Füge eine Handlung in deiner Sprache hinzuWhen the daughter of veteran 911 call center operator Pamela (Mischa Barton), and her estranged husband Jeremy (Luke Goss), a Senior Police Officer, is kidnapped and held hostage, they are l... Alles lesenWhen the daughter of veteran 911 call center operator Pamela (Mischa Barton), and her estranged husband Jeremy (Luke Goss), a Senior Police Officer, is kidnapped and held hostage, they are left desperate, with no choice but to follow the kidnapper's rules: send messages through d... Alles lesenWhen the daughter of veteran 911 call center operator Pamela (Mischa Barton), and her estranged husband Jeremy (Luke Goss), a Senior Police Officer, is kidnapped and held hostage, they are left desperate, with no choice but to follow the kidnapper's rules: send messages through dispatch for all police and fire units to scatter to remote locations throughout the city w... Alles lesen
- Tony
- (as Tony Demil)
- Officer 4
- (as Christopher Marrone)
Empfohlene Bewertungen
This movie is not a realistic thriller-drama because it is so full of unrealistic events, from start to finish. Plot seemed interesting but it fell short rather quickly, featuring boring characters and most importantly a boring story. Ving Rhames is the only actor who manages to stand out positively. Special effects stand out too, but in a negative way because they are bad.
The soundtrack was satisfying and the ending was enjoyable, the last 15/20 minutes. Another positive fact? It lasts less than 90 minutes.
(4 stars out of 10)
It seems to me that the characters where totally miss cast or very poorly directed but not even Spielberg at the helm would have make the story any better.
DO NOT WATCH!!!!
I don't think I've ever given any other movie a 1-star rating, but this movie deserves it. There is no redeeming value to it whatsoever. It's sad to think that people spent time and money making this. I've seen better home movies.
All sorts of fallacies in "action movie logic" and interactions written that just wouldn't happen in any world, real or imagined, completely destroyed any hope of this movie being worth anything more than a glob of gum stuck to the bottom of your shoe. Just terrible and awful, and I couldn't even laugh at it enough to make it entertaining in the least.
In the same spirit of The Call starring Halle Berry, Pamela (Mischa Barton) is a 911 operator who is terrorized by a crime mastermind. The movies steps on every plot hole possible. Never mind that it's odd for a 911 call center to be hacked, or no one suspects anything when one of their operators is clearly in distress, it's mind-boggling that the so called plan is utterly devoid of logic and the movie continues to pretend as though it's realistic.
The overly complex scheme consists of timely event in impossible time frame, which gets worse when the movie tries to pull off more stunts. If that doesn't detach the viewer from reality, the subpar acting will. At least The Call, which has the same premise, is led by Halle Berry who gave a real effort and even that movie is still flawed. The operator has one fixed expression; mildly flabbergasted. Her reaction and action are simply too bland to be taken serious.
Luke Goss and Ving Rhames fare a bit better, perhaps because they are more familiar with action genre, although not by much and that doesn't exemplify them from mistakes too. At some points the motivation seems severely lacking. If this is about grand master plan of heist or to save a child's life, this must be the least enthusiastic police work as the lack of urgency is overwhelming.
With such faulty logic, more discern viewers would have a field day spotting the plot holes, and far from exuberant acting as though the characters know the logic is flawed, Operator's only spark is from cheap explosive and action, which don't amount to much.
Wusstest du schon
- WissenswertesPremiered at the Cannes Film Festival 2015
- PatzerIn the poster, the American flag on Luke Gross' shoulder has the stars facing to the left. Although this is how we would normally think of the flag as appearing, an American flag always has the stars pointing towards the more important side of whatever it is on. On uniforms, the American flag always has the stars facing toward the front of the uniform, or on the right side as we would see it.
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Details
Box Office
- Weltweiter Bruttoertrag
- 67.218 $
- Laufzeit
- 1 Std. 28 Min.(88 min)
- Farbe