Ashby

I started watching this movie not expecting much, and got something unique for my efforts. While the story seems a little dated, the acting is actually quite good. Emma Roberts and Sara Silverman do excellent jobs in their supporting roles, while Mickey Rourke steals pretty much every scene he is in. It all makes for a pretty good watch.

What this is not is a movie about a spy. This is a movie about a kid (Nat Wolff) who needs a little old-school guidance to grow up, and gets it in spades when he makes himself a part of Ashby's (Rourke) life. This will not be one of those movies that people talk about in 20 years, but it does its job for today, so if you can't figure out what to watch tonight, giver it a shot. You might be surprised.

8/10 - Because the movie has heart, with a hint of attitude, yet doesn't trip over itself with the spy angle like most of these kinds of films would.

A bit of a lame and over sentimental story with no memorable moments. Definitely for the younger viewer. Rourke puts in reasonable performance given the poor script and good to see him again.

It's a wonderful cast and not a bad production either, so I enjoyed the watch, but did not like the film much. The reason is I had seen a few similar flicks which are much better than this in every way. A school kid and his single parents' struggling relationship and their strange neighbour, so it is the concept I'm familiar with, but the story was a bit different. There are a few good scenes in it, but the most of the parts were dominated by the only the nice events like happily ever after kind of stuffs right from the beginning.

The title role was played by Mickey Rourke, but it was Nat Wolff's film. The narration should have been much better, I mean it should have had more complicated segments. I even don't know how it got the R rating. The writing and the direction, both should have been a bit bolder. There are some people who liked it a lot and defending it, but I'm neutral. To me it was 50-50, I neither liked nor disliked. But all I wanted was a bit better than this, so I can't judge it for other. I hope you make a right decision on this if you plan to watch it.

5/10

Ashby is a departure for Mickey Rourke, as he's been kind of slumming it in B movie junk for a few years. That changes here. Rourke's cowboy machismo and brooding vibe of danger is genius and takes on a whole new light when contrasted with the bright, idiosyncratic realm of the low key indie dramedy. It's a perfect concoction of ingredients, a melding of today's millennial teen angst with the battle scarred remnants of 1990's gritty pulp fare. Here Mickey plays Ashby Holt, an ex CIA assassin quietly residing in present day suburbia. He becomes aimlessly lost when he finds out he has terminal cancer, and is given three months to live. Next door, a high school kid (Nat Wolff) who's new in town tries to fit in with his peers, and make new friends while his incredibly insecure mother (Sarah Silverman♡) also tries to.. make new friends, I guess you could say. When he gets a class project to interview an 'old person', he spots Ashby, and reaches out. Ashby needs a driver, and the two strike an amiable enough relationship that's both tragically funny and a sly statement on the addled nature of youths today. Gradually Ashby becomes sort of a father figure to him, and the bond deepens. Nat also strikes up a romance with a peculiar girl played by Emma Roberts. She's one who usually plays the bitchy bimbo, but here wonderfully surprised me by giving the quirky outsider girl just the right amount of depth and empathy. You might just not recognize her, taking on the kind of oddball role her father Eric is famous for. There's scene stealing work from Kevin Dunn as well, playing a cantankerous football coach. The film briefly falls victim to 'quirky for the sake of quirky' indie tropes, and initially I was detached and wished it would bring it in more and smarten up. No one likes too much of that hipster bullshit lol. But it does, pulling back the curtains of glib comic inaccessibility to slow itself down and distill emotional, realistic work from its actors, the wonderful script a playground for them to explore. Rourke brings the best work he's done since The Wrestler, and is nothing short of sensational. When he's given the right material, he soars higher than most actors ever dream of reaching, and he finds the regret, sympathy, coldness and wounded spirit mentality of Ashby. He NEEDS more roles like this. Nat Wolff is a bit of a 'natterer' at first and got on my nerves a touch, but he grows on you, his naive sweetness a fascinating opposite to Rourke's weary burnout sadness. Fans of Rourke (he's my second favourite actor of all time) will find a gold mine in this one, and casual viewers should enjoy it's unassuming first half, and be moved by the down to earth second act that gives the characters the full circle arc they deserve. Well done.

One of those second-string Hollywood efforts of the "artiste' vein where the writer and director are one and the same.

Sometime these things take wings and fly (look at THE BIG SHORT where McKay also does double duty) and sometimes they end up in the dustbin of history as merely an interesting effort Not for want of trying. The supporting cast practically picks this film up and carries it on their backs. Rourke is as far from THE WRESTLER as the earth is from the moon, he looks and acts like his own grandfather. Roberts is given very little dialog but presents her character well. Silverman steals every scene she is in, with perfect timing and a twinkle.

But you have to choose, get a copy of St. Vincent.