"The Girlfriend Experience" erkundet die Beziehungen zwischen Call-Girls und Klienten, denen sie weit mehr bieten als nur Sex. Es sind Frauen, die für einen hohen Preis Beziehungen anbieten."The Girlfriend Experience" erkundet die Beziehungen zwischen Call-Girls und Klienten, denen sie weit mehr bieten als nur Sex. Es sind Frauen, die für einen hohen Preis Beziehungen anbieten."The Girlfriend Experience" erkundet die Beziehungen zwischen Call-Girls und Klienten, denen sie weit mehr bieten als nur Sex. Es sind Frauen, die für einen hohen Preis Beziehungen anbieten.
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When I first came across 'The Girlfriend Experience' I didn't know what to expect, I hadn't seen the movie, and reviews were very mixed, some calling it a great show, others commenting on its apparent blandness and cold feel.
When i finally came around to watching it, it really intrigued me, I really enjoyed shows like house of cards, and I thought Paul sparks (who was also in HoC) was great is his role, his cold, more absent way of presenting himself was in my opinion great for his role.
The same goes for Riley Keough, while a lot of others seem to dislike her cold, detached personality as Christine, I found it rather fitting. Someone who gets extremely intimate with strangers would have to be like this in my opinion. Because of this the show is quite realistic, and the admittedly rather lacking story, (there is one, but its not as well developed as it could be) fits with this genre. It really isn't a regular TV- show story, but a look at a life, a life that ís cold and impersonal.
The grey-ish lighting and set design also really works with this detached feel, and the music (or lack thereof) really helps sell the seriousness and loveless acts and conversations.
I really enjoyed watching the show, and although I haven't seen the ending yet, thus far I have really enjoyed the realistic approach to this girls life.
It gave me a feeling comparable to the later seasons of house of cards, or maybe even Mr. Robot, the same dawning, almost depressing, but realistic approach, that, although not everything goes well and ends positively, creates a situation where one can really understand and feel the position the character is in.
When i finally came around to watching it, it really intrigued me, I really enjoyed shows like house of cards, and I thought Paul sparks (who was also in HoC) was great is his role, his cold, more absent way of presenting himself was in my opinion great for his role.
The same goes for Riley Keough, while a lot of others seem to dislike her cold, detached personality as Christine, I found it rather fitting. Someone who gets extremely intimate with strangers would have to be like this in my opinion. Because of this the show is quite realistic, and the admittedly rather lacking story, (there is one, but its not as well developed as it could be) fits with this genre. It really isn't a regular TV- show story, but a look at a life, a life that ís cold and impersonal.
The grey-ish lighting and set design also really works with this detached feel, and the music (or lack thereof) really helps sell the seriousness and loveless acts and conversations.
I really enjoyed watching the show, and although I haven't seen the ending yet, thus far I have really enjoyed the realistic approach to this girls life.
It gave me a feeling comparable to the later seasons of house of cards, or maybe even Mr. Robot, the same dawning, almost depressing, but realistic approach, that, although not everything goes well and ends positively, creates a situation where one can really understand and feel the position the character is in.
The show is delivered in a cold, unemotional manner that sets the tone. It seems similar to Mr. Robot and American Psycho in a lot of ways. People going through motions of life but mainly pretending. There is no intro for the show - the episodes start and eventually the title of the show displays on screen.
Christine is a law student and dresses in boring and mundane business attire, has basic professional hair, and seems pretty boring. You can tell she is intelligent however.
From the first sex scene we see the lead character's need and desire for control. Control of men, control of situations, and control of opportunity. What follows is the delving into the world of sex for hire, and beyond that a "Girlfriend" experience. Christine dives into this secretive world with both feet and develops an persona named "Chelsea". Chelsea is beautiful with long flowing hair, is feminine, attractive, well dressed, and poised; almost a counterpart to her day to day self. Her clients get to feel that they are important and cared for in her presence. For her it is an act. She is always on top; in the bedroom and in the relationship. She takes notes to remember small details of her clients, she edits her words and reactions to her client's wishes.
We see the main character position herself to always profit in some way in her interactions. In reality she is cold, distant, and calculating. How far will she go? How deep will she sink to get what she wants? What will the ultimate price be?
I've only seen 4 episodes of the season but it shows great promise. It may not live up to expectations in the end but I hope it does.
Christine is a law student and dresses in boring and mundane business attire, has basic professional hair, and seems pretty boring. You can tell she is intelligent however.
From the first sex scene we see the lead character's need and desire for control. Control of men, control of situations, and control of opportunity. What follows is the delving into the world of sex for hire, and beyond that a "Girlfriend" experience. Christine dives into this secretive world with both feet and develops an persona named "Chelsea". Chelsea is beautiful with long flowing hair, is feminine, attractive, well dressed, and poised; almost a counterpart to her day to day self. Her clients get to feel that they are important and cared for in her presence. For her it is an act. She is always on top; in the bedroom and in the relationship. She takes notes to remember small details of her clients, she edits her words and reactions to her client's wishes.
We see the main character position herself to always profit in some way in her interactions. In reality she is cold, distant, and calculating. How far will she go? How deep will she sink to get what she wants? What will the ultimate price be?
I've only seen 4 episodes of the season but it shows great promise. It may not live up to expectations in the end but I hope it does.
While many may hate this series for politically correct reasons or because they are not used to adult pacing (as opposed to juvenile comic book-style movies full of flashy editing), I was taken in by it ... but mostly because of Riley Keough, who is a very natural, subtle actress. The series features a little titillation here and there, but it's tasteful, artfully photographed, and looks great.
The show works in that -- even though the protagonist is a person of questionable moral values, she's surrounded by all these far more horrible, reptilian people (lawyers and other wretched/inhuman scum). So, by comparison, she comes off as the most empathetic person on the whole show; you end up bonding with her because you hate everyone else. (As Robert McKee often says: "Empathy ... is absolute, while sympathy is optional." Meaning empathy is enough ... to keep us engaged. We empathize with the main character, but we don't necessarily sympathize with her. )
I also like the protagonist's rebellious streak and admired her discipline and focus. As the actress herself said about the character: "she's driven." (Driven to a fault, actually.) There's also something terribly sad about her too. We can sense her loneliness as, obviously, she has no friends. In fact, there's an existential quality about the whole show, which is emphasized with the Cliff Martinez-like ambient music underscoring many scenes.
But this show is all about the actress, Riley Keough. Having said this, I didn't care for the final show of the season, which was a bit much (maybe a bad idea stretched out for the whole episode). I would love to see this show continue -- but only with same actress. I've already watched some episodes more than once, and I'm sure I'll watch the whole season again. It's worth owning.
Bottom line: Check it out. And kudos to Riley Keough for her sophisticated, subtle performance.
The show works in that -- even though the protagonist is a person of questionable moral values, she's surrounded by all these far more horrible, reptilian people (lawyers and other wretched/inhuman scum). So, by comparison, she comes off as the most empathetic person on the whole show; you end up bonding with her because you hate everyone else. (As Robert McKee often says: "Empathy ... is absolute, while sympathy is optional." Meaning empathy is enough ... to keep us engaged. We empathize with the main character, but we don't necessarily sympathize with her. )
I also like the protagonist's rebellious streak and admired her discipline and focus. As the actress herself said about the character: "she's driven." (Driven to a fault, actually.) There's also something terribly sad about her too. We can sense her loneliness as, obviously, she has no friends. In fact, there's an existential quality about the whole show, which is emphasized with the Cliff Martinez-like ambient music underscoring many scenes.
But this show is all about the actress, Riley Keough. Having said this, I didn't care for the final show of the season, which was a bit much (maybe a bad idea stretched out for the whole episode). I would love to see this show continue -- but only with same actress. I've already watched some episodes more than once, and I'm sure I'll watch the whole season again. It's worth owning.
Bottom line: Check it out. And kudos to Riley Keough for her sophisticated, subtle performance.
It's not going to be for everyone. Challenging viewing at times, probably easier to watch alone, as it pushes ones voyeuristic spectrum to the max. I hope that there is a little more story development in future seasons as if it was more of the same I'd probably be switching off but I enjoyed season 1. If you like the movie Shame it's very similar in terms of tone and pace. So it's now up to where they decide to take this.. is there going to be more point or is it just going to be a through the looking glass exercise. Let's see.
I loved season 1 but I have no idea what they were thinking this season. It is boring as hell and I want the story line from season 1 back please. Season 2 is a mess.....it is uncomfortable and just plain boring to watch. Riley Keough in season 1 was so good. She is beautiful, dark, and mischievous. She really carried this show. Louisa Krause in season 2 is not suited for a part like this. I am so mad this show has been ruined.
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- WissenswertesProducer Steven Soderbergh, who also directed the movie of which the show is inspired, wanted to approach the making of the show as a creative experiment, so he proposed a male/female filmmaker duo which hadn't worked together before, in this case Lodge Kerrigan and Amy Seimetz, to write and direct season 1. Both Kerrigan and Seimetz talked later about the difficulty of the experience, so it wasn't a surprise when season 2 presented a two-story structure where said stories were completely independent, each one written and directed by the directors on their own. For season 3, however, which was greenlit a year and a half after the finale of season 2, Soderbergh seemed to have forgone the experiment approach, because he just hired Anja Marquardt to do 10 episodes.
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