IMDb-BEWERTUNG
6,3/10
36.098
IHRE BEWERTUNG
Ein Kleinstadt-Sheriff macht sich auf die Suche nach den beiden Kindern, die mit seinem Auto eine Spritztour gemacht haben.Ein Kleinstadt-Sheriff macht sich auf die Suche nach den beiden Kindern, die mit seinem Auto eine Spritztour gemacht haben.Ein Kleinstadt-Sheriff macht sich auf die Suche nach den beiden Kindern, die mit seinem Auto eine Spritztour gemacht haben.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 4 Nominierungen insgesamt
Kyra Sedgwick
- Dispatch
- (Synchronisation)
Bluebell the Dog
- Self
- (as Bluebell)
Empfohlene Bewertungen
I really wasn't sure what kind of movie this was going to be, it had a very lighthearted vibe for a while to a point where I was thinking it was going to be a very clean and tidy movie. Then came in darker elements to create what I felt was a more "full" movie.
The acting wasn't terrible. Most of the roles didn't call for great acting and the child actors were as good as you can get these days. And yeah the kids can be pretty damn stupid but that's how kids are. I have kids of my own and I felt the script for the kids was spot on. Kids have wonky ass concerns and realizations. They learn things differently and accidentally. They get dumb ideas and fail to execute good ideas. That is how children roll.
The movie kept me guessing as to where it was going to end up because when kids are so heavily involved in movies writers and directors have a tendency to weaken the movie. This movie told an adult story through children and that's not easy to do so props.
7/10
@JarlJarlBinks
The acting wasn't terrible. Most of the roles didn't call for great acting and the child actors were as good as you can get these days. And yeah the kids can be pretty damn stupid but that's how kids are. I have kids of my own and I felt the script for the kids was spot on. Kids have wonky ass concerns and realizations. They learn things differently and accidentally. They get dumb ideas and fail to execute good ideas. That is how children roll.
The movie kept me guessing as to where it was going to end up because when kids are so heavily involved in movies writers and directors have a tendency to weaken the movie. This movie told an adult story through children and that's not easy to do so props.
7/10
@JarlJarlBinks
Great characters. Their back stories are hinted at and your imagination fills in the gaps.
Great writing. The dialogue has weight and sounds natural.
Great scenery. It's on the outskirts of an old dusty town, way out in the back-roads of somewhere and it looks beautiful.
Great storyline and a great score all at a nice pace and under a one and half hour running time. It has no need for flashy, gimmicky explosions or a convoluted and overly-complicated plot.
This is the best film I saw this summer.
It's a simple original story that keeps you wondering what will happen next. I don't know how a film like this can get made any more.
Kevin Bacon was pretty great too.
Great writing. The dialogue has weight and sounds natural.
Great scenery. It's on the outskirts of an old dusty town, way out in the back-roads of somewhere and it looks beautiful.
Great storyline and a great score all at a nice pace and under a one and half hour running time. It has no need for flashy, gimmicky explosions or a convoluted and overly-complicated plot.
This is the best film I saw this summer.
It's a simple original story that keeps you wondering what will happen next. I don't know how a film like this can get made any more.
Kevin Bacon was pretty great too.
While many films use the device of a "real time" narrative for effect (ie, where the viewer is given the sense that he/she is a participant in real time in the story) very few films run the device for the full length.
For example, the Bourne films went into real time when the main character was on screen, but otherwise maintained a traditional narrative. Examples of standout real-time films would include Tom Cruise (amazing) in COLLATERAL; Dennis Weaver in DUEL; and the Canadian sci-fi epic, CUBE.
So now that you know first-rate films CAN potentially be made using the technique, the writer/director of this film (to be kind) did not set his sights quite that high.
Overall, it is not a bad film, it is incredibly engaging given how little is actually going on. However, while all films require a suspension of disbelief, the overall problem with COP CAR is that the two lead characters, boys of about ten years of age, are written as the dumbest children ever to appear in a feature film.
Seriously. In an age where even the Disney channel attributes 'tude, street cred, smarts and fast moves to 7 year olds (ask your child if you don't believe me) these two characters as written are so far removed from coherent thought that the audience starts to wonder if they escaped from "special class." To use the term "pig stupid" for these kids effectively slanders the pig.
Bacon is excellent. Would like to see more of him in features.
For example, the Bourne films went into real time when the main character was on screen, but otherwise maintained a traditional narrative. Examples of standout real-time films would include Tom Cruise (amazing) in COLLATERAL; Dennis Weaver in DUEL; and the Canadian sci-fi epic, CUBE.
So now that you know first-rate films CAN potentially be made using the technique, the writer/director of this film (to be kind) did not set his sights quite that high.
Overall, it is not a bad film, it is incredibly engaging given how little is actually going on. However, while all films require a suspension of disbelief, the overall problem with COP CAR is that the two lead characters, boys of about ten years of age, are written as the dumbest children ever to appear in a feature film.
Seriously. In an age where even the Disney channel attributes 'tude, street cred, smarts and fast moves to 7 year olds (ask your child if you don't believe me) these two characters as written are so far removed from coherent thought that the audience starts to wonder if they escaped from "special class." To use the term "pig stupid" for these kids effectively slanders the pig.
Bacon is excellent. Would like to see more of him in features.
You know, for a little indie film, this is pretty good. It was a plot that I would describe as quite narrow, but it kept my attention from start to finish.
Before I jump into what I think wasn't the best, I want to mention the good stuff. Because as I mentioned, for an indie, low budget film. It's absolutely one of the better ones! So, the film starts relatively slow, but the more it goes on, the more interesting it gets. It's a narrow storyline, but that's all it needs to be. It was written good enough, where it didn't need to go out of its way to surprise you. The acting from Kevin Bacon I thought was really good as well and sold his role to me well. The movie was shot well in terms of it following 2 storylines essentially, never followed one character too long and split the difference well.
There was one big issue for me which stops this movie being above a 6 rating and that's that the characters were just very unlikeable. As you'd probably figured out from the bio, it's basically 2 kids vs a cop. The 2 kids, I thought were so annoying and I found it very difficult to "back them". The aim of the plot towards the back end is to feel empathy for them, but it was very difficult to do so as they were just so damn frustrating. The cop was more unlikeable, but that makes more sense as Kevin Bacon is playing this psycho cop (he played the role pretty damn well).
This leads to my other issue which is that I thought the suspense during the course of the movie wasn't working for me as I wasn't too bothered about what happened to the characters? Am I supposed to feel empathy towards 2 kids that steal a cop car and start messing about with guns etc?
So yeah, it's an interesting film, but needs just a little more to surpass the 6/10 rating. However, it's a good little watch and I would recommend to anyone who's debating this one.
Before I jump into what I think wasn't the best, I want to mention the good stuff. Because as I mentioned, for an indie, low budget film. It's absolutely one of the better ones! So, the film starts relatively slow, but the more it goes on, the more interesting it gets. It's a narrow storyline, but that's all it needs to be. It was written good enough, where it didn't need to go out of its way to surprise you. The acting from Kevin Bacon I thought was really good as well and sold his role to me well. The movie was shot well in terms of it following 2 storylines essentially, never followed one character too long and split the difference well.
There was one big issue for me which stops this movie being above a 6 rating and that's that the characters were just very unlikeable. As you'd probably figured out from the bio, it's basically 2 kids vs a cop. The 2 kids, I thought were so annoying and I found it very difficult to "back them". The aim of the plot towards the back end is to feel empathy for them, but it was very difficult to do so as they were just so damn frustrating. The cop was more unlikeable, but that makes more sense as Kevin Bacon is playing this psycho cop (he played the role pretty damn well).
This leads to my other issue which is that I thought the suspense during the course of the movie wasn't working for me as I wasn't too bothered about what happened to the characters? Am I supposed to feel empathy towards 2 kids that steal a cop car and start messing about with guns etc?
So yeah, it's an interesting film, but needs just a little more to surpass the 6/10 rating. However, it's a good little watch and I would recommend to anyone who's debating this one.
A pair of ten-year-olds (James Freedson-Jackson , Hays Wellford) find an abandoned cop car in a field. When they take it for a joyride, it seems like they could murder themselves at any moment. But things only get worse when the small town sheriff (Kevin Bacon) goes looking for his missing car. To further complicate matters, a woman (Camryn Manheim) driving across the road sees the two children driving the police car. The kids find themselves in the center of a deadly game of cat and mouse they don't understand and the only way out is to go as fast as their cop car can take them. Their first drive could be their last ! .
The ride is just getting started !.
This is a small thriller with surprises , intrigue , suspense and solid interpretations . Here the main entertainment is to see these two innocent children : James Freedson-Jackson , Hays Wellford playing , amusing , and make mischief, frolics and have fun themselves . While the adults actors are pretty good , such as Kevin Bacon, Camryn Manheim , Shea Whigham and Kyra Sedgwick, Kevin Bacon's wife, is the voice-in-off of the dispatcher. With special mention for Kevin Bacon who steals the show as the small-town sheriff sets out to find the two kids who have taken his car on a joy ride . It's a treat to watch Kevin Bacon giving overacting and angry faces while pursues and harasses his two little victims . As the playful children and the cunning cop holding a long confrontation packing intrigue , shocks , outdoors scenario , suspense , emerging twists and turns at the worst possible time.
Financed in short budget by Andrew and Walter Kortschak , Michaela McKee, Dianne McGunigle , Bill Perry and by director Jon Watts himself and actor Kevin Bacon himself. This better than expected motion picture was competently written, produced and directed by Jon Watts. This craftsman Jon Watts is an expert American director and screenwriter. This fine filmmaker started directing shorts, TV films, series , and getting hits as "The Clown", "Cop Car" and the box office successes : "Spiderman Homecoming" starring Tom Holland and Zendaya and "Spiderman Far from Home" . He directed Cop Car and Clown before he was picked by Marvel and Sony to direct Spider-Man: Homecoming . It's success resulted in two sequels, Far from Home in 2019 and No Way Home in 2021. He was also picked by Marvel to direct a Fantastic Four reboot film following the failure of Josh Trank's 4 Fantastic, but dropped the directing role . Rating : 6.5/10, decent thriller movie .
This is a small thriller with surprises , intrigue , suspense and solid interpretations . Here the main entertainment is to see these two innocent children : James Freedson-Jackson , Hays Wellford playing , amusing , and make mischief, frolics and have fun themselves . While the adults actors are pretty good , such as Kevin Bacon, Camryn Manheim , Shea Whigham and Kyra Sedgwick, Kevin Bacon's wife, is the voice-in-off of the dispatcher. With special mention for Kevin Bacon who steals the show as the small-town sheriff sets out to find the two kids who have taken his car on a joy ride . It's a treat to watch Kevin Bacon giving overacting and angry faces while pursues and harasses his two little victims . As the playful children and the cunning cop holding a long confrontation packing intrigue , shocks , outdoors scenario , suspense , emerging twists and turns at the worst possible time.
Financed in short budget by Andrew and Walter Kortschak , Michaela McKee, Dianne McGunigle , Bill Perry and by director Jon Watts himself and actor Kevin Bacon himself. This better than expected motion picture was competently written, produced and directed by Jon Watts. This craftsman Jon Watts is an expert American director and screenwriter. This fine filmmaker started directing shorts, TV films, series , and getting hits as "The Clown", "Cop Car" and the box office successes : "Spiderman Homecoming" starring Tom Holland and Zendaya and "Spiderman Far from Home" . He directed Cop Car and Clown before he was picked by Marvel and Sony to direct Spider-Man: Homecoming . It's success resulted in two sequels, Far from Home in 2019 and No Way Home in 2021. He was also picked by Marvel to direct a Fantastic Four reboot film following the failure of Josh Trank's 4 Fantastic, but dropped the directing role . Rating : 6.5/10, decent thriller movie .
Wusstest du schon
- WissenswertesKyra Sedgwick, Kevin Bacon's wife, is the voice of the dispatcher.
- PatzerAfter Kretzer is shot he reaches up to the rear driver's side window, covering it in blood. A few minutes later as the boys are trying to escape from the back seat we see the rear driver's side window, with no blood to be found.
- Zitate
Sheriff Kretzer: You don't... Steal... A Fucking... COP CAR!
- SoundtracksCop Car Theme
(uncredited)
Written by Phil Mossman
Performed by Phil Mossman
Top-Auswahl
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Details
Box Office
- Budget
- 800.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 134.552 $
- Eröffnungswochenende in den USA und in Kanada
- 26.146 $
- 9. Aug. 2015
- Weltweiter Bruttoertrag
- 143.658 $
- Laufzeit1 Stunde 28 Minuten
- Farbe
- Seitenverhältnis
- 2.39 : 1
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