Fünf Jahrmarktsarbeiter werden gekidnappt und unter höllischen Bedingungen in einem aufgegebenen Lager festgehalten, in dem sie bei einem Gewaltspiel gegen eine Gang sadistischer Clowns die ... Alles lesenFünf Jahrmarktsarbeiter werden gekidnappt und unter höllischen Bedingungen in einem aufgegebenen Lager festgehalten, in dem sie bei einem Gewaltspiel gegen eine Gang sadistischer Clowns die nächsten zwölf Stunden überleben müssen.Fünf Jahrmarktsarbeiter werden gekidnappt und unter höllischen Bedingungen in einem aufgegebenen Lager festgehalten, in dem sie bei einem Gewaltspiel gegen eine Gang sadistischer Clowns die nächsten zwölf Stunden überleben müssen.
- Auszeichnungen
- 2 Gewinne & 8 Nominierungen insgesamt
- Sex-Head
- (as E.G. Daily)
- Fat Randy
- (as Michael 'Redbone' Alcott)
- Snoopy
- (as Esperanza America)
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What we have in "31" is an attempt to mash together aspects of TDR and his Halloween remake and the result is a confusing, lackluster ride you've already been on.
The problem is you don't feel for any of the characters. There is not one likable character, sans Doom-Head, who is nearly the only bright spot in this movie. Sherry, was better in this film than in past RZ movies, but that isn't saying much.
Another issue I had was how this was hyped up as maniacs dressed up as clowns, which is great, clowns are creepy right? The concept art for the characters especially Sick-Head and Death-Head were amazing. What we got on screen were absolute jokes compared to what we should have gotten. The all but did away with the clown gimmick especially if you look at the concept art.
The opening scene is by far the best in the movie, and honestly one of the best scenes RZ has ever directed. But don't let it fool you, the rest of the movie goes downhill from there.
As you can expect from a RZ movie, it's got that dirty 70's feel, every other line of dialogue is profanity, more so than usual actually, the setting is run of the mill for RZ, and while I could go on, if you have seen a RZ film, than you have already seen a better version of this film.
The score and soundtrack however are delightful in an otherwise grim movie. RZ needs to get back to basics and let someone help him write his scripts. He's got talent and a good eye, but his dialogue is way too over the top and downright cliché at this point. It takes you out of the movie.
* (out of 4)
A group of carnival workers are on their way to a job when they are kidnapped by psychotic clowns. Once chained up in a building, Father Murder (Malcolm McDowell) informs them that they're going to play a game, which will last twelve hours. They can either survive or face the worst death possible from his killer clowns.
Rob Zombie's 31 is a film that he's highly been promoting and this includes before it was even made. There was a teaser poster released and fans helped get the movie made but the plot of the film was kept secret and it's easy to see why because there's not much of one. Sadly, what we've basically got is SAW but with the redneck/white trash types that we've seen in every Zombie movie up to this point. Sadly this here turns out to be the director's worst film.
31 has all sorts of problems with it and a majority of them are the same issues I've had with his previous movies. For starters, the characters are all just annoying to the point where you don't really care whether they live or die. I'm not sure why it's so hard for their to be a likable character in one of Zombie's films but if you don't have anyone to root for what's the point? Well, I guess it could be one of those movies where you root for the villains but that's impossible here too because the villains are all boring and just not that interesting. Heck, they're not even "clowns" but just the typical rednecks but with face paint.
Another problem that I had with this film is that it's simply not scary. As was the case in THE LORDS OF SALEM, Zombie tries to build up tension and suspense but it just fails. There's just nothing here that draws you into the story and when you're watching a film like this and there's no tension it just leads to pure boredom. Even worse is some of the lighting because there are times where you can't see what's going on and other times when lights are flashing at the camera and whatever effect they were going for just doesn't work.
Zombie promised that this here would be his most violent movie and I don't think that was the case either. A lot of the violence is off screen or just not nearly as brutal as he has delivered in the past. The performances are pretty much what they are with everyone doing a decent enough of a job. The music selection is good and I will say that there was one good sequence inside a cage with a chainsaw. Still, there's just no way around it but Zombie just isn't impressing me as a director. 31 could have been done countless other ways and any of them would have been better than what we got.
The carnies themselves had the potential for being the sort of interesting protagonists I'd pull for... and I DID like that they weren't just a bunch of squealing teenagers (Meg Foster especially was fascinating to look at. Older women like her are so seldom allowed on screen in heroic roles). But they're mostly reduced to just goofing around and swearing at each other... maybe it was just bad improv because the writer couldn't think of what to do with them?
This is BY FAR the least interesting thing I've seen come from Mr. Zombie. I'm still a fan of his previous films, I'll still watch whatever he makes next... but this one is the bottom dweller. Not that it's such a bad generic horror movie, as just that alone it's fairly average... but it's certainly a bad Rob Zombie horror movie. And being that, it's pretty disappointing.
And now having seen "31", then I will say that while it certainly was better than "Lords of Salem", then it is by no means an outstanding movie nor a particularly entertaining movie.
The story in all its simplicity is about a group of people getting trapped in a maniacal game of survival on Hallows Eve.
Yep, the movie is that simple. The storyline is very simple and offers nothing, absolutely nothing, in terms of challenging the intellect of the audience. This is solely a movie about showing off violence, bizarre characters and Rob's obsession with clowns.
Sure, I did enjoy the graphic violence in the movie, and some of the means of maiming, torturing and killing people was interesting. And the characters in the movie were interesting and colorful, both the protagonists and the killer clowns. But the storyline was so shallow and predictable that it served as an anchor around the movie, dragging it down.
As for the cast in "31", well I can't really claim to be a particular fan of Sheri Moon Zombie, so she doesn't really appeal much to me in terms of having lead roles. However, I will say that, in my opinion, it was Jeff Daniel Phillips, Pancho Moler and Richard Brake whom were lifting up the movie with their performances and portrayal of their respective characters.
The effects and make-up in the movie was quite good, and having that advantage in the visual department surely did work in favor of the movie.
"31" is hardly going to be classics like "House of 1000 Corpses" and "The Devil's Rejects", but it is worth a single viewing if you enjoy the weird results of Rob Zombie's imaginary thinking.
To me, "31" was a very mediocre movie, especially since the killing and mayhem could only do so little to try to make up for a proper storyline.
Wusstest du schon
- WissenswertesRob Zombie's first crowdfunded film.
- PatzerIn the opening credits montage, presumably set in 1976, an obviously modern (21st century) truck front fender is seen in one of the cuts.
- Zitate
Doom-Head: Smoke in times of rest is a great companion to the solitary soldier. You know who said that? Do you know who said that?
Charly: Do you really think I give a fuck?
Doom-Head: It was everyone's favorite revolutionary Marxist, Che Guevara. Except I think he smoked a pipe. I always thought I'd appear rather pretentious with a pipe.
- VerbindungenFeatured in In Hell Everybody Loves Popcorn: The Making of 31 (2016)
- SoundtracksCall It A Day
Written by Peter Mendoza
Performed by Roy Fox and Al Bowlly
Courtesy of Decca Music Group Limited under license from Universal Music Enterprises
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Thirty-One
- Drehorte
- Downtown, Los Angeles, Kalifornien, USA(Murderworld)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 1.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 779.820 $
- Weltweiter Bruttoertrag
- 850.419 $
- Laufzeit1 Stunde 42 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1