Ein Vater und seine dreizehnjährige Tochter führen in einem riesigen Stadtpark in Portland, Oregon, ein selbstgenügsames Dasein, als ein kleiner Fehler diesem Leben ein Ende bereitet.Ein Vater und seine dreizehnjährige Tochter führen in einem riesigen Stadtpark in Portland, Oregon, ein selbstgenügsames Dasein, als ein kleiner Fehler diesem Leben ein Ende bereitet.Ein Vater und seine dreizehnjährige Tochter führen in einem riesigen Stadtpark in Portland, Oregon, ein selbstgenügsames Dasein, als ein kleiner Fehler diesem Leben ein Ende bereitet.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 18 Gewinne & 92 Nominierungen insgesamt
Thomasin McKenzie
- Tom
- (as Thomasin Harcourt McKenzie)
Jeffery Rifflard
- Vet at VA
- (as Jeff Rifflard)
Derek John Drescher
- Larry
- (as Derek Drescher)
Alyssa McKay
- Valerie
- (as Alyssa Lynn)
Ryan Joiner
- Tiffany
- (as Ryan E. Joiner)
Michael J. Prosser
- James
- (as Mike Prosser)
Empfohlene Bewertungen
Indie dramas just keep getting better as the years go by. The freedom to be experimental whilst conveying a captivating story makes for a vastly enthralling cinematic experience than the average Hollywood drama. It's no different here, with director Granik perfectly balancing emotional heft with relentless drama. A father and his young daughter live in isolation within a shrouded urban forest, where one mistake leads them into being found by the local authorities. The eloquence and minimalism in Granik's screenplay allows the story to be told visually. The peaceful environment and rural American culture juxtapose the bustling highways of urban society. Yet they complement each other to create an ecosystem for humanity. The same is applied to this relationship. The father, fearful of being discovered and conforming to the aristocracy of modern civilisation, contrasts with his daughter who yearns for environmental stability. After experiencing a glimpse of normality, she envies them. However, it's the bond between them that truly captivated me. They never argue. They never bicker. They understand one another. Mistakes are forgiven, opportunities are seized. It was honestly beautiful to watch. Foster (who is becoming rather commendable with his work) and McKenzie were sensational together, feeding emotions through just their eyes. Granik utilises plenty of horizonal techniques to illustrate these two characters amongst the overwhelmingly luscious foliage. McDonough's cinematography was gorgeous, bountiful of green filters and natural lighting. My only gripe is the lack of backstory, particularly with the mother, which would've elevated the emotional response for the story's conclusion. But what I really appreciate is the unobtrusive approach to what could've been a sensationalistic plot, and the lack of pretentiousness further cements Granik as a mature director who really should be directing more films. A near perfect drama with outstanding performances that deserves your undivided attention.
This is a story with no antagonist, only the harm caused to one loving father's mind by his military service. It is focussed and deep, showing how some things can't be fixed, and some things have to change. The performances are strong, with the tension always threatening to shatter the veneer of control and love.
Although it feels generally slow-moving and takes a while to really get going, 'Leave No Trace' is a thoroughly compelling, realistic drama that expertly explores the father-daughter dynamic. The exposition-less script is refreshing, allowing the audience to actually think for themselves about the lives of the characters and how they got to where they are at the beginning of the film. All of the dialogue feels entirely natural (a testament to both the screenwriters and the actors) and this, combined with the subtle, yet nuanced direction, gives the film an almost documentary type feel, which fully compels the viewers to engage with the lives and central relationship of the protagonists. 7/10.
An exquisitely poignant movie about a father and daughter trying to live off the grid in the woods out of town.
Ben Foster gives a truly amazing, understated performance as Will, the "psychologically damaged" father back from the un-named horrors of war, who has lost his wife and mother to his daughter, Tom. Thomasin McKenzie as Tom, brings a gentle, caring teenager, supporting her father, who is trying to retreat from the world into the woods.
The film is beautifully shot, and the pair are very believable as they hide out from the authorities who want her "in school" and him in some gainful employment, separating and further traumatising both of them while doing the "right thing". But Will, with his unseen, unacknowledged PTSD, is unable to settle into "normal" suburban life, and needs to run constantly from his demons from the past.
Ultimately there is a poignant decision to be made, as daughter and father can no longer walk the same pathways. But this movie has such depth, and such compassion for its characters, and their struggles, that even though you know that a climax must come, it still takes you by surprise. Wonderful acting from the supporting cast, including a cameo by Isaiah Stone, adding complexity to Tom's choices... But modern life cannot accommodate outliers, those who won't conform.
This movie broke my heart, little by little, but has become my favourite indie movie for 2018. If you open your heart and mind, you will find it memorable. Oh, and no sex, drugs or rock and roll, nor animals were harmed - if you like your drama real and personal, and with no car chases or shoot 'em ups, this one is a winner!
Ben Foster gives a truly amazing, understated performance as Will, the "psychologically damaged" father back from the un-named horrors of war, who has lost his wife and mother to his daughter, Tom. Thomasin McKenzie as Tom, brings a gentle, caring teenager, supporting her father, who is trying to retreat from the world into the woods.
The film is beautifully shot, and the pair are very believable as they hide out from the authorities who want her "in school" and him in some gainful employment, separating and further traumatising both of them while doing the "right thing". But Will, with his unseen, unacknowledged PTSD, is unable to settle into "normal" suburban life, and needs to run constantly from his demons from the past.
Ultimately there is a poignant decision to be made, as daughter and father can no longer walk the same pathways. But this movie has such depth, and such compassion for its characters, and their struggles, that even though you know that a climax must come, it still takes you by surprise. Wonderful acting from the supporting cast, including a cameo by Isaiah Stone, adding complexity to Tom's choices... But modern life cannot accommodate outliers, those who won't conform.
This movie broke my heart, little by little, but has become my favourite indie movie for 2018. If you open your heart and mind, you will find it memorable. Oh, and no sex, drugs or rock and roll, nor animals were harmed - if you like your drama real and personal, and with no car chases or shoot 'em ups, this one is a winner!
The Sydney Film Festival today 16 June 18.
The reason I picked this movie - the memorable 'Winters Bone' by Debra Granik.
'Leave No Trace' continues Graniks theme of disconnected, broken people and communities worn down by war, drugs, poverty, poor health, failing services, disempowerment etc
A strange, intimate world brings together mental health, the beauty of nature, youth, struggles to present normality in abnormal circumstances, strange religion, engaging animals, concrete, christmas trees & doomed .love
Juxtaposition of nature & urban blight is too simplistic. Dig a bit deeper.
Not an easy movie but highly recommended.
The reason I picked this movie - the memorable 'Winters Bone' by Debra Granik.
'Leave No Trace' continues Graniks theme of disconnected, broken people and communities worn down by war, drugs, poverty, poor health, failing services, disempowerment etc
A strange, intimate world brings together mental health, the beauty of nature, youth, struggles to present normality in abnormal circumstances, strange religion, engaging animals, concrete, christmas trees & doomed .love
Juxtaposition of nature & urban blight is too simplistic. Dig a bit deeper.
Not an easy movie but highly recommended.
Wusstest du schon
- WissenswertesThe newspaper clipping that Tom finds in her father's "important papers" bag was not created as a prop for this movie; it was a real news article titled "A Unit Stalked by Suicide, Trying to Save Itself" by Dave Phillips, which was one of the above-the-fold front-page articles in the New York Times on Sunday, September 20, 2015. The article was about a single Marine unit (the Second Battalion, Seventh Marine Regiment, aka the 2/7) that after returning from deployment in Afghanistan experienced a very high rate of suicide among its veterans. It is never explained in the movie whether the glimpse of this article is meant to imply that Will actually was a member of the 2/7, or if he just kept the article because it related to his PTSD and related medical situation.
- PatzerIn the scene when Tom leaves the cabin to search for her father, a crew member can be seen moving behind the tree to her left just before the scene ends.
- VerbindungenFeatured in WatchMojo: Top 10 Movies You Missed This Summer (2018)
- SoundtracksKilling Time
Written by Eric Wikman (as Eric Corser Wikman) & Joseph Michael McGregor
Courtesy of FirstCom
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- Auch bekannt als
- Ẩn Thân
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Box Office
- Bruttoertrag in den USA und Kanada
- 6.046.104 $
- Eröffnungswochenende in den USA und in Kanada
- 219.140 $
- 1. Juli 2018
- Weltweiter Bruttoertrag
- 7.682.928 $
- Laufzeit
- 1 Std. 49 Min.(109 min)
- Farbe
- Seitenverhältnis
- 1.85 : 1
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