Leave No Trace

Perhaps no other film in 2018 has exemplified true human emotion like Leave no Trace. It's immensely impressive how well director Debra Granik manages to make these characters feel like real people, even if you don't know anyone who lives out in the woods full time. I mean really, the location isn't necessarily important, what's important is that they have a home and that home was taken from them while another home is forced upon them. That's essentially the central part of the film, what's home to you may not be home to everyone. Ben Foster is unsurprisingly brilliant as is his daughter in the film, Thomasin McKenzie, who most certainly draws comparisons to Jennifer Lawrence (another Granik alum). Incredibly powerful and impeccably visceral, Leave no Trace is undoubtedly a film that will leave a trace come Oscar season.

8.0/10

Although it feels generally slow-moving and takes a while to really get going, 'Leave No Trace' is a thoroughly compelling, realistic drama that expertly explores the father-daughter dynamic. The exposition-less script is refreshing, allowing the audience to actually think for themselves about the lives of the characters and how they got to where they are at the beginning of the film. All of the dialogue feels entirely natural (a testament to both the screenwriters and the actors) and this, combined with the subtle, yet nuanced direction, gives the film an almost documentary type feel, which fully compels the viewers to engage with the lives and central relationship of the protagonists. 7/10.

Indie dramas just keep getting better as the years go by. The freedom to be experimental whilst conveying a captivating story makes for a vastly enthralling cinematic experience than the average Hollywood drama. It's no different here, with director Granik perfectly balancing emotional heft with relentless drama. A father and his young daughter live in isolation within a shrouded urban forest, where one mistake leads them into being found by the local authorities. The eloquence and minimalism in Granik's screenplay allows the story to be told visually. The peaceful environment and rural American culture juxtapose the bustling highways of urban society. Yet they complement each other to create an ecosystem for humanity. The same is applied to this relationship. The father, fearful of being discovered and conforming to the aristocracy of modern civilisation, contrasts with his daughter who yearns for environmental stability. After experiencing a glimpse of normality, she envies them. However, it's the bond between them that truly captivated me. They never argue. They never bicker. They understand one another. Mistakes are forgiven, opportunities are seized. It was honestly beautiful to watch. Foster (who is becoming rather commendable with his work) and McKenzie were sensational together, feeding emotions through just their eyes. Granik utilises plenty of horizonal techniques to illustrate these two characters amongst the overwhelmingly luscious foliage. McDonough's cinematography was gorgeous, bountiful of green filters and natural lighting. My only gripe is the lack of backstory, particularly with the mother, which would've elevated the emotional response for the story's conclusion. But what I really appreciate is the unobtrusive approach to what could've been a sensationalistic plot, and the lack of pretentiousness further cements Granik as a mature director who really should be directing more films. A near perfect drama with outstanding performances that deserves your undivided attention.

This is a story with no antagonist, only the harm caused to one loving father's mind by his military service. It is focussed and deep, showing how some things can't be fixed, and some things have to change. The performances are strong, with the tension always threatening to shatter the veneer of control and love.

The first 30 minutes of this film, I would rate as a 9 or even a 10. We are immersed in the soft, jade glow of the Pacific rainforest, and the quiet intimate life of two people who barely need language to communicate. Their relationship with nature is practical and intuitive rather than sentimental and abstract. When the characters do visit the city, it feels cold and alien, full of possibilities but also dangers.

Both actors are amazing, especially the young girl. For a young actress to express such mixed emotions clearly is very impressive. The movie has a very rooted sense of place. I was at a Q & A with the director and it was clear she made a very thorough effort to choose locations and actors (professional and amateurs) with an eye for realism.

I only knock this story because the arc is fairly predictable. For an American movie there is remarkably little plot and no villain or hero. It was hard to decide between a 7 and an 8.