The Phenom

As my first experience with a film from writer/director Noah Buschel, I worry that his five earlier efforts also exhibit a sore lack of editing. Did not spot any editor credit (other than that of an assistant or something) and believe Noah Buschel handled it himself. He seems unable to discard anything he films (a lesson all great directors learn to do). Cast is fine, but scenes don't join together for a unified whole and often reach points of stagnation as well as present conflicts of information.

Having just finished Rick Ankiel's book, The Phenomenon, and just finishing this movie, I think it's pretty obvious the plot is based on his story. As mentioned in the FAQ, nobody has come out and said the movie is based on Ankiel but the many similarities are striking and pretty hard to ignore. Here are a few:

1) Ankiel attended Port St. Lucie HS like the main character, 2) Ankiel's dad was crazy, abusive and overbearing. Ankiel even talks about him screaming at and intimidating his HS coaches. He also took credit for Rick's success, 3) Like the movie's main character, Ankiel told people his father was a fisherman and hung drywall, when in reality he was a drug dealer who spent time in prison, 4) The main character in the movie plays in the Atlanta Braves organization, which was Ankiel's favorite team growing up, 5) After he loses his control in the 2000 playoffs, Ankiel moves down to the minors and spends a ton of time with sports psychologist Harvey Dorfman, and they talk a lot about his past with an abusive father.

Those are just some of the glaring similarities so it seems pretty obvious this movie was inspired by Rick Ankiel's story. As usual, artistic license has added and changed certain parts of the story but it seems pretty obvious this movie was based on Ankiel's story.

I'd consider the overall production below average, in part due to the lack of character development. However, I applaud the ambition for undertaking a difficult and often unspoken aspect of professional sports. The "yips" is a well-known phenomenon in the baseball world, but one that players avoid in daily conversation because of its ability to sneak up on any player at any time, and the emotional toll it takes on its victims.

Because this theme seemed to take precedence, I was willing to overlook the main character's unrealistically poor pitching mechanics and the frequent and awkward misuse of baseball terminology. It would have been nice if the movie focused a bit more on the emotional turmoil experienced in the player's personal life as he tries to overcome his affliction. This seems to be a product of the lack of character development. Additionally, I think beginning the movie with various notable events throughout the pitcher's childhood would have provided some more context, added some character development, and provided a good foundation for the rest of the movie.

It was an alright movie for the most part, but when it was over I sat up in bed and said "Is that it"? I guess this is one of those movies that you just have to decide what happens to the characters when it's all over.

There are certain scenes that just felt very out of place and a few different parts of the story that didn't get fully fleshed out. Towards the end of the movie, I thought the movie was finally building up to a climax but it turned out to just be the end of the movie.

One thing I did like about the movie though, was that there were some very beautiful scenes and shots. Good camera-work and use of color, but the writing couldn't keep up with the directing.

If you're into baseball, are a huge sports enthusiast, or like movies without an ending, then this film may be for you. Otherwise, your time might be better spent elsewhere.

I watched this movie because it's a baseball movie, and because Paul Giamatti is in it. Script? Sorry to report this, but the writing is BAD. The script--- the words these actors are forced to say as the camera rolls---are not believable. They don't sound like things real people in real life would say. And there's too many of them. Way too many. Result? BORING. Where's some action? ANY action? The baseball scenes add up to about 90 seconds total. Ethan Hawke's character? The mean father? So over the top it is, again, completely unconvincing and irritating. And there's no ending, really. Whoever wrote this....ughh. To pour salt in the wound, the soundtrack sucked. You don't have a noisy rock song with LOUD SINGING playing under a major speech from one of the characters. There should be an instrumental, or no music at all, as the character is screaming at another character. So to sum it up in one word, "The Phenom" is a PHLOP.

After watching the trailer for this movie, and being a big fan of baseball in general, I was really, really excited that this could be a winner. It looked like a taut, psychological take on the national pastime. What I found, however, was a movie that was a complete mess from beginning to end.

For a basic plot summary, "The Phenom" tells the story of Hopper Gibson (Johnny Simmons), an enormously talented pitching prospect who is having trouble harnessing his control. As a result, Hopper is sent to world-renowned sports psychologist Dr. Mobley (Paul Giamatti) in hopes of getting himself straightened out. During the course of his visits to Mobley, flashbacks reveal that many of Hop's problems may stem from overbearing father Hopper Sr. (Ethan Hawke).

The main problem with "The Phenom" is that it doesn't create any sort of emotional connection between the characters and the viewers. It basically just throws out a number of baseball clichés in place of meaningful character development. Even in the presence of some great actors (Giamatti & Hawk), this script/story just doesn't hold up. Heck, had the film just given me what the trailer showed it would have been at least decent. However, it ends up a muddled mess of clichés, flashbacks, and long dialogue scenes that don't seem to go anywhere or mean anything in the end.

Another big issue with the movie? I hate to criticize one single individual for the failure of an entire movie, but I will say this: Simmons (as the lead Hopper) either gave a poor performance or just wan't right for the roll. Never once did I feel caught up in what he was going through, likely because it didn't seem like he himself was too interested, either. I read a comment where this movie was called the "Good Will Hunting" (a film I don't enjoy all that much) of baseball flicks, but even in that effort at least Matt Damon gave a great effort as a mentally tortured youth. Simmons' character shows no such promise here.

So, unfortunately, "The Phenom" ended up being one of the poorest movies I've seen in quite some time. Whoever cut the trailer sure knew what they were doing, but other than that nothing goes right. The film needed to either go whole-hog into the baseball clichés, or not use them at all. Instead, the muddled middle is reached which, combined with a dud lead actor performance, sinks the entire project. I can't recommend this one in any way, shape, or form to anyone.