Die Rebellen haben es sich zum Ziel gesetzt, die Pläne des Todessterns zu stehlen.Die Rebellen haben es sich zum Ziel gesetzt, die Pläne des Todessterns zu stehlen.Die Rebellen haben es sich zum Ziel gesetzt, die Pläne des Todessterns zu stehlen.
- Für 2 Oscars nominiert
- 24 Gewinne & 85 Nominierungen insgesamt
Stephen Stanton
- Admiral Raddus
- (Synchronisation)
Empfohlene Bewertungen
This is almost perfect Star Wars. By far the best Star Wars of the new era (including the prequels). Hard to find any fault with it. If only Abrams, Johnson and other took more note of this it might have saved us from some of the faults in those other movies.
I am watching this movie for the first time after watching Andor's finale.
For me there is a new great trilogy, Andor S1, Andor S2 and Rogue One, which has rivalled the brilliance of the Original Trilogy.
The ending was devastating for me but definitely cemented Cassian Andor as one of the most memorable characters. K2SO was perfect in every way possible and Jyn Erso was also fairly a good character, along with the other supporting casts. The movie kept me hooked start to finish and I love that we start exactly where we left off in Andor's finale.
I would for sure suggest anyone else yet to watch; to watch these 3 chronologically, because the emotional investment I had in Cassian was what made this film great for me.
For me there is a new great trilogy, Andor S1, Andor S2 and Rogue One, which has rivalled the brilliance of the Original Trilogy.
The ending was devastating for me but definitely cemented Cassian Andor as one of the most memorable characters. K2SO was perfect in every way possible and Jyn Erso was also fairly a good character, along with the other supporting casts. The movie kept me hooked start to finish and I love that we start exactly where we left off in Andor's finale.
I would for sure suggest anyone else yet to watch; to watch these 3 chronologically, because the emotional investment I had in Cassian was what made this film great for me.
Without exaggeration, this is easily the best offering in the franchise since 'Return of the Jedi'. Yes, it is a spin-off of a simple set-up line from the original film, but it manages to really craft it's own story around the demands of where the plot has to go by the end. While it's definitely not a character driven movie, I was surprised with the amount of time given to our key protagonists and the effort to at least make them intriguing.
The idea of another prequel movie was a hard sell; but unlike the prequel (and for that matter, the sequel) trilogy, this manages to tell it's own story within the structure of a lead-up to an event to which we already know the outcome. Felicity Jones and Diego Luna are especially effective along with secondary characters like those played by Riz Ahmed and Donnie Yen becoming easy fan favorites. Ben Mendelsohn is great as always as Krennic despite not being given much dimension as a main villain.
The character of Saw Guerrera (Forest Whitaker) seems a little cut-up and while I understand the character is better informed by one of the animated series, what we have in the film seems like it may have been a little more beefed up in earlier edits of the movie.
One thing I hear from people who don't care for this movie is the amount of fan-service moments. Random appearances of old characters or species, call-backs to famous lines and some easter-egg visuals can be a little distracting and if you don't care for that self-indulgent stuff, you'll definitely notice it here. Personally, it never really bothered me apart from one instance that lasts 5 seconds.
On a final note, while the decision to include Darth Vader was inevitable for this movie, I was so glad to see they did a little more than give him a short cameo appearance and actually give him a moment or two without leaning on him too much as a crutch to distract the audience.
If you love old Star Wars and couldn't care less about the two superfluous trilogies that followed, consider giving this a try.
The idea of another prequel movie was a hard sell; but unlike the prequel (and for that matter, the sequel) trilogy, this manages to tell it's own story within the structure of a lead-up to an event to which we already know the outcome. Felicity Jones and Diego Luna are especially effective along with secondary characters like those played by Riz Ahmed and Donnie Yen becoming easy fan favorites. Ben Mendelsohn is great as always as Krennic despite not being given much dimension as a main villain.
The character of Saw Guerrera (Forest Whitaker) seems a little cut-up and while I understand the character is better informed by one of the animated series, what we have in the film seems like it may have been a little more beefed up in earlier edits of the movie.
One thing I hear from people who don't care for this movie is the amount of fan-service moments. Random appearances of old characters or species, call-backs to famous lines and some easter-egg visuals can be a little distracting and if you don't care for that self-indulgent stuff, you'll definitely notice it here. Personally, it never really bothered me apart from one instance that lasts 5 seconds.
On a final note, while the decision to include Darth Vader was inevitable for this movie, I was so glad to see they did a little more than give him a short cameo appearance and actually give him a moment or two without leaning on him too much as a crutch to distract the audience.
If you love old Star Wars and couldn't care less about the two superfluous trilogies that followed, consider giving this a try.
A Star Wars movie that hit hard before, but after seeing Andor, it hits even harder.
Rogue One is a masterpiece of cinematography, acting, visual effects, and writing (even though it takes a while to get going at first).
This movie is about the story of how ordinary people risk everything to get the plans to the Death Star, and they must endure hardships, even if it costs them their lives.
Jyn Erso is the main character, the daughter of a Death Star engineer who was against the Empire and designed a weak spot in the Death Star. The movie is about her being recruited by the rebels, and they must get the plans to the star, along with Andor and other characters.
The movie takes a while to get going, with all those points of view and jumps from character to character, planet to planet.
It's only halfway through the film, when they leave Jedha and go looking for Galen Erso (The Engineer), that the film really takes off. And what more can we say about the ending? It's a masterpiece. It's tragic and realistic because it shows that rebellions aren't easy and cost lives, and it doesn't reveal all the suffering the characters must endure.
The script is well-crafted; it could have been refined to remove some minor inconsistencies, but it was still quite good.
After watching the Andor series, this film definitely hits harder, especially seeing everything Andor suffered, what he had to abandon to reach this point to serve with the rebels. Some of his lines carry more weight after what we saw in the series, and his connection with Jyn Erso makes it even more tragic because he has someone who understands him, someone who also lost everything, and until the end, they are connected in their purpose. The final shot of them embracing as the planet is destroyed definitely hits home after Andor.
Rogue One is definitely an intense, emotional, and phenomenally constructed film, especially after seeing Andor. It has its minor script flaws, but otherwise, I can say it's a masterpiece.
9.0 Stars.
Rogue One is a masterpiece of cinematography, acting, visual effects, and writing (even though it takes a while to get going at first).
This movie is about the story of how ordinary people risk everything to get the plans to the Death Star, and they must endure hardships, even if it costs them their lives.
Jyn Erso is the main character, the daughter of a Death Star engineer who was against the Empire and designed a weak spot in the Death Star. The movie is about her being recruited by the rebels, and they must get the plans to the star, along with Andor and other characters.
The movie takes a while to get going, with all those points of view and jumps from character to character, planet to planet.
It's only halfway through the film, when they leave Jedha and go looking for Galen Erso (The Engineer), that the film really takes off. And what more can we say about the ending? It's a masterpiece. It's tragic and realistic because it shows that rebellions aren't easy and cost lives, and it doesn't reveal all the suffering the characters must endure.
The script is well-crafted; it could have been refined to remove some minor inconsistencies, but it was still quite good.
After watching the Andor series, this film definitely hits harder, especially seeing everything Andor suffered, what he had to abandon to reach this point to serve with the rebels. Some of his lines carry more weight after what we saw in the series, and his connection with Jyn Erso makes it even more tragic because he has someone who understands him, someone who also lost everything, and until the end, they are connected in their purpose. The final shot of them embracing as the planet is destroyed definitely hits home after Andor.
Rogue One is definitely an intense, emotional, and phenomenally constructed film, especially after seeing Andor. It has its minor script flaws, but otherwise, I can say it's a masterpiece.
9.0 Stars.
Rogue One is, by far, the best Star Wars film to be released since the original trilogy. A fantastic cast of original characters, still hitting on the popular characteristics from previous fan favourites, seek to complete a daring mission which ultimately sets up A New Hope and the whole Star Wars saga.
Instead of trying to reinvent an already successful formula, this standalone story modernises the approach of the original trilogy. Dialogue is powerful and used to set up the action of a Rebellion, and characters clash to create energy on screen. Some of the best moments from the original trilogy even return in new scenarios, making an impact but not stealing attention from the plot; who doesn't want to see an AT-AT on a beach?
Well tied to the canon set chronologically before and after Rogue One, links to the prequel trilogy are limited, but heavy connections are made to the Clone Wars series. Despite no focus falling on previously established characters, the plot is the perfect backstory to a significant event in the Empire's downfall.
There is a great figurehead to represent the Empire, understated and without garish traits, but evil. It is a fantastic special effect to bring back Tarkin, who remains imposing, and Vader is used in perfect doses, making limited but incredibly impactful appearances. One these being one of the best finales to any Star Wars film.
An aesthetic joy, the film is visually wonderful due to brilliant costume designing, props and locations. CGI is used effectively, and at no point does it seem like everything on screen has been thrown in for the sake of it, unlike the prequels. The film is visibly clean and clear cut. The score, too, fits themes excellently and really sets the tone.
Without a significantly direct tie to the Skywalker Saga, cinematically, Rogue One: A Star Wars Story is arguably the best Star Wars film yet.
Instead of trying to reinvent an already successful formula, this standalone story modernises the approach of the original trilogy. Dialogue is powerful and used to set up the action of a Rebellion, and characters clash to create energy on screen. Some of the best moments from the original trilogy even return in new scenarios, making an impact but not stealing attention from the plot; who doesn't want to see an AT-AT on a beach?
Well tied to the canon set chronologically before and after Rogue One, links to the prequel trilogy are limited, but heavy connections are made to the Clone Wars series. Despite no focus falling on previously established characters, the plot is the perfect backstory to a significant event in the Empire's downfall.
There is a great figurehead to represent the Empire, understated and without garish traits, but evil. It is a fantastic special effect to bring back Tarkin, who remains imposing, and Vader is used in perfect doses, making limited but incredibly impactful appearances. One these being one of the best finales to any Star Wars film.
An aesthetic joy, the film is visually wonderful due to brilliant costume designing, props and locations. CGI is used effectively, and at no point does it seem like everything on screen has been thrown in for the sake of it, unlike the prequels. The film is visibly clean and clear cut. The score, too, fits themes excellently and really sets the tone.
Without a significantly direct tie to the Skywalker Saga, cinematically, Rogue One: A Star Wars Story is arguably the best Star Wars film yet.
'Lilo & Stitch' Joins the Billion Dollar Box Office Club
'Lilo & Stitch' Joins the Billion Dollar Box Office Club
Lilo & Stitch just reached the $1 billion mark at the worldwide box office. Take a look at the top-grossing movies of all time.
Wusstest du schon
- WissenswertesGareth Edwards and his creative team discovered some old film canisters while rummaging around the Lucasfilm warehouses. When he asked what they were, an employee said they were old Star Wars: Episode IV - Eine neue Hoffnung (1977) footage. The discovery led to the inclusion of unused Episode IV material featuring Red Leader and Gold Leader in this movie.
- PatzerDuring the space battle over Scarif, in one shot of Gold Leader's Y-Wing cockpit, the edge of the Death Star's equatorial trench can be seen through the back window of the cockpit behind him. This is reused footage from the rebel attack on the Death Star from Star Wars: Episode IV - Eine neue Hoffnung (1977). Actually, while it is re-used footage, the background has been digitally altered to be the shield gate.
- Zitate
[repeated line]
Chirrut Îmwe: I'm one with the Force, and the Force is with me.
- Crazy CreditsHidden in the credits is the title "Keeper of the Holocron." A Holocron is a cube-like artifact used by the Jedi to store information that were first mentioned in the Dark Horse comic book series 'Dark Empire. On the official Star Wars site Leland Chee was in charge of continuity and received the honorary title of 'Keeper of the Holocron'.
- VerbindungenEdited into If Star Wars Wasn't Serious (2014)
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Rogue One: A Star Wars Story
- Drehorte
- Reynisfjara, Island(Planet Lah'mu - opening scene)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 200.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 533.539.991 $
- Eröffnungswochenende in den USA und in Kanada
- 155.081.681 $
- 18. Dez. 2016
- Weltweiter Bruttoertrag
- 1.058.684.742 $
- Laufzeit2 Stunden 13 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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