
10momohund
This movie is fantastic in so many ways. A brilliant story from dialogue to scenery to acting that focuses on the injustices done to the Hawaiians, through the main character Ko'olau and his family, by the newly formed government and what Hawaiians think about what is being done to them.
The director, who is from Hawai'i, also address, brilliantly I might add, what it is to be haole, which doesn't mean entirely being a white person. I think that was done so well. To the main characters, Westerners are seen as both villain and family (very similar to what it is like today). General McCabe the bounty hunter, who leads his mercenaries, is very much the villain and the type of haole Hawaiians despise. Ignorant, racist, and arrogant, he leads equally as ignorant mercenaries. Then there's Marshall Hitchcock, a locally born white person who is somewhere in the middle, neither good nor bad. He believes what he is doing is correct (forcing lepers to Molokai) regardless that he is conspiring with people who are enemy to the Hawaiians. Ko'olau who was once friends with him even challenges him on this. And then there's Eben Sinclair, a locally born white person, who is family to the main characters and does all he can, even risking his life, to help Ko'olau and his family. And the director brilliantly shows the strong bond between Hawaiians and this type of haole.
There's even dialogue between Ko'olau and his son on this issue of being haole. That the real haole isn't white, but the person with no 'breath' who is not in allegiance with the Hawaiians and their Queen and kingdom. A person that does not respect the laws and customs of Hawai'i and instead imposes their culture onto Hawaiians, including racism and classism, instead of adapting to their ways.
All this is done without the white savior complex we often see in films like this. These haoles are just kind of secondary characters. The director does this while still making Ko'olau the main character and hero, and he does it in a way that makes you focus mostly on Ko'olau and his family.
You walk away from the film angry about what those haoles did to Hawaiians, and understanding how to be good haole.
One hell of a film.
The director, who is from Hawai'i, also address, brilliantly I might add, what it is to be haole, which doesn't mean entirely being a white person. I think that was done so well. To the main characters, Westerners are seen as both villain and family (very similar to what it is like today). General McCabe the bounty hunter, who leads his mercenaries, is very much the villain and the type of haole Hawaiians despise. Ignorant, racist, and arrogant, he leads equally as ignorant mercenaries. Then there's Marshall Hitchcock, a locally born white person who is somewhere in the middle, neither good nor bad. He believes what he is doing is correct (forcing lepers to Molokai) regardless that he is conspiring with people who are enemy to the Hawaiians. Ko'olau who was once friends with him even challenges him on this. And then there's Eben Sinclair, a locally born white person, who is family to the main characters and does all he can, even risking his life, to help Ko'olau and his family. And the director brilliantly shows the strong bond between Hawaiians and this type of haole.
There's even dialogue between Ko'olau and his son on this issue of being haole. That the real haole isn't white, but the person with no 'breath' who is not in allegiance with the Hawaiians and their Queen and kingdom. A person that does not respect the laws and customs of Hawai'i and instead imposes their culture onto Hawaiians, including racism and classism, instead of adapting to their ways.
All this is done without the white savior complex we often see in films like this. These haoles are just kind of secondary characters. The director does this while still making Ko'olau the main character and hero, and he does it in a way that makes you focus mostly on Ko'olau and his family.
You walk away from the film angry about what those haoles did to Hawaiians, and understanding how to be good haole.
One hell of a film.
I watched this film at Hawaii International Film Festival and I was blown away, not only from the movie itself, but with the amazing cast and crew that dedicated so much time to this project and made this on a limited budget. The storytelling was authentic, the cinematography was stunning, and the delivery from the actors performing the poetic 'Olelo Hawai'i (aka Native Hawaiian language. IMDB cannot display the okina and kahako....) was one of the most authentic portrayals of Hawaiian history I have ever seen in cinema. This is based on the true memoir written by Pi'ilani, and some quotes were directly from her storytelling. The world needs to know what really happened to Hawai'i in the 19th century after the overthrow of the Hawaiian government.
Based on one of the most interesting stories in Hawaiian history! It's portrayed so beautifully and I love that it's spoken in 'olelo Hawaii (the Hawaiian language). Don't be afraid of the subtitles 🤙
I've read Ko'olau's wife Pi'ilani's book and I thought the heart of it was brought to life so honestly and vividly by the filmmakers.
My 8 and 11 year old kids enjoyed the film too; it wasn't too scary for them and they related to the boy in the story.
I live on Kaua'i, so I can tell it was not filmed in the actual locations; aside from establishing shots. What would have made it better for me would be to have seen the actual places where the events took place. Kalalau beach and valley is majestic in real life (though I'm sure it looks different now than it did in Ko'olau's time) and but also so very remote and protected I'm sure it would be nearly impossible to film out there with full cast & crew.
The filmmakers did a great job with the essence of the story and telling it in a way that can make Hawaii proud.
I've read Ko'olau's wife Pi'ilani's book and I thought the heart of it was brought to life so honestly and vividly by the filmmakers.
My 8 and 11 year old kids enjoyed the film too; it wasn't too scary for them and they related to the boy in the story.
I live on Kaua'i, so I can tell it was not filmed in the actual locations; aside from establishing shots. What would have made it better for me would be to have seen the actual places where the events took place. Kalalau beach and valley is majestic in real life (though I'm sure it looks different now than it did in Ko'olau's time) and but also so very remote and protected I'm sure it would be nearly impossible to film out there with full cast & crew.
The filmmakers did a great job with the essence of the story and telling it in a way that can make Hawaii proud.
I really enjoyed watching this movie not only because I am a fan of western styled movies but because it bring to light a story and history rarely discussed. Being able to peek into the deep complex history of Hawai'i was a very pleasant experience, especially told from the side of faith and prosperity. I can only imagine what those native Hawaiians must have faced and experienced during those times. Seeing how the leper community was treated brought tears to my heart. Knowing they were lied to, exploited, and killed for something they had no control over was horrific. The ending was a bit cheesy but I really loved the journey this film took me on. I will definitely be watching it again and with my kids!
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- CuriosidadesFirst film role since 1995 for Lance Kerwin, who portrays Anderson, a break from acting roles of approximately 27 years.
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