Grantchester

As another has written, I came to Grantchester after a few seasons of Father Brown. While another "priest+cop" series seemed redundant, Grantchester is brilliantly written and acted.

Sydney Chambers (the Vicar of Grantchester) is conflicted...almost tortured by the choices he faces; the complications of the crimes that drive the main part of the story don't make Sydney's life any easier. (No add'l info on this as that would be a spoiler.)

The last time I was this caught up in a British detective series was with Jeremy Brett's Sherlock Holmes. Yes; it's that good - even better.

Go with it; you won't be sorry.

We loved this series through three seasons. The fourth is unfaithful to the characters, has absurd plots, and is poorly written. We won't be watching Season Five.

I have not read the books. Therefore I enter as a virgin into the land of Grantchester. So, to me, it is a pleasant, light, somewhat funny, charming show. If we accept the idea that the Director meant to make the show in that way, I think that it is successful. I think the acting is excellent, and the stories are within reason, and interesting,but not hard-hitting because the show is not meant to be "film noir". It is light entertainment. I don't have to really believe that a Vicar, Sidney Chambers (James Norton),is regularly solving murders with his friend, Geordie, the police detective. I need not believe that a seemingly small town would have so many murders--one or more weekly--OK, let's say the time frame is two months apart, still.....you get it. So I give this show a 9 because I do enjoy it. I particularly like the acting of James Norton as the Vicar, but all are good.

I very much enjoyed seasons 1 and 2 - another "cozy" mystery series, gorgeously filmed and well-acted. The mysteries themselves are self-contained from episode to episode, while character development story arcs take place in the background to tie things together. As other reviewers have noted, the writers have made hero Sidney Chambers remarkably liberal and modern in his views. Perhaps in 1953 there were small-town vicars with such attitudes, but after a while it feels unrealistic.

For whatever reason, season 3 fell flat for me, to the extent I thought they might have changed writers. Perhaps it's the peaking of a couple of those story arcs in season 2, but I found that I no longer cared very much about the characters, while the mysteries began to feel secondary to the characters' stories. I'm unlikely to come back for season 4.

Or that's how it appears. Do priests, Catholic or Anglican, seek refuge in the church as a shield from their own pain?

Sidney, a handsome ginger and Anglican priest, lives in the shadow of his past, so severely traumatized by a wartime incident that he seeks refuge not only in the church but from the bottom of a bottle and the burning embers of a cigarette. Neither option offers much.

In the end Sidney only wants to be loved and ventures outside the church with his friend Geordie, a detective, fighting crime and solving murders, which seemingly helps him find purpose.

The problem I have with these small-town detective stories is trying to figure out how so many murders can take place in such a single tiny geographical area.

A wonderful supporting cast from the love of his life, to the confused gay curate, the talented detective and the prudish zealot of a housekeeper.

In the states it's presented as a part of Masterpiece Theater. Check it out and you'll start to feel really good about yourself as a person.