Men & Chicken

OK. Admittedly, I'm biased. I'm an enormous fan of Anders Thomas Jensen's movies and pretty much adore everything he's ever made or been even tangentially involved in, but up until now I was very firmly of the belief that 'Blinkende Lygter' was and would always remain my favourite of ATJ's movies. That was until I saw 'Mænd & Høns' and fell completely and traitorously in love.

A perfect balance of black (oh god so so black) humour and pathos, this movie is a testament to ATJ's wonderfully deft touch with both. The characters, surreal and ridiculous as they are, are played with such humanity and conviction, that one cannot help but love them all, every last weird, disgusting one of them. As dual-lead, David Dencik is both loathsome and pathetically lovable as Gabriel. Nicolas Bro is a delight as always as the loquacious over-sharing Joseph, as is an almost unrecognisable Søren Malling as Franz. However, whereas it's normally Nicolaj Lie Haas that takes the comedic football and runs uncontested for the touchline, 'Mænd & Høns' is (definitely) Mads Mikkelsen's movie. As the compulsively masturbating, bombastic Elias, Mikkelsen reaps the lion's share of the comedic lines, delivering them with such incredible timing and bravado you can't help but think he missed his vocation when he opted for a career as leading-man heart-throb over bumbling idiotic funnyman.

I can't say enough good about this film. Watch it as soon as a UK release is available. Talk about it until there is. Petition your local cinemas. Buy 'Mænd & høns' t-shirts and bore your friends. I know I will.

A film appears from time to time, defying any attempt at categorization, a film so strange, absurd, disturbing but also comic and human, that a special genre must be created for it and the film declared as the head of the series. This is the case with 'Men & Chicken', a movie released on screens in 2015, written and directed by Anders Thomas Jensen. It's a film that doesn't belong in my comfort zone, and the viewing experience was mixed for me, alternating moments when I wondered 'what is this nonsense about?' with moments of real cinematic fascination. This is the second film by the Danish director that I have seen in the last ten days and the fact that Jensen is one of the most original and interesting screenwriters and directors not only in Denmark but also in the whole world seems undeniable to me.

Elias (Mads Mikkelsen) and Gabriel (David Dencik) are brothers. On his deathbed, their father confesses to them that they are in fact adopted. Their biological father lives somewhere, on an isolated island with a population of 42 inhabitants. While searching for hime, they will discover a landscape worthy of horror movies, a farm full of animals and the fact that they have three more brothers. The two are already pretty weird characters, but that's nothing compared to how their brothers look and behave. From here the film slips into an intrigue and an atmosphere that combines the absurd with the grotesque, the rude with the bizarre. Almost anything I can write here would be a spoiler, so I'll just say that the five brothers will discover the hidden secrets of their own origins and natures together.

Anders Thomas Jensen practices a kind of humor in this film that is far from my personal taste. The film is full of extremes that can only be taken as a joke. Even if I am resistant to many of the types of effects that are current in modern horror movies, I dislike some of the stuff exposed in this film. Mads Mikkelsen is formidable and the whole team of actors is able to build a world of strange characters whose behaviors, if they follow any rules, these are totally different from the usual. The scenario holds surprises at every turn, it is impossible to predict what will happen in the next minute, especially since what is happening does not always make sense. There is a message in this film, and it is an important one, but before I got to it I had to make the effort to endure many scenes and situations that were hard to digest for me. 'Men & Chicken' belongs to the category of films that I can appreciate in terms of cinematography and originality, but whose viewing require an effort for me.

Mads Mikkelsen has had quite an interesting career so far. What? You don't know who he is? That must mean that you're not up to date on your Danish cinema, or you don't like James Bond, or don't watch much TV… or all three. Mikkelsen is a Danish actor who is probably best known in the U.S. for playing the title character in NBC's "Hannibal" – and as the villain Le Chiffre in the 2006 Daniel Craig-led Bond reboot "Casino Royale". But, like most successful actors, Mikkelsen had to work his way up to such notable parts. As a young man, he spent ten years as a ballet dancer. In the mid-1990s, he began acting in high-profile films and TV shows in his native Denmark. The New York Times calls him "a face of the resurgent Danish cinema". Public opinion polls often crown him the sexiest man in Denmark, while his acting talent has earned him numerous Best Actor awards at film festivals around the world. More recently, in 2014, Mikkelsen played a Danish immigrant in the American West in the excellent, but underseen "The Salvation", and in 2015, he appeared in one of Rhianna's music videos. 2016 has him in Marvel's "Doctor Strange" and "Rogue One: A Star Wars Story". Very interesting indeed. "Interesting" is an appropriate but more loaded term when us to describe Mikkelsen's film "Men & Chicken" (NR, 1:44).

Mikkelsen stars as Elias who, along with his half-brother, Gabriel (David Dencik), seems a little short-changed in the brains department – and NO-changed when it comes to looks and social skills. When their father dies, they learn that they were both adopted and that their biological father lives on the tiny (fictional) Danish island of Ork. When Elias and Gabriel go to Ork in search of their father, they come across three more half-brothers, Gregor (Nikolaj Lie Kaas), Franz (Søren Malling) and Josef (Nicolas Bro), who live together in a dilapidated former sanitarium which is overrun by barn animals. And it seems that Gregor, Franz and Joseph have the same "challenges" as Elias and Gabriel, if not more so.

When Elias and Gabriel show up at the home of their other three brothers and announce who they are, Gregor, Franz and Josef beat Elias and Gabriel. After regrouping at the home of the town's mayor (Ole Thestrup) and his unmarried daughter (Kirsten Lehfeldt), Elias and Gabriel return to their brothers' home the next day to try again to get Gregor, Franz and Josef to talk to them. Another beating ensues, but Elias and Gabriel turn the tables, leading Gregor, Franz and Josef to grudgingly welcome their long-lost brothers into their home. But getting to meet their father is harder than Elias and Gabriel expected.

Getting to know their newfound brothers is no picnic either. Besides letting barn animals roam freely throughout their home, Gregor, Franz and Josef interact with each other very strangely. They fight over who eats off of which plate at dinner, they cuddle together for a bedtime story each night, and if any of the brothers breaks a family rule, he has to sit in a metal cage outside. Oh, and sometimes the brothers change into tennis whites and play badminton on a makeshift indoor court. Gregor, Franz and Josef also have an especially unusual relationship with the larger animals that live outside the house. After being stymied in their efforts to meet their father, Elias and Gabriel notice some… unique-looking chickens roaming about, which makes them wonder even more about who their father is and what he's into.

"Men & Chicken" is… interesting (in an odd way) and can be entertaining… depending on your taste in movies. RogerEbert.com summarizes this film as "a hybrid of 'The Three Stooges' comedy and the lunacy of 'The Island of Dr. Moreau'". It's an apt characterization for what is a tough film to describe. It includes comic violence, bizarre situations, gross-out humor, very dark comedy and even some sweetness. It's fun to see Mikkelsen play so well against type, while the physical appearance of all five brothers is both repulsive and magnetic. As individuals, each character is a rail car which has gone off the tracks. As a whole, this group of people is a train wreck, but it's nearly impossible to look away. Like that proverbial human train wreck, you may find yourself wanting to keep watching out of a morbid sense of curiosity. Many will find this movie too "weird", but some will find it irresistible. "B"

Frequent beatings with cast iron skillets and hard stuffed animals, eugenics experiments gone tragically awry, and five brothers with a propensity for extremely odd and deviant behavior, all combine in a twisted Danish comedy blockbuster. Receiving news of their father's death, brothers Gabriel and Elias reunite after a long period of not contacting each other. They set out to collect the body from a remote and sparsely populated island and dilapidated mansion with free- roaming chickens, goats, sheep and three brothers they never knew they had. None of the siblings is playing with a full deck, yet the one language they have in common is violence. Their attempts to reconcile are hilarious and result in childish fights over insane rules, cheese, who gets a plate with their favorite animal on it, beatings with rolling pins as well as a stuffed beaver, and memorable trips to town to find women. Every subject is fair game for humor including kids, science, hygiene, families, politics, the sick and dead, elders, animals, the handicapped, gender, sex and more.

This really warped and genuinely funny film is truly an original. It is an antidote to the same old gruel from the traditional studios. The soundtrack, including music from vibrating saws, is a perfect accompaniment to the bizarre behavior of this non-traditional and wacky family. The acting is well done. Yes, that is Mads Mikkelsen! The only drawback is the difficulty in translation and a wish that the film was longer. Real life inspiration for the film included the director's four kids, who fought over animal plates as the brothers do on screen. Seen at the Toronto International Film Festival 2015.

In recent decades, in the West, it has been difficult to create a production where "variously challenged" persons are subject to irony, mockery, with characteristic violence and non-piety. The US is probably out of the question already, only Brits and Scandinavians have still dared to create something different within the subject mentioned. Mænd & høns is another fine example of them, with excellent script and direction (Anders Thomas Jensen) and strong ensemble cast (virtually all performers belong to the finest contemporary Danish film actors) have provided a meaty and distinct result.

True, not all characters are at the same level, e.g. Søren Malling and Nicolas Bro could not reveal their talent in full, but David Dencik, Mads Mikkelsen and Nikolaj Lie Kaas were brilliant again - and in such different roles! No villains, no clerks, no policemen... Those not acquainted with those names should definitely see other films with their presence - to realise how versatile actors they are.

It is evident that some social strata may feel themselves affected and somewhat resentful, but the film should not be taken too seriously. However, it contains multiple warnings and attitudes that can/should be avoided.

All in all, another good Danish film, recommended to them fond of twisted humour connected with society-related stuff to be pondered on and over.