Call Me Lucky

As a angrily aware sarcastic survivor of violence myself, the daughter of an alcoholic incest victim, the sister of an addicted abused child, a lifelong fan of achingly honest comedy, and as the parent of a boy named Lenny Bruce; my most sincere THANK YOU to everyone involved in the creation of this fantastic film! I laughed, snorted, cried, & cursed. A special debt of gratitude to Barry himself for being our laughing lighthouse; may we all steer towards his in the know glow. I firmly believe that the vast majority of us fiercely funny f**ks are genetically descended from the watchers, born here to witness and testify to the atrocities of soulless slaves. There isn't one person alive who shouldn't see this flick...TWICE!

Barry Crimmins is not a well-known comedian outside of Boston and New York. But he is a legend among comics, including many legendary comics. His highly intelligent and hard-charging style, lashing out at greedy and inhumane politics, puts him in the ranks of Lenny Bruce, George Carlin, and Bill Hicks. He also helped mentor a roster of comics like Denis Leary, Stephen Wright, Tom Kenny, Paula Poundstone, and Lenny Clarke. He also mentored Bobcat Goldthwait, who directs this simple yet emotionally packed biography that explains not only who Crimmins is, but how he came to be. This is not a "how did he get to be so funny?" or "the greatest (blank) you've never heard of" fluff piece. This is a very gritty, sometimes very dark look at the horrors Crimmins endured as a child, and how he turned his suffering into a lifelong mission to help those victimized by man's inhumanity to man. His compassion permeates his actions, even as he takes the microphone at a Senate hearing on child pornography and uses it to (figuratively) beat a suit from AOL into submission. The result is an emotional wringer that will take you from belly laughs to gut-punched. See this film.

The night after the live show that was filmed for this documentary, we all woke up to the news that Robin Williams, the best friend of director Bobcat Goldthwait, had died from suicide. I heard in interviews that Robin had considered playing the lead role if this story had been done dramatically. That came to mind a few times while watching and I could see why the character would have appealed to him.

It's about Barry Crimmins, one of the main personalities behind the launch of many Boston comics' careers, but comedy seems incidental to the work he does as years pass and perspective deepens. I don't know when I first became aware of him. I know I heard Steven Wright mumble his name somewhere way back, but I looked more closely after hearing Barry interviewed by Marc Maron on his WTF podcast. Barry Crimmins personally confronts some of the purest evil mankind perpetrates on itself and tried to prevent much of the damage that continues to be done in the name of profit. While doing that, he helped nurture a conscientious brand of comedy that continues to bring out unique voices.

At the risk of sounding cynical, the fact that this was made before Barry Crimmins' death makes the testimonies more credible, in a way. People are celebrating and stating the importance of this man, and it's not because he's passed away and because you "have" to be respectful to the dead. Of course not all interviewees in documentaries about the dead are lying or embellishing, but it's something that's often on my mind when I watch them.

Anyway, this is a very good documentary with one possible downside: I felt a little strange about Crimmins' abuse as a child being a plot twist of sorts, at least at first. It seemed a little tacky to build suspense to this "revelation" through showing snippets of interviews with his sister. In the end it works, and it does lend the second half of the film a sense of power and emotion, but maybe other survivors of abuse would want to know the documentary is going to cover that stuff beforehand. I think it's a good approach for viewers who aren't victims of childhood abuse, to jolt their systems and make it more impactful, but there is a chance this sudden shift at the halfway point could prove difficult and too confrontational for people who have survived abuse and don't know it's coming within the documentary.

In this case, the somewhat comparable halfway plot shift in Goldthwait's excellent World's Greatest Dad probably works a bit better, thanks to the story being fictional.

I felt as if I held my breath the entire length of the movie. Great historical footage, interviews and first person stories of the day. The life of a man who had to overcome trauma and pain. A man whose talents seemed wrong place, wrong time but who never compromised his principles. Touching, poignant and all of it true. The story follows Barry's career through the comedy scene of the 80's, up and down the east coast. His comedy reaches a deep lace inside, things that everyone can relate to from that era. His childhood was stolen from him. He struggled for decades. Came to terms and was able to move on. I loved this movie. It is astounding that his core group of friends were able to share stories from 40 years ago. Barry was there for up and coming young comics and many got their start in the business from him. Many familiar names in this story. I will see it again with friends.