Die Rebellen haben es sich zum Ziel gesetzt, die Pläne des Todessterns zu stehlen.Die Rebellen haben es sich zum Ziel gesetzt, die Pläne des Todessterns zu stehlen.Die Rebellen haben es sich zum Ziel gesetzt, die Pläne des Todessterns zu stehlen.
- Für 2 Oscars nominiert
- 24 Gewinne & 85 Nominierungen insgesamt
Stephen Stanton
- Admiral Raddus
- (Synchronisation)
Empfohlene Bewertungen
Rogue One stands head and shoulders above every other Disney-era Star Wars film. While The Force Awakens, The Last Jedi, The Rise of Skywalker, and Solo struggled to find a fresh identity or narrative weight, Rogue One succeeds by doing exactly that, grounding the saga in the grit and gray of war.
The film boldly shifts perspective, focusing not on Jedi or chosen heroes, but on ordinary people caught in extraordinary circumstances. It masterfully fills a major plot gap: the Death Star's fatal weakness; while telling the gripping story of the Rebel Alliance's first true victory. With morally complex characters like Cassian Andor and Galen Erso, Rogue One paints a world where good and evil aren't so easily defined. Diego Luna brings depth and ambiguity to Cassian, while Mads Mikkelsen's Galen shows how even those within the Empire can resist in subtle, powerful ways.
Visually, the film is stunning, with rich, immersive worlds and breathtaking battle sequences. Michael Giacchino steps up to score the first Star Wars film without John Williams, and while the maestro is missed, Giacchino delivers a memorable soundtrack that captures the emotional core of the story.
Though the pace occasionally feels rushed, leaving some character arcs a bit underdeveloped, the film's grounded tone, compelling narrative, and bold, tragic ending elevate it far above its peers.
Rogue One dares to be different, and in doing so, it succeeds brilliantly. It's dark, emotional, smart, and unforgettable. A must-watch that proves Star Wars can evolve without losing its soul.
The film boldly shifts perspective, focusing not on Jedi or chosen heroes, but on ordinary people caught in extraordinary circumstances. It masterfully fills a major plot gap: the Death Star's fatal weakness; while telling the gripping story of the Rebel Alliance's first true victory. With morally complex characters like Cassian Andor and Galen Erso, Rogue One paints a world where good and evil aren't so easily defined. Diego Luna brings depth and ambiguity to Cassian, while Mads Mikkelsen's Galen shows how even those within the Empire can resist in subtle, powerful ways.
Visually, the film is stunning, with rich, immersive worlds and breathtaking battle sequences. Michael Giacchino steps up to score the first Star Wars film without John Williams, and while the maestro is missed, Giacchino delivers a memorable soundtrack that captures the emotional core of the story.
Though the pace occasionally feels rushed, leaving some character arcs a bit underdeveloped, the film's grounded tone, compelling narrative, and bold, tragic ending elevate it far above its peers.
Rogue One dares to be different, and in doing so, it succeeds brilliantly. It's dark, emotional, smart, and unforgettable. A must-watch that proves Star Wars can evolve without losing its soul.
Rogue One is, by far, the best Star Wars film to be released since the original trilogy. A fantastic cast of original characters, still hitting on the popular characteristics from previous fan favourites, seek to complete a daring mission which ultimately sets up A New Hope and the whole Star Wars saga.
Instead of trying to reinvent an already successful formula, this standalone story modernises the approach of the original trilogy. Dialogue is powerful and used to set up the action of a Rebellion, and characters clash to create energy on screen. Some of the best moments from the original trilogy even return in new scenarios, making an impact but not stealing attention from the plot; who doesn't want to see an AT-AT on a beach?
Well tied to the canon set chronologically before and after Rogue One, links to the prequel trilogy are limited, but heavy connections are made to the Clone Wars series. Despite no focus falling on previously established characters, the plot is the perfect backstory to a significant event in the Empire's downfall.
There is a great figurehead to represent the Empire, understated and without garish traits, but evil. It is a fantastic special effect to bring back Tarkin, who remains imposing, and Vader is used in perfect doses, making limited but incredibly impactful appearances. One these being one of the best finales to any Star Wars film.
An aesthetic joy, the film is visually wonderful due to brilliant costume designing, props and locations. CGI is used effectively, and at no point does it seem like everything on screen has been thrown in for the sake of it, unlike the prequels. The film is visibly clean and clear cut. The score, too, fits themes excellently and really sets the tone.
Without a significantly direct tie to the Skywalker Saga, cinematically, Rogue One: A Star Wars Story is arguably the best Star Wars film yet.
Instead of trying to reinvent an already successful formula, this standalone story modernises the approach of the original trilogy. Dialogue is powerful and used to set up the action of a Rebellion, and characters clash to create energy on screen. Some of the best moments from the original trilogy even return in new scenarios, making an impact but not stealing attention from the plot; who doesn't want to see an AT-AT on a beach?
Well tied to the canon set chronologically before and after Rogue One, links to the prequel trilogy are limited, but heavy connections are made to the Clone Wars series. Despite no focus falling on previously established characters, the plot is the perfect backstory to a significant event in the Empire's downfall.
There is a great figurehead to represent the Empire, understated and without garish traits, but evil. It is a fantastic special effect to bring back Tarkin, who remains imposing, and Vader is used in perfect doses, making limited but incredibly impactful appearances. One these being one of the best finales to any Star Wars film.
An aesthetic joy, the film is visually wonderful due to brilliant costume designing, props and locations. CGI is used effectively, and at no point does it seem like everything on screen has been thrown in for the sake of it, unlike the prequels. The film is visibly clean and clear cut. The score, too, fits themes excellently and really sets the tone.
Without a significantly direct tie to the Skywalker Saga, cinematically, Rogue One: A Star Wars Story is arguably the best Star Wars film yet.
This is almost perfect Star Wars. By far the best Star Wars of the new era (including the prequels). Hard to find any fault with it. If only Abrams, Johnson and other took more note of this it might have saved us from some of the faults in those other movies.
Without exaggeration, this is easily the best offering in the franchise since 'Return of the Jedi'. Yes, it is a spin-off of a simple set-up line from the original film, but it manages to really craft it's own story around the demands of where the plot has to go by the end. While it's definitely not a character driven movie, I was surprised with the amount of time given to our key protagonists and the effort to at least make them intriguing.
The idea of another prequel movie was a hard sell; but unlike the prequel (and for that matter, the sequel) trilogy, this manages to tell it's own story within the structure of a lead-up to an event to which we already know the outcome. Felicity Jones and Diego Luna are especially effective along with secondary characters like those played by Riz Ahmed and Donnie Yen becoming easy fan favorites. Ben Mendelsohn is great as always as Krennic despite not being given much dimension as a main villain.
The character of Saw Guerrera (Forest Whitaker) seems a little cut-up and while I understand the character is better informed by one of the animated series, what we have in the film seems like it may have been a little more beefed up in earlier edits of the movie.
One thing I hear from people who don't care for this movie is the amount of fan-service moments. Random appearances of old characters or species, call-backs to famous lines and some easter-egg visuals can be a little distracting and if you don't care for that self-indulgent stuff, you'll definitely notice it here. Personally, it never really bothered me apart from one instance that lasts 5 seconds.
On a final note, while the decision to include Darth Vader was inevitable for this movie, I was so glad to see they did a little more than give him a short cameo appearance and actually give him a moment or two without leaning on him too much as a crutch to distract the audience.
If you love old Star Wars and couldn't care less about the two superfluous trilogies that followed, consider giving this a try.
The idea of another prequel movie was a hard sell; but unlike the prequel (and for that matter, the sequel) trilogy, this manages to tell it's own story within the structure of a lead-up to an event to which we already know the outcome. Felicity Jones and Diego Luna are especially effective along with secondary characters like those played by Riz Ahmed and Donnie Yen becoming easy fan favorites. Ben Mendelsohn is great as always as Krennic despite not being given much dimension as a main villain.
The character of Saw Guerrera (Forest Whitaker) seems a little cut-up and while I understand the character is better informed by one of the animated series, what we have in the film seems like it may have been a little more beefed up in earlier edits of the movie.
One thing I hear from people who don't care for this movie is the amount of fan-service moments. Random appearances of old characters or species, call-backs to famous lines and some easter-egg visuals can be a little distracting and if you don't care for that self-indulgent stuff, you'll definitely notice it here. Personally, it never really bothered me apart from one instance that lasts 5 seconds.
On a final note, while the decision to include Darth Vader was inevitable for this movie, I was so glad to see they did a little more than give him a short cameo appearance and actually give him a moment or two without leaning on him too much as a crutch to distract the audience.
If you love old Star Wars and couldn't care less about the two superfluous trilogies that followed, consider giving this a try.
What has made Star Wars into the internationally recognized genre that it is today? Two things in particular - original material and a touch of humor/wit. Rogue One is a plethora of both. In addition, even in an area where previous Star Wars may have lacked (perhaps even overlooked, understandably), the acting is superb, top of the line. Forest Whitaker may be the most recognizable name in the entire cast, and he kills it every moment as his brilliant, rebellious character, Saw Gerrera. But he is merely the tip of the iceberg in what becomes an epic, near-perfectly written plot that connects episodes III and IV. It is haunting, it is funny, devastating, cheesy, and it is wonderful. It IS Star Wars.
Wusstest du schon
- WissenswertesGareth Edwards and his creative team discovered some old film canisters while rummaging around the Lucasfilm warehouses. When he asked what they were, an employee said they were old Star Wars: Episode IV - Eine neue Hoffnung (1977) footage. The discovery led to the inclusion of unused Episode IV material featuring Red Leader and Gold Leader in this movie.
- PatzerDuring the space battle over Scarif, in one shot of Gold Leader's Y-Wing cockpit, the edge of the Death Star's equatorial trench can be seen through the back window of the cockpit behind him. This is reused footage from the rebel attack on the Death Star from Star Wars: Episode IV - Eine neue Hoffnung (1977). Actually, while it is re-used footage, the background has been digitally altered to be the shield gate.
- Zitate
[repeated line]
Chirrut Îmwe: I'm one with the Force, and the Force is with me.
- Crazy CreditsHidden in the credits is the title "Keeper of the Holocron." A Holocron is a cube-like artifact used by the Jedi to store information that were first mentioned in the Dark Horse comic book series 'Dark Empire. On the official Star Wars site Leland Chee was in charge of continuity and received the honorary title of 'Keeper of the Holocron'.
- VerbindungenEdited into If Star Wars Wasn't Serious (2014)
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Rogue One: A Star Wars Story
- Drehorte
- Reynisfjara, Island(Planet Lah'mu - opening scene)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 200.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 533.539.991 $
- Eröffnungswochenende in den USA und in Kanada
- 155.081.681 $
- 18. Dez. 2016
- Weltweiter Bruttoertrag
- 1.058.684.742 $
- Laufzeit
- 2 Std. 13 Min.(133 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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