31

As so many others, I too was excited about "31" and could not wait to finally watch it. Maybe it was that high expectations, that was part of my disappointment, but I am not willed to explain everything that was wrong in the movie with that premise.

I have to say, before I write about the movie itself, that I never shared the opinion of those, who see Rob Zombie basically as the horror messiah, who will reinvent the genre. He basically had 2 good movies (Devil's Rejects, Halloween), all other movies were pretty bad. House of 1000 Corpses was a ridiculously bad B-movie, Halloween 2 was bad even for a film school student, and those few parts that were good in Lords of Salem were copied from other movies. First Halloween reboot was only good, because he had a rich franchise with tons of information to build on.

He gets the look every time, I'll give him that, and I won't even make fun about how a grown up man calls himself "Zombie", but the content of his movies is a major letdown every single time. I'd never thought to say this, but in terms of innovative horror movies, I prefer Eli Roth before Zombie every day.

Rob is an awesome musician, and yes, maybe even a good director. But he is an horrible screenplay writer with no idea how to develop characters and dialogues. No wonder, all characters in "31" are superficial clichés with no debt, talking horrible stupid stuff, that is meant to sound smart. The "Doomhead" being so obviously being a Heath Ledger's Joker tribute just confirms that. Basically the most interesting character in the movie is a (bad) rip-off. And did he really need the slo-mo clap? That was so bad, I was close to turn off the TV.

Also,he really should stop to cast his wife for every female lead. If not married to him, she would never have become an actress, at least not in a main role. I don't care if she is hot (I by the way don't think so, she is SO skinny and looks old for her age), I care about acting skills.

Maybe, if Rob could direct a movie with a screenplay written by an experienced and talented writer...? But this way, letting him do whatever he wants, we get movies like "31".

So, the protagonists get abducted and sent into an Arena, to fight to death with some clowns with freaky names (Doomhead, Deathhead, Bashhead, and so on...). That's pretty much all, no more exposition or plot details. Why? No idea, and the movie does not care about explaining anything - being sick is basically it's only excuse and motivation. "Why do they do this?" "Because they have sick minds". "Aha. And why does Doomhead what he does? Does he get paid BIG time?" "Ah, he is sich minded". "What is special about Doomhead at all? To me does not look any more dangerous than the rest of the freaks?" "Ah, he is even sicker as them". And so on. A few freaky characters get shown, some people die, mainly by blade weapons, until an, in my opinion, pretty stupid ending.

Okay, there is some gore in the movie, which I appreciated. I did like the characters, even if superficial - but this made the movie even worse, because you are interested - but don't get any answers or backgrounds.

I also liked the Soundtrack a lot, I love all this 60s and 70s music, and it blended in nicely.

But the overall execution was just bad - ridiculous fighting choreographies, that gave me the impression, everything in this movie was filmed by first take (maybe they wanted to proudly say that they shot the movie in 31 days or something like this), especially the text passages of Sheri Moon Zombies. Man, stop letting her talk - no expression, no motivation, no acting. At all.

So, what can I say? I give 4/10, 4 points for having interesting characters (who never get developed in any way), a good soundtrack, some gore and a good colour correction).

But can I recommend this? Gosh, no, I cannot.

I have still hope for Rob Zombie, and I will see his next movie. But if this will be bad again, I am out of the Zombie business, because by then he will have delivered 3 bad movies in a row - in my world more than enough to lose my respect permanently.

Sorry, Zombie fans - I know you have another opinion and will probably flame me, but this is my personal view. In my eyes, "31" is a disappointing letdown. There could have been so much more, this could have been such a good movie. But for that another director or at least screenplay writer would have been necessary.

Maybe next time.

Here are a couple of things that must have gone through Rob Zombie's mind whilst shooting 31: "Who needs a plot when you got a psychopathic Nazi-midget?", "Who gives a damn about plausibility when you have Malcolm McDowell himself dressed up like a French Aristocrat and depicting a character that is named Father Murder?" and "Why would I make ambitious when the crowd simply wants sadistic & graphic violence?" And you know what? If Rob Zombie really was thinking these things, he was damn right! Personally, I'm an enormous fan of Zombie's "House of 1,000 Corpses" and "The Devil's Rejects" and I remotely enjoyed his remake of "Halloween", even though the critics were quite harsh about it. But then he suddenly went psychedelic and experimental with "Halloween II" and "The Lords of Salem" and many fans – yours truly included – were disappointed. I, for one, was extremely happy to read that, with "31", Rob Zombie would return to the basics of crude and repulsive horror/shlock cinema! Because, after all, the revival of 70s grindhouse/drive-in exploitation cinema was largely the deed of Rob Zombie and not of Quentin Tarantino! So, "31" actually doesn't a have a real plot but is a mixture of homages to genre classics (for example "The Texas Chainsaw Massacre") and borrowed ideas of cult classics ("The Most Dangerous Game", "The Running Man"…)

A ramshackle old RV full of traveling circus artists/carnies is driving through the middle of redneck nowhere on Halloween's day 1976, and pretty much all they ever do is foul-mouthing and fornicating. When night falls, however, they notice the road is blocked with immense scarecrows. Before they properly realize what's going on, the RV and all its passengers are brutally attacked by mysterious creeps and three people are killed instantly. The remaining five survivors, two women and three men, awake tied up and chained in an abandoned factory where three elderly lunatics dressed up as French Aristocrats joyfully inform them that they are the players in this year's traditional game of 31. They are released in a dark and creepy labyrinth and have to survive for twelve hours while being chased by some of the most demented sickos ever caught on film, including a Spanish babbling Nazi-midget, clown siblings with chainsaws and deranged German sex deviants. The group defend themselves quite well, though, and thus the crazy tormentors bring in their ultimate secret weapon, the unbeatable master-psycho Doom-Head!

There isn't really too much to write about Rob Zombie's latest film, in fact. Either you're a fan of extreme and relentless violence and "31" is a must-see for you, or you'll completely detest the film for its lack of plot, character background, style or overall lack of taste. If even writer/director Zombie himself repeatedly stated that this is his most brutal movie to date, there isn't any reason to not believe him. "31" features numerous scenes in which people's heads are smashed in with a bludgeon, torsos are cut in half by chainsaws and throats are slit with rusty knives. Still, I can't help mentioning that most of this gruesome stuff also featured in "House of 1,000 Corpses" and "The Devil's Rejects", but those two were suspenseful and haunting on top! "31" is sheer mindless horror entertainment but it won't leave a long-lasting impression. As usual, Rob Zombie surrounds himself with a cast that he worked well with before, including his own wife Sheri Moon, Meg Foster, Jeff Daniel Philips and many other familiar faces. The soundtrack is terrific as well, which is another Rob Zombie trademark, and features for example the beautiful song "California Dreaming" during a rare quiet and peaceful scene.

31 (2016)

* (out of 4)

A group of carnival workers are on their way to a job when they are kidnapped by psychotic clowns. Once chained up in a building, Father Murder (Malcolm McDowell) informs them that they're going to play a game, which will last twelve hours. They can either survive or face the worst death possible from his killer clowns.

Rob Zombie's 31 is a film that he's highly been promoting and this includes before it was even made. There was a teaser poster released and fans helped get the movie made but the plot of the film was kept secret and it's easy to see why because there's not much of one. Sadly, what we've basically got is SAW but with the redneck/white trash types that we've seen in every Zombie movie up to this point. Sadly this here turns out to be the director's worst film.

31 has all sorts of problems with it and a majority of them are the same issues I've had with his previous movies. For starters, the characters are all just annoying to the point where you don't really care whether they live or die. I'm not sure why it's so hard for their to be a likable character in one of Zombie's films but if you don't have anyone to root for what's the point? Well, I guess it could be one of those movies where you root for the villains but that's impossible here too because the villains are all boring and just not that interesting. Heck, they're not even "clowns" but just the typical rednecks but with face paint.

Another problem that I had with this film is that it's simply not scary. As was the case in THE LORDS OF SALEM, Zombie tries to build up tension and suspense but it just fails. There's just nothing here that draws you into the story and when you're watching a film like this and there's no tension it just leads to pure boredom. Even worse is some of the lighting because there are times where you can't see what's going on and other times when lights are flashing at the camera and whatever effect they were going for just doesn't work.

Zombie promised that this here would be his most violent movie and I don't think that was the case either. A lot of the violence is off screen or just not nearly as brutal as he has delivered in the past. The performances are pretty much what they are with everyone doing a decent enough of a job. The music selection is good and I will say that there was one good sequence inside a cage with a chainsaw. Still, there's just no way around it but Zombie just isn't impressing me as a director. 31 could have been done countless other ways and any of them would have been better than what we got.

I had no anticipation or information about this movie going in... except for it being a Rob Zombie movie and my enjoyment of all his other movies so far. None of them are perfect but none of them are boring, all of them bring something interesting to the table. Not so much with 31 though... One thing I've generally liked with Zombie's movies is that, unlike a lot of horror films such as Hostel - which promise all sorts of transgressive horrors only to bait and switch with some relatively tame eyeball gouging, Zombie's movies generally follow through on their threats. I never feel safe in his movies (except I'm pretty sure Mrs. Zombie's characters will survive to the final frame). Unfortunately, 31 let all the air out of that balloon dog for me. It didn't ever come close to crossing any lines of standardized horror. Oh sure, Its clown's show up and promise all sorts of vile entertainments... but they never materialize. Instead, we get some badly filmed fight scenes and routine kills that could be out of any war/crime/fantasy film. There's little or no suspense, barely any atmosphere outside of the clowns' initial entrances and Malcolm McDowall's nonsensical prattling. The movie takes its time building up 'Doomhead' but what is he but another loudmouthed guy in a clown suit? I assume he'd go down just as easily to a well-aimed blow to the head. There's really nothing special about him except for the amount of time he gets on screen. He even does the loathsome 'golf clap' routine that should be forever banished to Cliché-land. When the clowns do get their hands on someone they're not likely do do anything surprising at all... just stab them and move on. Unless something nastier was edited out of the version I saw... which I kinda doubt.

The carnies themselves had the potential for being the sort of interesting protagonists I'd pull for... and I DID like that they weren't just a bunch of squealing teenagers (Meg Foster especially was fascinating to look at. Older women like her are so seldom allowed on screen in heroic roles). But they're mostly reduced to just goofing around and swearing at each other... maybe it was just bad improv because the writer couldn't think of what to do with them?

This is BY FAR the least interesting thing I've seen come from Mr. Zombie. I'm still a fan of his previous films, I'll still watch whatever he makes next... but this one is the bottom dweller. Not that it's such a bad generic horror movie, as just that alone it's fairly average... but it's certainly a bad Rob Zombie horror movie. And being that, it's pretty disappointing.

to be expected from Rob Zombie, not the best dialogue in the world, unlikable protagonists you want to die, Sheri moon zombie trying and the feeling of wishing he would get to the point. i loved 'House of 1000 corpses' & 'Devil's rejects' is one of my favorite horror films of all time. The only other of Zombie's films that even touches on those films in my opinion is 'Halloween' with the plot of killer clowns playing a totally crazy game of cat and mouse i thought such a simple story arc would be fun and playful horror, But Zombie tries something that i felt just fell flat on it's face. Almost cringy to watch at times, Nazi Clown midgets, c'Mon man... Still a strong director but a terrible writer. This film should be used as evidence to Zombie that he cannot carry a film on his own, if he hired a couple of writers to spoon feed him decent characters for his 'plot' then you could potentially get some decent horror movies. or at least seem satisfying dialogue. or maybe he should just stick to making the antagonist the main point of view, that way the script makes sense. over all, was looking forward to a night of madness , in stead got a student film on crack shot in a sweatshop.