The Nice Guys

I'll admit that I am unfamiliar with most of Shane Black's original works, watching The Nice Guys made me want to go back and take a look at his earlier films. The characters were well written, even better cast, and fit well with the theme of the film. There was rare a dull moment, it seemed I was either enjoying the dark comedic tone, or getting engaged in the plot. While the first two thirds of the film seemed excellent, the writers set themselves up for a fantastic finish, but were unable to capitalize on that potential. The script seemed to suddenly turn very basic, with things "falling" into place almost too miraculously to be true. I never felt like I had truly been given an ending worthy of a classic detective story, but the fast pace of the film and humor was enough to make it very enjoyable.

The Nice Guys represents the buddy movie genre at its best. Shane Black is a excellent director and a brilliant writer. He knows how to create hilarious characters and how to put them in absurd scenes — absurd in a comic way. The gags are all unexpected; I was constantly asking myself "What the hell is going on?", and then burst into laughter. The plot could seem weird at the beginning, but it's not the main point in this movie, it is only used to create a context to the jokes. People in the theater couldn't stop laughing. There is a new and original joke every two minutes. Russell Crowe plays his part very well, but Ryan Gosling's performance is already cult. All is in the look in his eyes, and that stupid expression on his face. Two stupid and impulsive men in an outrageous world full of porn stars and guns, fighting for...money. And truth, of course. Always the old truth about some kind of conspiracy (the only weakness in the movie). Hopefully, Shane Black doesn't insist too much on that and concentrates himself on the constant jokes. I guarantee you, you will laugh a lot. I know I've just watched an excellent movie when I feel sad during the credits, because it's already over. And then, it's just pure happiness.

2 words sum up this film - FUN ENTERTAINMENT. Def rewatchable too. Yet reviews require lots more words. Sets, music, people's mannerisms, clothes and important issues of 1970s are accurate.

Great chemistry between Crowe & Ryan. Entire Cast well chosen & all give very good believable performances. Solid plot & very good script with lots of unique comedy incl few plot twists.

This is what theatre films used to be - just FUN and intelligent enough not to insult the audience, with good believable action befitting 2 lead characters & their ages.

Fight scenes & brief domestic issues add to characters depth, are realistic, and do not drag nor prolong film. This DEF needs a sequel with SAME degree of QUALITY and 2 leads Crowe & Gosling .

Relax, and experience a great time watching this film. You will not regret time spent.

I'm sure this film is going to divide audiences, in the same way that "Kingsman" did.

It's 1977 Los Angeles. Star Wars has premiered. Disco is in full swing. And porn star Misty Mountains has just died (spectacularly). It's pretty disturbing then that dodgy licensed private investigator Holland March (Ryan Gosling) has been hired two days later to find Misty by the slightly kooky Mrs Glenn (Lois Smith, the equally kooky doctor in "Minority Report") who saw her through the windows of Misty's home. Never one to turn down a pay check, Holland takes the case and the trail leads him to search for a missing girl called Amelia (Margaret Qualley). This leads him right into the substantial fists of the 'heavy for hire' Jackson Healey (Russell Crowe), who's been hired by Amelia NOT to be found. But it's clear that Amelia is at the centre of a tornado of intrigue, since her mother Judith (Kim Basinger) is head of the Justice department and there are some heavies from New York and Detroit looking for Amelia too.

As the film's tag-line admits "The Nice Guys" are "far from nice", and this is a sort of bromance buddy movie of the likes of "Lethal Weapon". (And that comparison is 100% valid since - and I honestly discovered this after I wrote that - director Shane Black ("Iron Man 3") got into cinema by writing the screenplay for the original "Lethal Weapon" back in 1987). But "The Nice Guys" has an edge that those films of the 80's couldn't have got away with. Subtle it ain't. There is a lot of violence, a bit of 70's porn and some fruity language that sensitive viewers may find offensive. (All in all, it's a bit of a surprise that it got away with a '15' certificate in the UK).

But it's also insanely funny at times. Some of the sight gags are laugh out loud material (and I don't tend to act on that often in a packed cinema). You might recall in "Diamond's Are Forever" that a Vegas hood tosses Plenty O' Toole out of Bond's hotel window. "Good Shot" quips Bond. "I didn't know there was a pool down there" responds the hoodlum. The basics of this scene are given a fresh and wonderfully gory rework that is truly memorable.

Gosling and Crowe have great chemistry together (although the degree of acting required by Crowe is debatable: he looks and acts like he seems to in most media interviews!) Some of their dialogue appears distinctly ad-libbed, which shows how comfortable they were with the roles. And Matt Bomer and Beau Knapp make memorably crazed villains. A role that unfortunately does irritate is Qualley's: the character of Amelia is supposed to be a bit crazed, but her speaking part is 120% off the scale.

The acting star of the show though is young Australian Angourie Rice as Holland's morally-centred and bright daughter Holly, who steals just about every scene she's in. A young lady to watch for the future.

1970's LA is nicely realised, with nice little subliminal drop-in shots: a Jaws 2 poster; Tower Records; the original Hollywood Tower Hotel. And the film naturally attracts some banging' 70's tunes to the soundtrack, with Al Green peerless over the closing titles.

But it's not perfect. The plot is quite impenetrable (I'm still unclear exactly what the relationship between Misty and Amelia was). And Black's screenplay (written with Anthony Bagarozzi) over-eggs the pudding of the final showdown scene. But while it won't be to everyone's tastes, I thought it was a blast from beginning to end: a guilty pleasure of bad taste that begs for a sequel. I would go to see the Gosling/Crowe show again. One of the most entertaining films of the year so far.

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I Really liked this movie,all the way up until shortly after the one hour mark. Than it just took a 180 turn for the worse,and ended up getting really really stupid.Which was quite annoying.

In the beginning it was funny and charming and full of good quips back and forth, between the two leads.

Some of the situations was a bit over the top,but you could live with em,cause the rest of the movie held up fine. But than comes the one hour mark,and things start going down hill. Up until now,Russel has been the smart one and Ryan was the dorky drunk guy. But than suddenly they both turn into dumb and dumber.And that just ruined it for me.After that I lost total interest in the movie.