IMDb-BEWERTUNG
5,4/10
20.208
IHRE BEWERTUNG
Eine Mutter und ihre Tochter müssen sich nach einem Autounfall auf einer einsamen Straße einem schrecklichen Monster stellen.Eine Mutter und ihre Tochter müssen sich nach einem Autounfall auf einer einsamen Straße einem schrecklichen Monster stellen.Eine Mutter und ihre Tochter müssen sich nach einem Autounfall auf einer einsamen Straße einem schrecklichen Monster stellen.
- Auszeichnungen
- 6 Nominierungen insgesamt
Empfohlene Bewertungen
The relationship between the mother and her child is the number one priority here. So while this is a horror movie (mostly in the psychological area), it is also a Drama. And some of the best Horror movies (that are not Slashers or particularly explicitly violent) have been Dramas at heart too.
And while I get that the child may seem annoying to some and some decisions made feel rushed, the casting was good and the script was decent enough giving them all something to play with (no pun intended). The movie is very dark (both in tone and in visual flair) and while it does drift into expected (read cliché territory) and has somewhat of a downfall towards the end (and maybe for some a slow beginning), overall the positive things do win over ...
And while I get that the child may seem annoying to some and some decisions made feel rushed, the casting was good and the script was decent enough giving them all something to play with (no pun intended). The movie is very dark (both in tone and in visual flair) and while it does drift into expected (read cliché territory) and has somewhat of a downfall towards the end (and maybe for some a slow beginning), overall the positive things do win over ...
Brian Betinos 2008 flick 'The Strangers' was as simple as a film can get, and was well seasoned with some simple character backstory that added to the sense of tragedy and added to the tension of the film. In this film the heavy handed addiction sublot diffuses the tension of the film, and makes it difficult to empathise with the relationship at the core of the film. Its well shot, well acted but I felt myself getting detached from the action early on.
Battling our own fears and weaknesses could be an alternative title to this film. At first the mother seems to be an irresponsible, immature young parent. The child has learned to take care of herself. The acting is extraordinary. The actors excelled in making the audience believe that they were living the story rather than pretending. No matter what the problems in their relationship, as they are depicted through the flashbacks, the bond between mother and her child is and remains till the end very strong. As strong are the mother's addictions, which affect their relationship and their lives. I won't disclose in what way. For me it was an allegory and, in that purpose the director - writer delivered. I recommend it.
I respect where Bryan Bertino was trying to go with this film, but he falls short. While he does gets a decent start on character development that mostly works despite some overwrought writing and acting, the static set piece and drawn out end battle bleed away any real tension. Flashbacks are overused and ultimately come too late and the well shot and creepy final locations overstay their welcome. Few films are able to pull off this Babadook-esque having your cake and eating it too morality monster mash, and despite a good college try, the Monster fails along with all the others.
There are a lot of strong opinions on this film in its early reviews. I just want to give a practical commentary on what I see.
This is a great horror flick with some heavy symbolism. It is a story about a mother and daughter who are terrorized by a monster when their car gets stuck. A lot of dudes (or women haters) seem to hate it (check the low reviews and notice the colorful words they have for women). As a dude myself, I had no problem watching a film from a female perspective. I rather enjoyed it and found it touching at times.
The characters are both flawed. I related with the daughter at times because I grew up with a flawed father. I acted and reacted a lot of the ways the daughter in the film did too. So from my perspective, there was some heavy realism in the backstory. I found the "boring" moments to be touching.
The practical effects are superb in my opinion. Some will disagree though.
Some of the writing is flawed in regards to character choices. I think discourse could answer some of the choices, but my fellow horror film nerds seem to be either accepting or spiteful of cliché character fails in the genre. I could see past them though for quality story though.
So if you don't get angry being put in a woman's perspective and like horror films, this should be right your alley.
This is a great horror flick with some heavy symbolism. It is a story about a mother and daughter who are terrorized by a monster when their car gets stuck. A lot of dudes (or women haters) seem to hate it (check the low reviews and notice the colorful words they have for women). As a dude myself, I had no problem watching a film from a female perspective. I rather enjoyed it and found it touching at times.
The characters are both flawed. I related with the daughter at times because I grew up with a flawed father. I acted and reacted a lot of the ways the daughter in the film did too. So from my perspective, there was some heavy realism in the backstory. I found the "boring" moments to be touching.
The practical effects are superb in my opinion. Some will disagree though.
Some of the writing is flawed in regards to character choices. I think discourse could answer some of the choices, but my fellow horror film nerds seem to be either accepting or spiteful of cliché character fails in the genre. I could see past them though for quality story though.
So if you don't get angry being put in a woman's perspective and like horror films, this should be right your alley.
Wusstest du schon
- WissenswertesA paved stretch of road with working streetlamps was built in the woods by the production crew for use in the film.
- PatzerThe ambulance is being driven in the rain and wind without a front window, yet there is no rain or wind coming in at all. Neither is the long hair of the driver moving due to the wind.
- Crazy CreditsDuring the soft piano parts of the end credits, you can hear Lizzy and her mother screaming at each other (muffled, as if heard through a wall).
- VerbindungenFeatures Pantry Panic (1941)
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is The Monster?Powered by Alexa
Details
Box Office
- Budget
- 2.700.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 12.544 $
- Eröffnungswochenende in den USA und in Kanada
- 6.624 $
- 13. Nov. 2016
- Weltweiter Bruttoertrag
- 74.700 $
- Laufzeit
- 1 Std. 31 Min.(91 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen