How to Talk to Girls at Parties

Bizarre. Immaculately bizarre. An ambitious empty shell that struggles to develop its themes and characters. The equivalent of banging your head to The Sex Pistols whilst being surrounded by gymnasts in tight Lycra. It seems Mitchell tried desperately hard to achieve cult status for his film. Mixing absurdist sci-fi with an emerging music movement that swept good ol' Croydon. Unfortunately he misses the mark. A punk enthusiast meets a mysterious girl at a party and only has a certain amount of time to introduce her to the world of punk rock. During that allotted time, a romance blossoms that would transcend space itself.

The underlying problem that polluted this well-intentioned project is the screenplay. Goslett failed to understand that the merging of two genres, especially one of them being a romance, relies on relatable and humanistic characters. Fanning, who I'm sure wasn't acting in this (that's just her normal self...), gets a pass for portraying a stellar extraterrestrial. Sharp on the other hand, well his character was a mess. No fault of his own. Mitchell tried divulging into his backstory, which was instantly forgettable, and failed to create a spark between the two leads. For the most part, there was no emotional resonance. It wasn't until the final twenty minutes, when punk matriarch Kidman's army of little punk rockers raid their contemporary "tourists" abode, that the tangible love started to stick. Too late I'm afraid. Was all too forced for my liking.

I do however admire Mitchell's unique vision, almost reminiscent of Gilliam's work, which suited the artistic aesthetic that was being exhumed. A wondrous experience that made me scratch my head whilst being hypnotised. Stupendous use of colour. Just a shame that its entirety doesn't really stick, although undoubtedly will be viewed as an ambitious cult film in the future I'm sure. Admirably ambitious is the best description. Though Nicole Kidman, man, she would make a crazy rocker that's for sure!

I liked the setting and aesthetic quite a bit.

Though, it was a strange film-- better than your typical Hollywood schlock that fills up most theaters, but it's in no way great. I feel like much more could have been done with this concept, but it just left me, kinda uninterested about halfway though.

The film is not bad, but it's also not good.

If you can watch it for free, eh go ahead.

5/10

It's pretentious and cheesy, unique and amazing. The only promise I can make is that you have never seen anything like it. That in itself should be enough to make any movie or art lover feel like this movie was money and time well spent. Of course there are flaws, but it's punk, that's what gives it character. If you spend all your money on Hollywood reboots, stay far, far away...

You can enjoy the humor in this movie on the surface level or try to dig deeper into the many metaphors. I just went along for the ride and had a great time.

It's absolutely, not even close to being one of the best movies I've ever watched but my god do I love it. Not mind blowing but somewhat bizarre. The ending is beautiful but everything before that is so weird and uncanny. I spent the whole movie duration asking myself "wtf?". It's probably the most unique movie out there, you'll either like it or hate it and call it silly or for weirdos, I think most people will and understandably so. Looking at the title and cast is very deceiving, which is what I did, and you need an open mind to enjoy it. It's a misfit movie, I guess that's how punks are stigmatized by society; and this movie is a love story between a punk and an alien. It really doesn't fit in well into any genre, it's the 70's, there's aliens, there's funny bits, there's music, there's love, but if you're looking for a sci-fi, comedy, musical or romance movie this still really isn't it. It just a rogue piece of the puzzle that doesn't fit in anywhere. That's why it didn't surprise me when I learnt that this was the oeuvre of the same person who wrote "American Gods", which I do love. There's nothing like that series, and there's nothing like this movie, they're ambitious originals. And I must say, kudos to Nicole Kidman because this feels like the kind of movie actors of her caliber would turn down and she didn't. It's not great, a little tweaks everywhere and bigger production budget could have made it better, but it's uniqueness(is that a word, sounds made up in my head) makes it worth a watch, I however wouldn't recommend it to anyone I know because I don't really know who the intended audience for the movie was. Because I don't know anyone like me, not in a "I'm special" sorta way, more like I'm sorta weird and so is this movie.

Greetings again from the darkness. Filmmaker John Cameron Mitchell exploded onto the scene in 2001 with his instant cult favorite HEDWIG AND THE ANGRY INCH, and in 2010 he delivered the expertly crafted and somber marital drama RABBIT HOLE. In his first feature film since the latter, Mitchell revisits the punk world in what has been described as Romeo and Juliet with punks and aliens.

Mitchell and co-writer Philippa Goslett adapted the screenplay from a short story by Neil Gaiman ("American Gods"). It's set in 1977 Croydon (outside London) and though music plays a vital role, it's not really a musical. And even with some funny moments, it's not really a comedy. And while there are aliens, one wouldn't label this as science fiction. There is a budding romance at the core, and maybe the romance description fits best ... although, any unwitting group of film goers heading to the theatre expecting a typical romantic drama will likely walk out in the first 15 minutes.

Zan (Elle Fanning) and Enn (Alex Sharp) are star-crossed (or is it intergalactic-crossed?) lovers - she being an alien, he a young punk rocker. This is less about two worlds colliding than two worlds exploring each other: the freedom of punk vs the conformity of the alien colony. We cross paths with the local Queen of punk known as Boadicea (one of the most extreme Nicole Kidman roles of her career), the alien Stella (Ruth Wilson), and Enn's punk mates Vic (Abraham Lewis) and John (Ethan Lawrence).

Far and away the most interesting puzzle piece here is the connection between Enn and Zan. Mr. Sharp (a Bob Geldof lookalike) and Ms. Fanning are terrific together and the film suffers when they aren't on screen. Their live duet onstage is a true highlight and her wide-eyed curiosity combined with his zany punk persona provide most of the film's energy.

"Punk ... the best thing to happen to ugly people" is likely the best line in the film, although Zan requesting "Do some more punk to me" isn't far behind. There are messages here about parenting, diversity and globalization, but mostly it's a creative and wild ride that's not likely to please everyone ... especially those looking for a Nicholas Sparks romance or anyone who might take the title literally. The film is scheduled to show at the Texas Theatre in Dallas beginning June 1, 2018.