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Der Sommer mit Mamã

Originaltitel: Que Horas Ela Volta?
  • 2015
  • 0
  • 1 Std. 52 Min.
IMDb-BEWERTUNG
7,8/10
18.531
IHRE BEWERTUNG
Regina Casé and Camila Márdila in Der Sommer mit Mamã (2015)
Trailer for The Second Mother
trailer wiedergeben1:57
3 Videos
99+ Fotos
DramaKomödie

Als die entfremdete Tochter einer hart arbeitenden Haushälterin plötzlich auftaucht, geraten die verinnerlichten Klassenschranken innerhalb des Hauses ins Wanken.Als die entfremdete Tochter einer hart arbeitenden Haushälterin plötzlich auftaucht, geraten die verinnerlichten Klassenschranken innerhalb des Hauses ins Wanken.Als die entfremdete Tochter einer hart arbeitenden Haushälterin plötzlich auftaucht, geraten die verinnerlichten Klassenschranken innerhalb des Hauses ins Wanken.

  • Regie
    • Anna Muylaert
  • Drehbuch
    • Anna Muylaert
  • Hauptbesetzung
    • Regina Casé
    • Helena Albergaria
    • Michel Joelsas
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,8/10
    18.531
    IHRE BEWERTUNG
    • Regie
      • Anna Muylaert
    • Drehbuch
      • Anna Muylaert
    • Hauptbesetzung
      • Regina Casé
      • Helena Albergaria
      • Michel Joelsas
    • 49Benutzerrezensionen
    • 136Kritische Rezensionen
    • 82Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 35 Gewinne & 31 Nominierungen insgesamt

    Videos3

    The Second Mother
    Trailer 1:57
    The Second Mother
    The Second Mother
    Trailer 2:27
    The Second Mother
    The Second Mother
    Trailer 2:27
    The Second Mother
    THE SECOND MOTHER TRAILER
    Trailer 2:26
    THE SECOND MOTHER TRAILER

    Fotos191

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    Topbesetzung17

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    Regina Casé
    Regina Casé
    • Val
    Helena Albergaria
    Helena Albergaria
    • Edna
    Michel Joelsas
    • Fabinho
    Camila Márdila
    Camila Márdila
    • Jéssica
    Karine Teles
    Karine Teles
    • Bárbara
    Lourenço Mutarelli
    • Carlos
    Bete Dorgam
    • Janaina
    Luis Miranda
    • Antonio Jardineiro
    Theo Werneck
    • Vandré
    Luci Pereira
    • Raimunda
    Anapaula Csernik
    • Diléia
    Hugo Villavicenzio
    • Peruano
    Roberto Camargo
    • Reporter
    Alex Huszar
    • Caveira
    Andrey Lima
    • Fabinho Criança
    • (as Andrey Lima Lopes)
    Thaise Reis
    • Pamela
    Nilcéia Vicente
    • Anita
    • Regie
      • Anna Muylaert
    • Drehbuch
      • Anna Muylaert
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen49

    7,818.5K
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    Empfohlene Bewertungen

    JohnDeSando

    Nanny films never looked better.

    For those of us who have known nannies, the easiest generalization we can make is it's too bad she can't be with her own children. Well. Anna Muylaert's Brazilian film, The Second Mother, shows what happens when nanny-housekeeper Val (Regina Case) in an upper-class Sao Paulo home has her estranged, grown daughter, Jessica (Camila Mardila), stay with her before Jessica takes her college exams.

    The disappointment Jessica feels about her mother's subservient life seems natural enough given Jessica's ambition to be an architect. The real conflict is within Val's heart where Jess's openness with the family Val serves and their embracing her as an equal can't abide Val's lifetime of service, which teaches never to intrude, never assume a place at their table, never swim in their pool. All of which Jess gleefully does.

    The remarkable character of this film is how it reflects the points of views of mom and daughter without judging the appropriateness of either position. Jess is often described as being snobbish and Val too easily cowed by the family. The film's generous heart allows enough time for each of the principals to grow in understanding the other.

    The Second Mother spends too little time on the interpersonal relationships and ends without solid resolution of the characters' differences. What neither mom nor daughter seems to get is that the stark class divide in Brazil brooks no exceptions; in effect, Val will be stuck here for the rest of her life, and Jess will escape through education. The film seems to suggest that the upper-class Val serves is impenetrable except through marriage or education.

    "Why do elites hate the poor? It's xenophobia. They don't know any poor people - except their off-the-books Brazilian nanny and illegal immigrant cleaning lady from Upper Revolta who don't speak English." P. J. O'Rourke
    8wel2005

    One of the best movie of this year

    Organic film, the kind where everything fits and grows with the viewer so the lights come on, It is a work to be revered. Ana Muylaert builds a narrative that speaks of class relationship, the role of women in society as a mother, daughter, professional, also speaks of social segregation and changes in the Brasil in these two decades of democracy. It is a simple film, but not for everyone - does not have the appeal of globofilmes comedies, twists, striking scenes - it's all very subtle and sensitive.

    Spent most of the time in an upper middle class mansion, the rooms it is also almost characters. From the kitchen to the guest room, the director gives meaning to the spaces, to the pool, to objects, to food. Veteran Regina Case plays Val, maid sleeping in the closet maid, knowing their place in the world, while the daughter, played by newcomer Camila Mardia, recently coming from the northeast to take entrance exams for architecture, it is a pioneering, a sentient , a citizen.

    Award at the Berlin Film Festival and Sundance, What Time, surprisingly, is making blockbuster in European countries and pointed out by specialist as probable nominated for the Oscar. It's a cracker too, in my view, to reach the general public. I hope you get it. It is on my list of best films of the year and will be on the list of many influential critics around the world.
    8silvia_rm_sp

    Have class differences really been abolished?

    A subtle look into the not very subtle work relations in Brazil, where slavery is all but truly abolished. After working for over 10 years both as nanny and housemaid to an upper middle class family in São Paulo, Val is supposedly regarded as one of the family, occupying, however, shabby and crammed quarters in the beautiful mansion of her employers. When the family agrees to welcome Val's daughter for a short time while she sits for college admission exams, everyone gets a lot more than they bargained for. The bright girl's presence will affect the whole household, putting to the test the politically correct attitude of the employers to their employees and making evident the full hypocrisy of the situation. The material director and screenplay writer Muylaert deals with is potentially both tragic and comic. She has wisely chosen comedy, but not the laughing out loud kind. This film will put a light smile on your face while making you a little uncomfortable at the same time, particularly if, like most Brazilians, you don't really see everyone in society exactly as your equal.
    10eduardo_zdanowicz

    Best Brazilian movie since Central Station

    This movie does a exceptional analysis of the modern Brazilian society, showing the difference of classes and how this is deal inside the family houses. The viewers of the movie start seeing themselves in the role of the employers of the housemaids and realize that actually they already did a lot of situations that they consider absurd. This start causing a discomfort on the the spectator and make them think in the model of society that they live. With a strong direction but still feel free for improvisation, this movie is one of the best Brazilian in years. Since Central Station we do not see a movie that is so well related to Brazilian reality of segregation and difference of classes. Perfect performances (not only of the main roles, but all characters in the movie), beautiful photography and really well done soundtrack this movie put again Brazil on the track of countries who can show their reality in their own way.
    8MikeyB1793

    How could you not love this woman?

    Regina Case gives a heartfelt performance as the maid to a rich and rather snobby family – and as the mother to her long lost daughter. It is after the daughter reunites with the mother after a long ten year absence (not clearly explained) that the wheels of this film really start to churn to generate tension, but also immense warmth.

    Even though the film does meander now and then – every scene with Regina Case as surrogate mother to her adopted household, especially the son, and the real mother of her daughter gives off an energy of feeling and vitality. It is beautiful to behold the radiation that emanates in all her scenes. And its' nice to walk out of a film with the milk of human kindness – a rarity these days.

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    Handlung

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    • Wissenswertes
      Brazil's official submission to the 2016's Oscars as Best Foreign Language Film.
    • Soundtracks
      Solidão Nº4
      Written by Vitor Araújo

      Performed by Vitor Araújo

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    FAQ

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    Details

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    • Erscheinungsdatum
      • 20. August 2015 (Deutschland)
    • Herkunftsland
      • Brasilien
    • Offizieller Standort
      • Official site
    • Sprache
      • Portugiesisch
    • Auch bekannt als
      • Wann kommt sie zurück?
    • Drehorte
      • São Paulo, Brasilien(main location)
    • Produktionsfirmen
      • Gullane
      • Africa Filmes
      • Globo Filmes
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Budget
      • 4.000.000 R$ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 376.986 $
    • Eröffnungswochenende in den USA und in Kanada
      • 24.086 $
      • 30. Aug. 2015
    • Weltweiter Bruttoertrag
      • 3.003.560 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      1 Stunde 52 Minuten
    • Farbe
      • Color
    • Seitenverhältnis
      • 2.35 : 1

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