IMDb-BEWERTUNG
6,0/10
13.037
IHRE BEWERTUNG
Slasher-Persiflage über zwei vom Tod besessene Mädchen, die mit ihrer Online-Show über reale Tragödien ihre kleine Heimatstadt im Mittleren Westen in Aufruhr versetzen und ihr Image als mode... Alles lesenSlasher-Persiflage über zwei vom Tod besessene Mädchen, die mit ihrer Online-Show über reale Tragödien ihre kleine Heimatstadt im Mittleren Westen in Aufruhr versetzen und ihr Image als moderne Horror-Legenden festigen.Slasher-Persiflage über zwei vom Tod besessene Mädchen, die mit ihrer Online-Show über reale Tragödien ihre kleine Heimatstadt im Mittleren Westen in Aufruhr versetzen und ihr Image als moderne Horror-Legenden festigen.
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- 8 Gewinne & 4 Nominierungen insgesamt
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It is film festival time once again so it is a great chance to check out smaller films like this on the big screen. This one is a twist on the slasher genre following two horror obsessed teenage girls who use their online blog about real-life murders to manipulate their way into the spotlight. It breathes life into the slasher genre and is also a great take on the dark side of social media. It has some inventive camera work that makes the most of its modest budget backed up with good performances all around.
I feel a shades of Heathers (1988) and it certainly has a few nods to some classic slasher films. It is not the first film in recent years to put a new twist on slasher films with good results... The Final Girls (2015) and You're Next (2011) come to mind but I think this one is better than those and is sure to become a cult favourite in years to come.
7/10
I feel a shades of Heathers (1988) and it certainly has a few nods to some classic slasher films. It is not the first film in recent years to put a new twist on slasher films with good results... The Final Girls (2015) and You're Next (2011) come to mind but I think this one is better than those and is sure to become a cult favourite in years to come.
7/10
I had minimal expectations going into "Tragedy Girls" because, even though a massive fan of slashers and 80s horror cinema in general, I don't feel like I'm part of the target group for this kind of films. Horror comedies, and particularly self-declared "homages" or "throwbacks", are rarely as clever as the writer/director thinks they are. Moreover, yours truly is a 36-year-old male with very few interest in social media (Twitter, Snapchat and whatnot) and I most certainly cannot connect with the life-world of popular teenage girls. Still, there was something irresistibly appealing about the premise of "Tragedy Girls", so I went into the theater with an open mindset and must admit I don't have any regrets. BFF's Sadie and McKayla have two main purposes in life: killing many people and having the world's largest number of Twitter-followers; - the second being even more crucial than the first. They kidnap and cage a beginning serial killer, but cheerfully continue the murder spree themselves whilst actively reporting on social media and incriminating the allegedly at large killer. The girls choose their next victims based on whoever steals their media attention, and meanwhile they also have a school prom to prepare!
I'm not quite sure if director Tyler MacIntyre is spoofing or accurately depicting the trending phenomenon of social media. Teenagers nowadays really are obsessed with their smartphones and do the craziest things to earn their spot on the internet. I don't see any dumb kids capable of murdering other human beings, but admittedly it's a good baseline for a horror comedy. In many other reviews I read that many viewers find all the lead characters, especially the two girls, hopelessly irritating and implausible, but I hardly think you can blame the script. Teens that send texts with hearts to each other while they're in the same classroom are irritating by default. The only character that I personally found truly annoying was Kevin Durand's serial killer Lowell (according to the credits that's his name, although I'm sure they call him Lehmann instead). He's the least competent killer in history and gets his butt whooped by a couple of teen drama queens no less than three times. "Tragedy Girls" is not an excessively gory film, but a handful of death scenes are both gruesome and utmost ingenious. Notably memorable moments include the combination of a poor girl's head and a buzz saw, Craig Robinson versus a dumbbell and a subtly genius "Cannibal Holocaust" tribute. This latter sequence probably won't get noticed by the youngest genre fanatics, but it does prove that MacIntyre knows his classics. His directing skills are more adequate, by the way. Add to this a pleasingly grim (albeit foreseeable) finale, and the overall end result is that "Tragedy Girls" is one of the more satisfying genre efforts of the 2010's.
PS: just in case you're wondering, this user comment's title is inspired by lyrics that are courtesy of The Bee Gees. Who?
I'm not quite sure if director Tyler MacIntyre is spoofing or accurately depicting the trending phenomenon of social media. Teenagers nowadays really are obsessed with their smartphones and do the craziest things to earn their spot on the internet. I don't see any dumb kids capable of murdering other human beings, but admittedly it's a good baseline for a horror comedy. In many other reviews I read that many viewers find all the lead characters, especially the two girls, hopelessly irritating and implausible, but I hardly think you can blame the script. Teens that send texts with hearts to each other while they're in the same classroom are irritating by default. The only character that I personally found truly annoying was Kevin Durand's serial killer Lowell (according to the credits that's his name, although I'm sure they call him Lehmann instead). He's the least competent killer in history and gets his butt whooped by a couple of teen drama queens no less than three times. "Tragedy Girls" is not an excessively gory film, but a handful of death scenes are both gruesome and utmost ingenious. Notably memorable moments include the combination of a poor girl's head and a buzz saw, Craig Robinson versus a dumbbell and a subtly genius "Cannibal Holocaust" tribute. This latter sequence probably won't get noticed by the youngest genre fanatics, but it does prove that MacIntyre knows his classics. His directing skills are more adequate, by the way. Add to this a pleasingly grim (albeit foreseeable) finale, and the overall end result is that "Tragedy Girls" is one of the more satisfying genre efforts of the 2010's.
PS: just in case you're wondering, this user comment's title is inspired by lyrics that are courtesy of The Bee Gees. Who?
One of the most original slasher / horror films I have seen in a while. When they describe this as Scream meets Heather's they are spot on. Well worth checking out.
I understand the hate but It's not that bad in my opinion! Starts out very meh but gets much better as it goes on, very funny and great kills otherwise yeah it's bad I still appreciate Tragedy Girls; I'd support them! I really like comradery between the main girls and how they tend to do whatever they want in a way. Really not as bad as people say I mean I've seen much worse horror films.
It's an ok film, but honestly, those girls are so bloody annoying. If this is meant to be a depiction of how self-obsessed and addicted to social media youth has become, then the future looks really bleak. 5/5
Wusstest du schon
- WissenswertesSyl's little free library is modeled after the Myers' house from Halloween (1978).
- Patzer(at 54 minutes) When Lowell frees himself from the chair, it can be seen that his hands were only zip tied to one another behind his back, and not tied to the chair. As such, he could have gotten off the chair at any time.
- Zitate
Sadie Cunningham: To make an omelette, you have to kill some ex-boyfriends.
- Crazy CreditsWhen the end credit screen for Brianna Hildebrand and Alexandra Shipp appears, three small "selfie" photos of each of them appear next to their names. The photos briefly change into photos of the girls wearing their killer masks.
- VerbindungenFeatures Die Nacht der lebenden Toten (1968)
- SoundtracksUntil The Night Is Over
Performed by Timber Timbre
Written by Taylor Kirk
Courtesy of Arts and Crafts Productions Inc.
By Arrangement with Zync Music Group LLC
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- Những Cô Gái Bi Kịch
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Box Office
- Bruttoertrag in den USA und Kanada
- 61.899 $
- Eröffnungswochenende in den USA und in Kanada
- 12.125 $
- 22. Okt. 2017
- Weltweiter Bruttoertrag
- 122.211 $
- Laufzeit
- 1 Std. 38 Min.(98 min)
- Farbe
- Seitenverhältnis
- 2.39:1
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