Eine generationenübergreifendes epos Erzählung der Geschichte von Amerikas Geburt als Supermacht durch den blutigen Aufstieg und Fall eines texanischen Ölimperiums.Eine generationenübergreifendes epos Erzählung der Geschichte von Amerikas Geburt als Supermacht durch den blutigen Aufstieg und Fall eines texanischen Ölimperiums.Eine generationenübergreifendes epos Erzählung der Geschichte von Amerikas Geburt als Supermacht durch den blutigen Aufstieg und Fall eines texanischen Ölimperiums.
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This show's focus is on the relationship of a father to his son, only in this case we have several father-son relationships, including the young Eli McCullough (Jacob Lofland) and his Comanche captor (Zahn McClarnon), the elder Eli (Pierce Brosnan) and his two sons (Henry Garrett, David Wilson Barnes), and Eli's son (Henry Garrett) with his own son (Shane Graham).
Add to the father/son relationships is a West in transition, with the end of the Buffalo hunts in mid 19th century, and the faint beginnings of the oil industry in Texas in 1915.
If this isn't enough to entice you, throw in race relations, between the whites and the Indians and the whites and the Mexicans, and within the races, between those who practice compassion and those who do not, and those who have power and those who do not.
Onto this broad landscape we have marvelous photography, great location shots, and terrific acting. This is TV at its near best, and I think it may be Brosnan's finest role.
Add to the father/son relationships is a West in transition, with the end of the Buffalo hunts in mid 19th century, and the faint beginnings of the oil industry in Texas in 1915.
If this isn't enough to entice you, throw in race relations, between the whites and the Indians and the whites and the Mexicans, and within the races, between those who practice compassion and those who do not, and those who have power and those who do not.
Onto this broad landscape we have marvelous photography, great location shots, and terrific acting. This is TV at its near best, and I think it may be Brosnan's finest role.
Yes, this series is a bit cruel, which is only realistic since it's set in early 1900 (and before). A show must be able to show topics like racism and savagery without people shouting "it's a racist show!" like one person did here. It has nothing to do with racism. The whites are not portrayed in a very favorable light at all many times, far from it.
The pacing is slow compared to more "actioney" shows like Hell on Wheels. It has a main and a secondary plot, both of which are very enjoyable. So far it does not contain any cheap nudity or such, which i think is welcome.
It's leaning far more towards realism than being over the top - everything from clothing to language e.g the native Americans speak their own language. So if you're expecting Xena in Texas, well, you'll be disappointed ;)
Like always I really enjoyed Zahn McClarnon's performance, great actor with such great presence.
Looking forward to see more.
The pacing is slow compared to more "actioney" shows like Hell on Wheels. It has a main and a secondary plot, both of which are very enjoyable. So far it does not contain any cheap nudity or such, which i think is welcome.
It's leaning far more towards realism than being over the top - everything from clothing to language e.g the native Americans speak their own language. So if you're expecting Xena in Texas, well, you'll be disappointed ;)
Like always I really enjoyed Zahn McClarnon's performance, great actor with such great presence.
Looking forward to see more.
This is a top-tier production in terms of acting, writing, directing, cinematography and the effort put into to accurately recreate 1915 south Texas. At first, I was a bit uncertain about Pierce Brosnan's seemingly self-conscious portrayal and iffy accent (he's an Irishman playing a Texan), but he quickly, comfortably settles in to his compelling character. The other actors are of the highest caliber, particularly the show's namesake played by Henry Garrett. The scenery is also beautifully shot. And the biggest surprise is the story itself, which becomes engrossing within 30 minutes into the pilot episode. I expect very, very good things from this show. Once again AMC proves they are serious about quality television, and I do hope viewers reward "The Son" because it entirely deserves your attention.
I should add a few people have noted some time-line discrepancies. These may exist, but they are completely unimportant. Some of the other reviews here seem to nitpick over ridiculous irrelevancies. I do not know how these people can enjoy television! We have to remember a product like this costs tremendous money for a television studio trying out an unproven new show without any guarantee of ratings, and we should at least be admiring of the effort put in.
I should add a few people have noted some time-line discrepancies. These may exist, but they are completely unimportant. Some of the other reviews here seem to nitpick over ridiculous irrelevancies. I do not know how these people can enjoy television! We have to remember a product like this costs tremendous money for a television studio trying out an unproven new show without any guarantee of ratings, and we should at least be admiring of the effort put in.
I really did not want to become involved in another AMC show. However since Hell on Wheels finished its run and enjoying Westerns I decided to give The Son a chance. This is an excellent western well written and acted. Pierce Brosnan and cast are outstanding. Although the western frontier was considered "closed" in 1890 there seems to be issues that need to be settled even in 1915. I look forward to seeing how this series goes forward. Although Gunsmoke & earlier TV westerns were good drama The Son takes the Western to another level. At times brutal unflinching and unvarnished The Son probably presents a better idea of what the old West was really like. I enjoy the juxtaposition shown between the young Eli and the 1915 Eli. This isn't Dallas and with all due respect to the late Larry Hagman as good as he was in the role of JR Ewing, Pierce Brosnan's Eli would give JR a real run for the money.
If you're reading this maybe your like me and your late to the party too! For whatever reason I held off on this show. Maybe it's because none of the reviews really sold me or I just simply put it off. HUGE MISTAKE! In hindsight best mistake, because I was just granted the luck of watching the best 8 hours of pure brilliance and all the while I kept asking myself, how is this series not a massive, massive hit! It's like a watching a great old fashion novel. I'm not writing this to tell you what it's about, no I'm writing this to sell you this series like I wish could have been done for me. There's flashbacks to the main character to his earlier years where he's held captive and it reminds me of dances with wolves in essence, and I literally yearn for the Flashbacks. Zahn McClarnon from Fargo season 2, plays an incredible part in the flashbacks as young Eli's captor, but what that relationship becomes is a prize to watch unfold. Both timelines are so fascinating and captivating that each one can have its own TV series! each timelines plot is so stunning and stellar and the way they both intertwine is beautiful. That's the only flaw with this series is I don't want to leave a particular time period because the story is told so richly. When we leave 1850 to return to 1915, I yearn for the earlier time period. It's absolutely riveting and captivating! This series has every key ingredient to mold a masterpiece of a series! pierce brosnan is incredible as well as the additional cast! so prepare yourself for a binging experience like no other! so whatever your doing right now stop and watch The Son! You'll thank me
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- WissenswertesThis marks Pierce Brosnan's return to series television after his breakthrough role on Remington Steele (1982), 35 years ago.
- VerbindungenReferenced in Die Simpsons: Krusty the Clown (2018)
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