Vendetta

A low budget action b-movie extravaganza, nothing more and nothing less and it doesn't pretend like it's something more either so it works if you're in the right mind-frame and don't expect more than that.

All I wanted to see was Dean Cain as the good guy going vigilante-style and kicking some bad guys asses, and that's exactly what I got.

Could it have done without one or two twists? Yeah, could it have been a little tighter edited? Yeah, that too but overall a fairly entertaining movie.

I'm not a wrestling fan so I have no idea who 'The Big Show' is but he was better than you're average wrestler turned actor, at least in the role he was playing which was just a big bully bad-ass with a bad attitude.

I don't think he'll ever become as versatile as say 'The Rock' but hey, as far as this movie goes he did what was asked for, being the menacing bad guy.

It sort of has the feel of an Asylum-movie at some times (the movie company not the institution) but if it was an Asylum-movie it would be one of the better ones at least.

Yeah nothing amazing on any level but it served it's purpose.

Well maybe for some, but I reckon most will not consider the movie itself a big show ... now obviously I'm having some fun with ... wordplay. Paul Wight also known to many as the Big Show in the WWE is one of the main characters at hand here.

The movie itself is nothing you won't expect from an action thriller of its kind. I can only imagine that the Soskas (twin directing sisters) did this for the money, not because they had the idea to do a movie like that. Having said that, I reckon it can be fun to direct something like this. Not having to wonder too much what to do or where to go. The movie practically writes itself.

Not trying to put it down, some will have more fun with this than others of course. And putting TV Clark Kent in here might help too. I've seen him act in other independent productions, so when it is needed he is up to the task. Do not judge him from this one effort here. He can only do so much with the material he is given (as I noted with the directors too - and can be generally applied to this)

I haven't watched pro/fake wrestling since I was a child, so this movie was blah at best. It was completely unbelievable in almost every aspect.

I must say that Dean Cain actually did a good job acting though. Too bad there was nothing else worthy. This review requires no spoiler alert because you already know everything that is going to happen :]

If you like to make a drinking game out of scrutinizing movies for their errors, make sure you have plenty to drink! But watch out because there are actually some very gory scenes for a B action movie.

I did give it a 5 because it was kind of entertaining - I didn't feel the need to stop watching. To sum it up... If you really like WWE you will really like this. You'll probably like it if your IQ is below 100 as well.

Any steel-thewed cop vs. Elephantine goon actioner including the trusty workhorse line: 'You should have killed me when you had the chance!' has the potential to be an enjoyably thick-eared DTV time-waster, and happily we soon thug-deep in Seagal/JCVD wronged cop turning super wrong-headed jailbird with brooding Det. Danvers (Dean Cain) ferociously going head to pectorals with towering, roid-raging rapscallion Victor Abott (Paul 'The Big Show' Wight') in the Soska Sisters pleasingly old-school head-knocker 'Vendetta', with its myriad knuckle-dragging, jaw-busting fights culminating orgiastically in one bodaciously bloody, free-for-all prison yard riot! The stone-faced anti-hero Cain is wickedly vengeful as the single-minded, spike-fisted, increasingly sociopathic skell slayer and his towering, Tor Johnson-sized, permanently perspiring nemesis power-grunts his expletive monosyllables with a useful Baritone belligerence. 'Vendetta' is so deliciously 90s the glaring omission of a Hed PE track over one of the gore-slathered Laundry room is an almost unforgivable faux pas! The far from static film has a comfortably familiar aspect and the adrenalized fisticuffs, while not always perfectly executed are reliably plentiful, frequently grisly and should keep any shank-happy fight-freaks distracted until the next Scott Adkins beat-down epic comes out. I went into this with ZERO expectations and happily exited entertained and sometimes that's all I really want from a bruisingly bellicose, gang-banging, plasma-drenched B-movie.

Every shot in this film looks like a panel from a comic, and once I got into that vibe I was able to enjoy it; however, I had to get past the first act for that vibe to kick in-I cringed for nearly a full 40 minutes. The first act is jam-packed with clichés, boring plot, & bad acting, (I assume the film was shot in order because the acting gets better in some ways.) If you're looking for "passed-on CW pilot turned motion-comic feature film" energy, this is the film for you.

I know WWE whatever is the studio behind this film, and that's fine (I liked some of their films, Oculus (2013) in particular,) but if I wanted to watch pro-wrestling-style fight scenes I would just watch pro-wrestling.

Paul Wight, who plays the antagonist, Victor Abbott, is under-utilized. Everytime I saw that man I thought, "Yes, give me some of that Vincent D'Onofrio-Kingpin!," and everytime I was let down. The way Wight fights in this film evoked the weak-sauce, muted violence of the in-ring pro-wrestling matches so much that it was hard to not picture him in an André The Giant leotard while he snarls into the camera. It really took me out of the film to watch such a powerhouse merely push his victims to the side-I couldn't take it seriously, the stakes were nonexistent.

I will give the Soska Sisters credit for not forcing us to endure the violence against one of the few women characters in this film, however, the smash cut from such an obviously missed opportunity to homage The Texas Chainsaw Massacre (1974) to the such a gruesome finale to that confrontation was jarring and left me a bit confused. I was also a bit disappointed that she had to be fridged.

I do not like The Punisher, as a character, I never have. Dean Cain, who plays Mason Danvers, was able to keep my interest in the film by never going full-Punisher. (I don't know why but I got more of a Cyclops vibe and I like that for him, l've always been more of an X-Men gal anyway.) Something snapped inside the mind of Frank Castle, and that makes The Punisher who he is; however, Mason Danvers comes off as calculated and intentional, something other characters in the film seem to pick up on. Dean Cain did a really good job.

Michael Eklund, who plays a stereotypical, string-pulling prison warden, is in a totally different and much better film.

Even though the soundtrack was not my cup of tea, I did appreciate the use of music in the film.

Most of the dialogue was cliched nonsense and exposition. I wish I could have seen what motivated these characters, instead I was told. Even then those motivations were often ambiguous concepts rather than specific, character-defining motives.

Despite the resolution of the film being at the end of an all-out, chaotic prison-yard-brawl, it was anticlimactic enough that I out-loud ask, "that's it?!"