The President

This is an interesting film about a deposed president of a fictional country. The fact that the country is fictional does not devalue the film, it moves it away from historical documentary and toward a humanist commentary, away from politics and towards philosophy.

This could've been any country, really. The world is filled with dictators and tyrants. What this film didn't need is people saying "Actually, the opposition turned out to be worse" or "This particular president did not order that" or any sort of political bickering, whataboutery and bias.

All the facts here are on the table. There is no "half the story is in the film, the other half is in reality."

The film shows how terrible people can be to each other, by they can't always blame their superiors or say they were just following orders. The film shows how this dictator can be horrible as a dictator and a poor refugee, how power did not corrupt him because he was just as bad without it, just as many others in the ensuing chaos of the power vacuum.

We see how people behave with and without power, under orders and on their own volition, when desperate and when not, as individuals and in groups, all in the course of 2 hours.

The cinematography is brilliant and there is a particular scene, the riot scene at the start of the film, is one of the greatest moments in cinema. It is that well done and it must be seen. It is worth watching the whole film for.

Not a perfect film but highly recommended.

The authority, power, and money dictatorship possess is fully presented through the screen in this film "The President". The plot's development in the exposition focused on the power dictator has over his people. "The President" relies on the technique of foreshadowing a lot throughout the film. The relationship between the dictator and his grandson was a major element that stood out to me. The run of the president was the reflection of the fall of the dictatorship and the rise of revolution. The particular technique that was the most essential part of the film and that made this film more dramatic was presenting the violence without actually showing it. Let me paint you a picture, a president who is on a run and warranted to be killed for a high reward in return. Throughout the run, there were many plots that highlighted the presence of violence under the influence of authoritarian leadership. Overall, the film presented the concept of family, justice, and dictatorship well. The purpose of this film was to spread awareness of the value of democracy and let the audience understand the consequences of authoritarian leadership. The film's plot developed relatively slow pasted, so if you don't like to spend that much time or can't pay close attention. This film might give you a headache. But, other than that this film is done very artistically and beautifully.

Silence against cruelty only helps tyranny to become stronger, even worse than the worst dictator is the people who remain silent in his reign of terror. The president (2014) is poetic, poignant and precise.

Mohsen Makhmalbaf's 'The President' is a golden sociopolitical commentary piece that utilizes cinematography and satire to achieve his thesis. The film is beautifully written with touches of cultural realism coming from Makhmalbaf's Iranian background. The film follows the journey of a dictator, from an adored totalitarianism figure to a fallen, wanted man. The story is unforgettable and shocking, it starts a conversation on the fate of dictatorship, with an unexpected ending that leaves you thinking. The ending of the film is haunting, it is somewhat horrific in the sense that it represents humanity in its most brutal form, but more so, the ending was uncertain. Makhmalbaf comments on political dictatorship through 'The President,' but he does not force a view on the audience. This film allows the space for individual interpretations and opinions. This is a must watch. It is also evident that Makhmalbaf's stylistic choices shift significantly from his 1992 film 'Once Upon A Time, Cinema' where censorship and retraction were enforced on his production, to 'The President' where the entire film was shot in Georgia with less governmental guidelines. His style for films changes, and therefore structurally progressed. Both films, though stylistically different, are monumental films that present Makhmalbaf as an auteur.

a dictator . his fall. and beginning of a way. one of films who could be defined as puzzle of memories. because the run, the fear, the dialogues, the transformation and the last scene are pieces from a wise manner to reflect reality on screen who has few brilliant examples in Eastern films. not exactly a national school but a great cinematography. slices from Repetance of Abuladze or Tarkovsky's universe, splendid exploration of detail, the air who becomes material and the scene of home return, the beach and the arguments of young man, the fight with the past, in words, looks and intentions, each, all define a film who could be real discovered in its profound sense - the artistic side is only one from them - for the public who preserves in his personal past slices from a dictatorship.