Bare

Bare, A film about a young Woman, Sarah (Dianna Argon), who's having serious hardships in her life From Beginning to the end. Until she meets Pepper, (Paz De La Huerta), who drags Sarah into her world of lowlifes, Stripping, Drugs and Hustling. This Movie directed by Nathalia Leite surely disappoints. Because I wanted to know the fates of the two characters, who emotionally and romantically gets attached quickly. Unfortunately, It leaves no resolution for them.

My Rating: 6.0

I cannot believe PDLH is allowed in movies, she looks like hell, and gives the most cliched bogus performance ever. Hideous. It is sad to see an addict just be herself, awful-looking. You've seen this movie 100 times, don't bother. It makes no sense that a blond babe would even give the tramp a second glance.

I caught this on NetFlix last night. I thought it was good, a good movie that tells the story very well and with excellent acting. I had never seen any of the actors before and was pleasantly surprised. This is a character drama without much action besides the interpersonal drama which I enjoy but maybe isn't for everyone.

The story will resonate with anyone who grew up in a small town and was bored and frustrated by that limited existence. Sarah Barton works at the grocery store, is bored with her job and her life, and looks around at all of the people still in the town and can't imagine growing up and living here her whole life. Her mother and boyfriend are in town but they don't do much to help her tolerate it. She wants something to happen in her life but doesn't know how to go about it.

In drifts Pepper, a classic charismatic drifter with a dark side, who befriends Sarah and leads her into a sordid world of striptease, sex and drugs.

I thought the interplay between the two leads was excellent and they clearly had chemistry and played their parts so well it didn't seem like acting at all. A scene near the end (no spoilers) where they both know they're lying to each other but are both pretending that they're not was played extremely well.

The scenes, supporting actors, and even costumes were so perfect for rural small town America that it was possible to believe every detail of the story.

The ending, while not completely "uncompromising" was satisfying and I thought both hopeful and realistic.

Overall a good movie.

I should have taken notice of the "real" reviews! I didn't really feel in the mood for an action movie or something which would need my deep attention, so I thought I'd give this a go. This movie was just bad. I can't see the point of making it except that whoever wrote the story, whoever directed it, whoever it appeals to must have had, or know a couple of women in that situation! I doubt it would appeal to a wider audience. The only people, women, it may appeal to are those who either lead such a life, want such a relationship, have been in that business, use drugs, are Bi or Lesbian... Guys, don't even think of wasting time with this!

Greetings again from the darkness. The debut feature of writer/director Natalia Leite takes on the all-too-familiar territory of a disenchanted teenager being smothered by a claustrophobic small town, and twists it into a nocturnal awakening that changes some lives, while leaving others forever jogging in place.

Sarah (Dianna Agron, "Glee") is a bored, young local in a small Nevada town. She gets fired from her job as a supermarket checker and spends her time hanging out with her boyfriend (Chris Zylka) and their group of equally unambitious friends. One day she stumbles upon Pepper (Paz de la Huerta, "Boardwalk Empire") who is sleeping in an abandoned store owned by Sarah's father. Intrigued by the drifter, Sarah allows herself to be drawn into Pepper's world of drugs and strippers. A quick trip to Las Vegas really opens up Sarah's eyes to the great big world, and also leads to some amorous feelings toward Pepper.

Clichés abound here as the mysterious stranger awakens the spirit of the small town dreamer; the taboo love story; the judgmental family and friends; and the "one last shift" to earn enough money to flee this small town and discover one's true purpose while living a carefree life. Pepper tosses out some philosophical musings and Sarah falls hook, line and sinker. We fully expect this to end badly for both.

Filmmaker Leite does a nice job of creating the feel of the night without judging its participants too harshly. Dianna Agron has the screen presence to pull off the innocent girl's self-discovery, while Paz de la Huerta has the mysterious quality of one to whom someone like the Sarah character would be drawn. It's interesting how Sarah is allowed to choose her own path, and explore the possibilities of what might be. At best, the film is one for a sleepless night, and it does provide two disparate female leads and a director who has earned more opportunities.