Fünf Jahrmarktsarbeiter werden gekidnappt und unter höllischen Bedingungen in einem aufgegebenen Lager festgehalten, in dem sie bei einem Gewaltspiel gegen eine Gang sadistischer Clowns die ... Alles lesenFünf Jahrmarktsarbeiter werden gekidnappt und unter höllischen Bedingungen in einem aufgegebenen Lager festgehalten, in dem sie bei einem Gewaltspiel gegen eine Gang sadistischer Clowns die nächsten zwölf Stunden überleben müssen.Fünf Jahrmarktsarbeiter werden gekidnappt und unter höllischen Bedingungen in einem aufgegebenen Lager festgehalten, in dem sie bei einem Gewaltspiel gegen eine Gang sadistischer Clowns die nächsten zwölf Stunden überleben müssen.
- Auszeichnungen
- 2 Gewinne & 8 Nominierungen insgesamt
- Sex-Head
- (as E.G. Daily)
- Fat Randy
- (as Michael 'Redbone' Alcott)
- Snoopy
- (as Esperanza America)
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A ramshackle old RV full of traveling circus artists/carnies is driving through the middle of redneck nowhere on Halloween's day 1976, and pretty much all they ever do is foul-mouthing and fornicating. When night falls, however, they notice the road is blocked with immense scarecrows. Before they properly realize what's going on, the RV and all its passengers are brutally attacked by mysterious creeps and three people are killed instantly. The remaining five survivors, two women and three men, awake tied up and chained in an abandoned factory where three elderly lunatics dressed up as French Aristocrats joyfully inform them that they are the players in this year's traditional game of 31. They are released in a dark and creepy labyrinth and have to survive for twelve hours while being chased by some of the most demented sickos ever caught on film, including a Spanish babbling Nazi-midget, clown siblings with chainsaws and deranged German sex deviants. The group defend themselves quite well, though, and thus the crazy tormentors bring in their ultimate secret weapon, the unbeatable master-psycho Doom-Head!
There isn't really too much to write about Rob Zombie's latest film, in fact. Either you're a fan of extreme and relentless violence and "31" is a must-see for you, or you'll completely detest the film for its lack of plot, character background, style or overall lack of taste. If even writer/director Zombie himself repeatedly stated that this is his most brutal movie to date, there isn't any reason to not believe him. "31" features numerous scenes in which people's heads are smashed in with a bludgeon, torsos are cut in half by chainsaws and throats are slit with rusty knives. Still, I can't help mentioning that most of this gruesome stuff also featured in "House of 1,000 Corpses" and "The Devil's Rejects", but those two were suspenseful and haunting on top! "31" is sheer mindless horror entertainment but it won't leave a long-lasting impression. As usual, Rob Zombie surrounds himself with a cast that he worked well with before, including his own wife Sheri Moon, Meg Foster, Jeff Daniel Philips and many other familiar faces. The soundtrack is terrific as well, which is another Rob Zombie trademark, and features for example the beautiful song "California Dreaming" during a rare quiet and peaceful scene.
What we have in "31" is an attempt to mash together aspects of TDR and his Halloween remake and the result is a confusing, lackluster ride you've already been on.
The problem is you don't feel for any of the characters. There is not one likable character, sans Doom-Head, who is nearly the only bright spot in this movie. Sherry, was better in this film than in past RZ movies, but that isn't saying much.
Another issue I had was how this was hyped up as maniacs dressed up as clowns, which is great, clowns are creepy right? The concept art for the characters especially Sick-Head and Death-Head were amazing. What we got on screen were absolute jokes compared to what we should have gotten. The all but did away with the clown gimmick especially if you look at the concept art.
The opening scene is by far the best in the movie, and honestly one of the best scenes RZ has ever directed. But don't let it fool you, the rest of the movie goes downhill from there.
As you can expect from a RZ movie, it's got that dirty 70's feel, every other line of dialogue is profanity, more so than usual actually, the setting is run of the mill for RZ, and while I could go on, if you have seen a RZ film, than you have already seen a better version of this film.
The score and soundtrack however are delightful in an otherwise grim movie. RZ needs to get back to basics and let someone help him write his scripts. He's got talent and a good eye, but his dialogue is way too over the top and downright cliché at this point. It takes you out of the movie.
I have to say, before I write about the movie itself, that I never shared the opinion of those, who see Rob Zombie basically as the horror messiah, who will reinvent the genre. He basically had 2 good movies (Devil's Rejects, Halloween), all other movies were pretty bad. House of 1000 Corpses was a ridiculously bad B-movie, Halloween 2 was bad even for a film school student, and those few parts that were good in Lords of Salem were copied from other movies. First Halloween reboot was only good, because he had a rich franchise with tons of information to build on.
He gets the look every time, I'll give him that, and I won't even make fun about how a grown up man calls himself "Zombie", but the content of his movies is a major letdown every single time. I'd never thought to say this, but in terms of innovative horror movies, I prefer Eli Roth before Zombie every day.
Rob is an awesome musician, and yes, maybe even a good director. But he is an horrible screenplay writer with no idea how to develop characters and dialogues. No wonder, all characters in "31" are superficial clichés with no debt, talking horrible stupid stuff, that is meant to sound smart. The "Doomhead" being so obviously being a Heath Ledger's Joker tribute just confirms that. Basically the most interesting character in the movie is a (bad) rip-off. And did he really need the slo-mo clap? That was so bad, I was close to turn off the TV.
Also,he really should stop to cast his wife for every female lead. If not married to him, she would never have become an actress, at least not in a main role. I don't care if she is hot (I by the way don't think so, she is SO skinny and looks old for her age), I care about acting skills.
Maybe, if Rob could direct a movie with a screenplay written by an experienced and talented writer...? But this way, letting him do whatever he wants, we get movies like "31".
So, the protagonists get abducted and sent into an Arena, to fight to death with some clowns with freaky names (Doomhead, Deathhead, Bashhead, and so on...). That's pretty much all, no more exposition or plot details. Why? No idea, and the movie does not care about explaining anything - being sick is basically it's only excuse and motivation. "Why do they do this?" "Because they have sick minds". "Aha. And why does Doomhead what he does? Does he get paid BIG time?" "Ah, he is sich minded". "What is special about Doomhead at all? To me does not look any more dangerous than the rest of the freaks?" "Ah, he is even sicker as them". And so on. A few freaky characters get shown, some people die, mainly by blade weapons, until an, in my opinion, pretty stupid ending.
Okay, there is some gore in the movie, which I appreciated. I did like the characters, even if superficial - but this made the movie even worse, because you are interested - but don't get any answers or backgrounds.
I also liked the Soundtrack a lot, I love all this 60s and 70s music, and it blended in nicely.
But the overall execution was just bad - ridiculous fighting choreographies, that gave me the impression, everything in this movie was filmed by first take (maybe they wanted to proudly say that they shot the movie in 31 days or something like this), especially the text passages of Sheri Moon Zombies. Man, stop letting her talk - no expression, no motivation, no acting. At all.
So, what can I say? I give 4/10, 4 points for having interesting characters (who never get developed in any way), a good soundtrack, some gore and a good colour correction).
But can I recommend this? Gosh, no, I cannot.
I have still hope for Rob Zombie, and I will see his next movie. But if this will be bad again, I am out of the Zombie business, because by then he will have delivered 3 bad movies in a row - in my world more than enough to lose my respect permanently.
Sorry, Zombie fans - I know you have another opinion and will probably flame me, but this is my personal view. In my eyes, "31" is a disappointing letdown. There could have been so much more, this could have been such a good movie. But for that another director or at least screenplay writer would have been necessary.
Maybe next time.
Wusstest du schon
- WissenswertesRob Zombie's first crowdfunded film.
- PatzerIn the opening credits montage, presumably set in 1976, an obviously modern (21st century) truck front fender is seen in one of the cuts.
- Zitate
Doom-Head: Smoke in times of rest is a great companion to the solitary soldier. You know who said that? Do you know who said that?
Charly: Do you really think I give a fuck?
Doom-Head: It was everyone's favorite revolutionary Marxist, Che Guevara. Except I think he smoked a pipe. I always thought I'd appear rather pretentious with a pipe.
- VerbindungenFeatured in In Hell Everybody Loves Popcorn: The Making of 31 (2016)
- SoundtracksCall It A Day
Written by Peter Mendoza
Performed by Roy Fox and Al Bowlly
Courtesy of Decca Music Group Limited under license from Universal Music Enterprises
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Thirty-One
- Drehorte
- Downtown, Los Angeles, Kalifornien, USA(Murderworld)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 1.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 779.820 $
- Weltweiter Bruttoertrag
- 850.419 $
- Laufzeit1 Stunde 42 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1