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IMDbPro

The Overnight: Einladung mit gewissen Vorzügen

Originaltitel: The Overnight
  • 2015
  • 12
  • 1 Std. 19 Min.
IMDb-BEWERTUNG
6,1/10
17.871
IHRE BEWERTUNG
Judith Godrèche, Adam Scott, Jason Schwartzman, and Taylor Schilling in The Overnight: Einladung mit gewissen Vorzügen (2015)
Trailer for The Overnight
trailer wiedergeben2:06
7 Videos
69 Fotos
Dark ComedyQuirky ComedyComedyMystery

Füge eine Handlung in deiner Sprache hinzuAlex, Emily, and their son, RJ, are new to Los Angeles. A chance meeting at the park introduces them to the mysterious Kurt, Charlotte, and Max. A family "playdate" becomes increasingly inte... Alles lesenAlex, Emily, and their son, RJ, are new to Los Angeles. A chance meeting at the park introduces them to the mysterious Kurt, Charlotte, and Max. A family "playdate" becomes increasingly interesting as the night goes on.Alex, Emily, and their son, RJ, are new to Los Angeles. A chance meeting at the park introduces them to the mysterious Kurt, Charlotte, and Max. A family "playdate" becomes increasingly interesting as the night goes on.

  • Regie
    • Patrick Brice
  • Drehbuch
    • Patrick Brice
  • Hauptbesetzung
    • Adam Scott
    • Taylor Schilling
    • Jason Schwartzman
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,1/10
    17.871
    IHRE BEWERTUNG
    • Regie
      • Patrick Brice
    • Drehbuch
      • Patrick Brice
    • Hauptbesetzung
      • Adam Scott
      • Taylor Schilling
      • Jason Schwartzman
    • 65Benutzerrezensionen
    • 103Kritische Rezensionen
    • 65Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Gewinn & 3 Nominierungen insgesamt

    Videos7

    The Overnight
    Trailer 2:07
    The Overnight
    The Overnight
    Trailer 2:06
    The Overnight
    The Overnight
    Trailer 2:06
    The Overnight
    THE OVERNIGHT - Official Trailer - The Orchard
    Trailer 2:06
    THE OVERNIGHT - Official Trailer - The Orchard
    The Overnight: You've Got A Really Great Look
    Clip 1:25
    The Overnight: You've Got A Really Great Look
    The Overnight: 2 Buck Chuck
    Clip 0:54
    The Overnight: 2 Buck Chuck
    The Overnight: Portals
    Clip 0:40
    The Overnight: Portals

    Fotos69

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    Topbesetzung23

    Ändern
    Adam Scott
    Adam Scott
    • Alex
    Taylor Schilling
    Taylor Schilling
    • Emily
    Jason Schwartzman
    Jason Schwartzman
    • Kurt
    Judith Godrèche
    Judith Godrèche
    • Charlotte
    RJ Hermes
    • RJ
    • (as R.J. Hermes)
    Kyle Field
    • Wade
    Sarah DeVincentis
    • Dawn
    Sophia Alison
    • Birthday Party Guest #1
    Ally Anderson
    • Birthday Party Guest #2
    Nancy Dillon
    • Birthday Party Guest #3
    Avalon Economon
    • Birthday Party Guest #4
    Abbie Gill
    • Birthday Party Guest #5
    Gail Honeystein
    • Birthday Party Guest #6
    Bit Kernodle
    • Birthday Party Guest #7
    Bianca Rodriguez
    • Birthday Party Guest #8
    Frankie Scott
    • Birthday Party Guest #9
    Asya Vartanian
    • Birthday Party Guest #10
    Tess Barthélémy
    Tess Barthélémy
    • Birthday Party Guest #11
    • Regie
      • Patrick Brice
    • Drehbuch
      • Patrick Brice
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen65

    6,117.8K
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    Empfohlene Bewertungen

    7Sergeant_Tibbs

    A little sincerity pierces through this oddball mumblecore comedy.

    Short and sweet, Patrick Brice's foursome mumblecore The Overnight is disguised as a more accessible comedy, headlined by Adam Scott and Jason Schwartzman along with Taylor Schilling. Thriving on awkward humour at the expense of new age lifestyles and anxieties, it treads a fine line of endearingly goofy, unexpectedly incisive and plain weird. However, in its brief runtime, it spends sequences on the mundane, highlighting a couple relatable aspects such as Scott's believable inability to make real friends. Its theme of sexual desires outside of monogamy brings to light a harsh truth that many would quietly acknowledge and it's sparked by the idea of that freedom, though it's an energy that's swiftly interrupted. It's not very visually inspired, including two very dangly and infamous props, but Taylor Schilling is a bright spark of the cast while Adam Scott holds his own in a feature film. Meanwhile Schwartzman is less of a person than a caricature but that is surely the intention behind the pair to bring out the humanity in Schilling and Scott. The Overnight earns a few chuckles and a few insights but it's mostly held back by its brevity but it has a sincerity through all the slight wackiness that makes it work, if just a little bit.

    7/10
    6ferguson-6

    More thirty-something marital angst

    Greetings again from the darkness. For kindergartners, making friends is as easy as a bag of gummy worms on the playground. For adults, it's a bit more complicated. According to writer/director Patrick Brice (Creep, 2015) making adult friends can involve rectum paintings and penis prosthetics … at least after a lot of wine and too many bong hits. While this is not my wheelhouse for humor, it's clearly a bold cinematic step and pushes the boundaries even further than other recent Duplass Brothers projects (they are Producers here).

    Emily (Taylor Schilling) and Alex (Adam Scott) have recently moved to L.A. from Seattle with their young son. Emily and Alex are good parents, good people, and a solid couple – except for some sexual incompatibility. While at the park, their son (and his gummy worms) befriends the son of Kurt (Jason Schwartzman), one of the endless oddballs that populate L.A. Kurt charms Emily and Alex into visiting his home for an adult dinner party/kid playdate.

    Greeted at the door of the mansion by Kurt's French wife Charlotte (Judith Godreche), Emily and Alex are clearly wooed by the worldliness and sophistication of their new friends. Kurt is a bit of a renaissance man and he and Charlotte also appear to be a solid couple … though as the evening unfolds, we soon enough discover their own sexual incompatibility. And therein lies the core and conflict of the film – relationship dynamics impacted by sexual tension explored through raunchy humor.

    It's interesting to compare Brice's film with Paul Mazursky's 1969 "Bob & Carol & Ted & Alice", and analyze the cultural and cinematic differences brought on by the 46 year difference. What was shocking then, is nothing compared to what this film has us believe that most young adult couples are struggling with now. Emily and Alex spend the evening exploring their boundaries as individuals and as a couple, while being softly pushed by the more adventurous Kurt and Charlotte. Were it not so raunchy, the theme would be more interesting … though significantly less appealing at the box office.

    All four lead actors are strong, but Schwartzman and Scott handle the more challenging roles with aplomb. Given my preferences, I could have used a safe word on a couple of occasions, but the real test will be whether audiences find the film a bold step forward, or whether it is judged to be shock for shock's sake.
    stromile-17011

    You've gotta be kidding me

    This movie is horrendous. Just 90 minutes of unfunny, uncomfortably lame little d*** jokes. None of the characters are particularly likeable and the whole plot will make you want to jam an ice pick into your eyes. Actually, that sounds way more enjoyable than rewatching this movie.
    7GiraffeDoor

    Enchanting and unsettling by turns even if it ultimately seems a bit pointless.

    I saw this ages ago but I decided to review it when I found out it was by the same guy who did the "Creep" movies. How about that. I like finding out things like that.

    This movie is quite singular. It has this unassuming, disquieting power, like the first act of thriller where everyone thinks everything is fine until everything isn't. With limited characters, setting and time lapse (it is indeed the events of a night) the effect relies on making sure the characters are vivid and three dimensional and they all just pop of the screen.

    It always has this sense of build up to something immense and never quite pays off so I'm tempted to say it's more like one of half or two thirds of a great movie without really being a great movie itself, though its a great two thirds.

    it's on one level very simple; an innocent rendez-vous of an inhibited couple and an exhibitionist couple leads us to find that neither is exactly what they seem.

    it's not really a profound or vivid narrative. It's more like those dinner parties you have in your life where the conversations plus the wine makes you think you've had an epiphany on how to unlock the potential of living until the next morning where you just get to work as usual.

    it's definitely the journey not the destination and you get an agreeable amount of frankness about human sexuality. it's not always easy viewing but it shows an admirable amount of restraint in its script.

    Memorable but I still feel a bit at a loss for what it was even trying to say.
    8Hellmant

    It's an insightful (and extremely odd) look at human nature!

    'THE OVERNIGHT': Four Stars (Out of Five)

    Raunchy sex comedy flick, written and directed by indie filmmaker Patrick Brice. It stars Adam Scott, Taylor Schilling, Jason Schwartzman and Judith Godreche; as two sets of parents, one conservative and one unconventional, who meet for a playdate between their two sons, which leads to much more. It was produced by Mark Duplass, Jay Duplass, Adam Scott and Naomi Scott; on a budget of just $200,000. I found it to be odd, disturbing and very funny.

    Alex (Scott) and Emily (Schilling) just moved to Los Angeles, with their young son RJ (R.J. Hermes). They meet Kurt (Schwartzman), and his son Max (Max Moritt), at a park; and Kurt invites them over for a family playdate. Alex and Emily accept the invitation, and they meet Kurt's wife, Charlotte (Godreche), upon arrival. Things go from strange, to crazy, after the two kids fall asleep.

    The movie is quirky, and hilariously funny, in places. Most of the time it's extremely uncomfortable, and disturbing, as well; watching these characters have these extremely awkward and bizarre encounters. That's what's so good about the movie though, even more so than it's witty humor, is just it's insightful (and extremely odd) look, at human nature. The movie is definitely worth seeing just for that.

    Watch our movie review show 'MOVIE TALK' at: https://youtu.be/bOI7ZdxfHTQ

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      Filmed at comedian Adam Carolla's home.
    • Zitate

      [Last lines]

      Kurt: So, uh... sold all my art.

      Alex: All of it!

      Kurt: Yep.

      Emily: Wow!

      Kurt: Yep.

      Alex: Who bought that?

      Kurt: My wife.

    • Crazy Credits
      Versions of Kurt's "portal" paintings are shown and animated during a portion of the credits.
    • Verbindungen
      Featured in Late Night with Seth Meyers: Mindy Kaling/Adam Scott/Tove Lo/Chad Smith (2015)
    • Soundtracks
      Tryouts For The Human Race
      Written by Giorgio Moroder, Ron Mael (as Ronald Mael) and Russell Mael

      Performed by Sparks

      Courtesy of Republic Moon

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 19. Juni 2015 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizieller Standort
      • Official site
    • Sprachen
      • Englisch
      • Französisch
    • Auch bekannt als
      • The Overnight
    • Drehorte
      • Los Angeles, Kalifornien, USA
    • Produktionsfirmen
      • Duplass Brothers Productions
      • Gettin' Rad Productions
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 1.110.522 $
    • Eröffnungswochenende in den USA und in Kanada
      • 53.022 $
      • 21. Juni 2015
    • Weltweiter Bruttoertrag
      • 1.110.522 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      1 Stunde 19 Minuten
    • Farbe
      • Color
    • Seitenverhältnis
      • 1.85 : 1

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