The Brooklyn Banker

This was a well written mob story that was period correct. I embraced all of the characters and casting was dead on. As a Italian American I loved all the old school references to our culture. The feast scenes were a throw back to my youth, the sights and sounds were beautiful. I could almost taste the sausage and peppers. Federico Castelluccio proved himself as a feature film director with Brooklyn Banker. He captured the essence of this period in time. I have to also recognize the writing of Michael Ricigliano his interesting twist on this mob flick kept me interested and rooting for certain characters. He really captured the old school mob movies and this will be destined to be a cult classic. I really enjoyed this film and highly recommend it.

They spent all their money on the cast, who basically reprise previous roles but their characters are all surface mannerisms. Every frame is a,lame homage/copy of better mafia films but it looks like a student production... the videography is amateurish and the direction, self-consciously awkward. These high ratings have got to be from the crew and their families, real cinephiles wouldn't award an amateurish movie with high ratings.

From someone who grew up in the Bronx and Brooklyn, this film captures what it was like to live during that time. The Mob was not revered like some of the Mob Genre films I have seen in the past. They were avoided and the story of a legitimate guy who unintentionally gets involved seems very real.

I enjoyed the cinematography that captured a gritty but beautiful view of the area as it was starting to change. Troy Garity, who I understand grew up in California, captured the nuances and cadence of the residents of Brooklyn who spoke was was on their mind, were loyal to a fault and protected their friends and family.

David Proval played a simmering psychopath who was ready to blow at any moment. Paul Sorvino was great as the goofy father in law who is smarter than he lets on.

All in all, I think this film will stand the test of time.

Set in Williamsburg, Brooklyn in the 1970's "The Brooklyn Banker" is about Santo Bastucci (Troy Garrity), a young banker with a rare gift, an eidetic memory, whose life is interrupted when local mob kingpin "Manny the Hand" ( David Proval) decides he wants Santo to work for him.

David Proval is masterful as Manny the Hand, and Troy Garity is brilliant in his portrayal of an average guy, content with his life, caught in the middle of a living nightmare.

One of the most powerful and compelling scenes in the entire movie takes place on a rooftop. The dialogue between Santo and Manny is bone chilling. Manny plays his cards, deliberately trying to manipulate Santo into working for him by telling Santo the true story of his relationship with Santos' father, betting that the truth will destroy Santos' relationship with his uncle, the local Priest, and convincing Santo that his destiny is with Manny's world. It is the scene that deftly defines the themes of the movie, and becomes the turning point in all their lives.

To some, this movie might seem like just another mob flick, but it isn't. It is a story with much richer themes, about self discovery, about choices we must make when faced with adversity, about loyalty, fighting for that in which we believe, and knowing who to lean on in times of trouble. The beauty of this story is in the dialogue, richly woven with clues about the motivations of the protagonists, deliberately planned by the writer, Michael Ricigliano. In this sense, the movie is counter Godfather; the protagonist, Santo, chooses to fight for the values in which he believes and distance himself from Manny's world, and many of the powerful blows are delivered with words, not violence, although there is plenty of the latter in the movie as well. It is a story to which everyone can relate, since, at some point in our lives, we are all faced with difficult choices.

Whether or not you are a fan of mob movies, or you are a fan of movies where the dialogue is as, if not more important than the action, then "The Brooklyn Banker" won't disappoint.

I should note that I only know about the mafia from movies, so I can't verify or refute the depiction of the gangsters in "The Brooklyn Banker". Anyway, it had an interesting plot and an interesting set of characters. Still, I wish that it had done more to emphasize the era in which it was set by showing news clips from the era (Watergate, Vietnam, etc).

The movie's OK but no masterpiece. Mafia movies are OK to see every once in a while; otherwise they get repetitive. I'd say that the movie's worth seeing once.

Who ever would've imagined the son (Troy Garity) of people (Jane Fonda and Tom Hayden) trying to bring down Richard Nixon co-starring with someone (Paul Sorvino) who played a member of Nixon's cabinet (Henry Kissinger)?