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6,9/10
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Das Leben des Taxifahrers Vince McKee nimmt eine unerwartete Wendung, als er ein Angebot annimmt, für eine kriminelle Bande zu fahren.Das Leben des Taxifahrers Vince McKee nimmt eine unerwartete Wendung, als er ein Angebot annimmt, für eine kriminelle Bande zu fahren.Das Leben des Taxifahrers Vince McKee nimmt eine unerwartete Wendung, als er ein Angebot annimmt, für eine kriminelle Bande zu fahren.
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The driver starts with a thrilling car chase as Vince McKee (David Morrissey) evades the police in the streets of Manchester. You almost feel this could be akin to the film Drive.
Vince life takes an unexpected turn as an old friend Colin (Ian Hart) released from prison gets him to accept an offer to drive for a criminal gang.
Vince a taxi driver, sick with the life as a cabbie finds that he is an ordinary man who is in over his head by being a driver for the criminals. His life has taken a turn for the worse since his son joined some kind of cult and he and his wife have drifted apart.
Gang leader, The Horse (Colm Meaney) is not a man who stands for nonsense, when a job which leads to a man being shoved in a hole and left for dead goes awry, Vince realises he wants his old life back but the police are also watching him.
After a bright opening episode, you realise from the second episode that this three parter has a flimsy plot. Vince is not cut out to be a bad boy, his mistakes lands his friend Colin in a spot of bother and in the final episode the Police have got him and its a case of whether Vince will give the gang up.
A disappointment when you realise that this could had been a good 90 minutes film. Meaney, Hart and Morrissey act their parts well, some of the car chase scenes are exciting, there is a lot of grittiness and the scenes where he confronts his son in the cult's home will make your heart cry for Vince but it needed a more solid script.
Vince life takes an unexpected turn as an old friend Colin (Ian Hart) released from prison gets him to accept an offer to drive for a criminal gang.
Vince a taxi driver, sick with the life as a cabbie finds that he is an ordinary man who is in over his head by being a driver for the criminals. His life has taken a turn for the worse since his son joined some kind of cult and he and his wife have drifted apart.
Gang leader, The Horse (Colm Meaney) is not a man who stands for nonsense, when a job which leads to a man being shoved in a hole and left for dead goes awry, Vince realises he wants his old life back but the police are also watching him.
After a bright opening episode, you realise from the second episode that this three parter has a flimsy plot. Vince is not cut out to be a bad boy, his mistakes lands his friend Colin in a spot of bother and in the final episode the Police have got him and its a case of whether Vince will give the gang up.
A disappointment when you realise that this could had been a good 90 minutes film. Meaney, Hart and Morrissey act their parts well, some of the car chase scenes are exciting, there is a lot of grittiness and the scenes where he confronts his son in the cult's home will make your heart cry for Vince but it needed a more solid script.
i really enjoy this show and i hope to see more of it it will be a sad day if they choose not to continue the series it has amazing potential and its full suspense/action IF YOU HAVE NOT WATCHED IT YOU NEED TO its a total different spin from the main character being a super villain crazy person from the walking dead to a amazing caring worried father/husband just trying his hardest to make their life better and getting mixed up with the wrong people to do so meanwhile trying to keep them all out of it and burring the horrible stuff behind him i give this show a 8/10 just try it and prey it keeps going and thrills us every episode <3333
Although billed as an action-fest, this is actually a far more cerebral piece. With car chases.
David Morrissey seems to have cornered the market in family men having midlife crisis (see also "The 7.39"), but this role allows him to show both his sensitive side and imposing physicality. The acting highlights have to be his scenes with the equally great Ian Hart, who he grew up with on Merseyside but had never acted with until now.
The rest of the cast are equally on top of their game; with Lee Ross and Chris Coghill providing much needed comic relief. And the first two parts, with their unrelenting pace, need it at times to allow the viewers to draw breath.
By the final episode, the various interconnecting plots have hit the rumble strips a little, meaning this is merely great rather than mind- blowing entertainment. But compared to much of what counts as "Original British Drama" on our dumbed-down BBC, it's top-notch.
David Morrissey seems to have cornered the market in family men having midlife crisis (see also "The 7.39"), but this role allows him to show both his sensitive side and imposing physicality. The acting highlights have to be his scenes with the equally great Ian Hart, who he grew up with on Merseyside but had never acted with until now.
The rest of the cast are equally on top of their game; with Lee Ross and Chris Coghill providing much needed comic relief. And the first two parts, with their unrelenting pace, need it at times to allow the viewers to draw breath.
By the final episode, the various interconnecting plots have hit the rumble strips a little, meaning this is merely great rather than mind- blowing entertainment. But compared to much of what counts as "Original British Drama" on our dumbed-down BBC, it's top-notch.
The main charactrer Vince is a weak pathetic man who together with his wife has taken no time in teaching their daughter any life or emotional skills. She's expects things like driving lessons even though money is tight but Vince is too weak to say "find some work & i'll help you". Her boyfriend needed a lift so Vince gave him one in the taxi and the boyfriend blatantly disrespecgted him, but had to suck up to his daughter over it.
Even when he gets involved with the criminals, he does no planning/preparing self-development to prepare for the tasks ahead.
He get's pulled by police in the car the ciminals gave him, does a runner & luckilly escapes, and then drives to the crime bosses house without warning him first and when asked if there were any problems, he says "no". So he thinks that the reg plate is not going to get pulled again.
Could have been a really good movie, but Vince just annoyed the hack out of me.
Even when he gets involved with the criminals, he does no planning/preparing self-development to prepare for the tasks ahead.
He get's pulled by police in the car the ciminals gave him, does a runner & luckilly escapes, and then drives to the crime bosses house without warning him first and when asked if there were any problems, he says "no". So he thinks that the reg plate is not going to get pulled again.
Could have been a really good movie, but Vince just annoyed the hack out of me.
Life is tough for troubled muggle, Vince McKee (David Morrissey). No bed of roses at home and finding it tough making a living as a cabbie in Manchester's rain-drenched streets. His fares either puke on his seats then don't pay or they have no cash and steal his day's earnings. This all changes when Mickey (Ian Hart) - just out after a six year stretch inside - suggests Vince does some driving for his gangster boss, Horse (Colm Meaney). Things start to go belly up soon after as he realizes there's no way back from a life in crime.
With so many tough acts to follow - Sherlock, The Fall, Broadchurch, Utopia, etc - The Driver really needs deliver something unexpected to help it stand out; this it roundly fails to do. It manages to be adequate in all domains: The dialogue, the plot, the direction, the camera-work, the performances, the action are all good though there's nothing that jumps off the screen. That said, there are two stand-out performances: Sacha Parkinson as Vince's daughter and Harish Patel as Vince's minicab boss.
David Morrissey's character grows ever more annoying as he dithers between his lives at home and in crime. In a way, he's morally gray: He's unable to invest himself in normal family life and clearly not cut out to be a criminal. His big problem is he's just not that interesting, nor are his reactions to criminality very compelling. His best moment comes when he tries to recontact his estranged son who is living in a commune. We get a brief glimpse of fire amongst barely glowing embers.
With a series called The Driver it's hard not to look for references to Nicolas Winding Refn's superb "Drive", but there are none. Although there is nothing much to remember about The Driver, the action sequences are well-handled and there are some nifty camera moves in Vince's car. The big question that this miniseries leaves you with is why oh why would a competent gangster trust the job of getaway driver to a civilian cab driver who's scared witless?
With so many tough acts to follow - Sherlock, The Fall, Broadchurch, Utopia, etc - The Driver really needs deliver something unexpected to help it stand out; this it roundly fails to do. It manages to be adequate in all domains: The dialogue, the plot, the direction, the camera-work, the performances, the action are all good though there's nothing that jumps off the screen. That said, there are two stand-out performances: Sacha Parkinson as Vince's daughter and Harish Patel as Vince's minicab boss.
David Morrissey's character grows ever more annoying as he dithers between his lives at home and in crime. In a way, he's morally gray: He's unable to invest himself in normal family life and clearly not cut out to be a criminal. His big problem is he's just not that interesting, nor are his reactions to criminality very compelling. His best moment comes when he tries to recontact his estranged son who is living in a commune. We get a brief glimpse of fire amongst barely glowing embers.
With a series called The Driver it's hard not to look for references to Nicolas Winding Refn's superb "Drive", but there are none. Although there is nothing much to remember about The Driver, the action sequences are well-handled and there are some nifty camera moves in Vince's car. The big question that this miniseries leaves you with is why oh why would a competent gangster trust the job of getaway driver to a civilian cab driver who's scared witless?
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- WissenswertesThe series was announced by BBC One on 10 January 2014 after it was commissioned by heads of drama Charlotte Moore and Ben Stephenson.
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