Kong: Skull Island

I usually don't comment on massively budgeted blockbusters, but "Kong: Skull Island" is such a joyfully tongue-in-cheek homage to giant monster B-movie cinema that I simply had to make an exception! This is a tremendously over-the-top and silly creature-feature, but the undemanding popcorn-entertainment value is just irresistible. The original King Kong, from 1933 already, is a monumental piece of cinema and still very powerful today. The more recent (2005) and expensive Peter Jackson remake was, at least in my humble opinion, a very boring and overlong romantic drama. "Kong: Skull Island" nicely falls right between these two extremes. By no means, it's great cinema, but at least it provides thrills, chuckles and adrenaline rushes from start to finish. The intro and scene-setting are already incredibly dumb, but oh so fun! We're supposed to believe that there exists a secret government agency (yes, another one) named Monarch, and their area of expertise is searching around the world for monsters and oversize animals. In 1973, The agency's CEO (an energetic John Goodman) benefices from the US-army's retreat out of Vietnam to recover soldiers and assets for a mission to the secretive Skull Island; a place where - and I quote - God left his creation unfinished.

"Kong: Skull Island" certainly doesn't waste any time! The helicopters have barely begun circling over the island, and there already emerges the humongous ape King Kong to slap them out of the sky like tiny ping-pong balls! The few remaining soldiers, led by the frustrated platoon leader Samuel L. Jackson, continue on foot and swear to destroy King Kong, but they soon learn that the island homes lots of other giant and unspeakably evil monstrous creations, and that Kong isn't even such a bad fella. It's a mission impossible to take this film seriously, but with the right mindset (and perhaps a few six-packs of beer) you'll have a great time. Seeing the story takes place in 1973 and has an abundantly clear Vietnam collection, it also somewhat feels like a long-feature "Tour of Duty" movie with a downright awesome 70s soundtrack. The special effects are cheesy and exaggerated, the dialogues are deliciously tacky ("hm, a mushroom...that means there must a river nearby!") and the casting is perfect. I already mentioned John Goodman and Samuel L. Jackson, but there's also John C. Reilly as the bewildered WWII veteran who's been stuck on the island since 1942.

Some people go to the movies to be wowed by the superb acting, heart wrenching and well written story, and overall solid production... THIS has good effects? The acting in this film isn't bad, but it definitely won't win any awards for it.

The story has characters Bill Randa (John Goodman) and Houston Brooks (Corey Hawkins) piggybacking on an expedition to an uncharted island to test their "hollow earth" theory. Tom Hiddleston plays a tracker, Brie Larson plays a photographer, and John C. Reilly plays a surprisingly funny WW2 vet marooned on Skull Island.

The film takes place in 1973 and loves to remind you with CCR and old technology as if it was a hundred years ago. Kong: Skull Island pays homage to Apocalypse Now quite frequently even though it seems a bit excessive at times.

Kong looked good, almost all the creatures looked cool and all the fights between them looked really good, especially in IMAX 3D. Some of the green screen effects, like backgrounds behind characters, were distractingly bad. Ultimately, you get some great stuff out of all the effects if you're not looking too closely.

The characters are more hollow than the earth (according to the film's characters themselves), the story is mediocre, but the effects reign king in this film adaptation.

My suggestion: See it! it's a blockbuster meant to fill seats, not win awards. Take it for what it is.

Seen at an advanced IMAX 3D screening in Minneapolis.

Looking back at old movies, the effects date quickly and they become rather cheesy in their simple pleasures. Someday I will do that with this film, because essentially it is a creature feature, albeit one that happens to be being delivered with the biggest stars, biggest budget, and state-of-the-art effects. And the thing is, despite all this superficial polish, the film is essentially big monsters and spectacle.

On this front it is enjoyable though; it has plenty of action, lots to look at, and a reasonably successful mix of humor and drama. I say reasonably, because the plot isn't up to much, and different characters seem to be in different films depending on who they are. This is matched by the performances which range from the silly fun (Reilly) to the stupidly OTT (Jackson) to the starry but bland (Hiddleston, Larson); the film doesn't seem to have a handle on what it wants to do, and the mix that it produces is not always successful, and it relies on big moments of action and noise to try and cover it. Perhaps at some point there was some smart commentary about US foreign policy in there, but that is lost in the mix too.

Still, it works as a monster movie with great effects and lots of polish, so enjoy it for that even if there is not too much beyond that.

The legendary King Kong returns in an all new adventure that gives the classic tale a much needed update and new setting. Unlike Perter Jackson's retelling of the original Black and White film, "Kong: Skull Island" eschews the old for the new and in doing so breathes a much needed new life and vitality into the franchise.

The film is set in 1973 when William Randa (John Goodman), informs the government that they have detected a previously unknown island and need to investigate it before the Soviets learn of it and beat them to whatever the island my hold.

William recruits a team which includes a former British officer named James Conrad (Tom Hiddleston), and Photographer Mason Weaver (Brie Larson), to assist his team lead by Houston Brooks (Corey Hawkins), in mapping the island.

William also asks for a military escort and the government enlists Lt. Colonel Preston Packard (Samuel L. Jackson), and his team to accompany the mission. Packard is trying to find his place in the world as he and his helicopter combat team are dealing with the recent end of the Vietnam War. His men are looking forward to going home and resuming their lives, but a dour Packard jumps at the chance for another mission over the uncertainty of the future.

Upon arriving on the mysterious island and starting their survey mission by using seismic charges, the team attract the attention of Kong who is not at all pleased with the intrusion on his island. Kong makes short work of the copters and the team finds themselves scattered about the dangerous island. They soon learn that Kong is not the only danger on the island and must find a way to rejoin each other and make it to their extraction point alive.

Naturally some of the characters have a hidden agenda and there are dangerous and action around every corner. Further complicating matters is the appearance of Marlow (John C. Reilly), a downed WWII pilot who has been stranded on the island for 23 years and warns of dangers far greater than Kong that are ahead of the team.

The film combines a solid cast with state of the art special effects to take a new twist on the standard adventure fare. While many parts of the film remain silly Popcorn entertainment, the quality of the assembled cast allows the film to move beyond being just an assembly of potential victims for a menagerie of CGI creatures to dispatch. While the story is more in lines with the linear and thin plots of adventure films of old, the sum of the parts does add up to an enjoyable film experience for those who like the giant creature films. You will want to make sure to stay after the credits as there is a very good scene that shows a setup for a future film that had those in attendance at our press screening cheering.

The film may be a bit intense for younger viewers but if you are looking for a touch of nostalgia and action, you may find the film just what you need.

3.5 stars out of 5.

Any movie, or anything, really, that keeps my attention is good. Although I didn't really like the orange tinge everything seems to have in the very beginning, the technical side improves dramatically as the film progresses.

It takes place in 1973, just after the Americans "abandoned" the Vietnam War (according to Samuel L Jackson's Preston Packard character). The 70's production design is good and brings me back to my childhood (the soundtrack was awesome with plenty of 70's hits), although you don't see much of the 70's vibe after the first 20 minutes or so. The CGI is very good and doesn't make me feel like I'm playing a video game. This movie is like Jurassic Park meets Godzilla and they had a baby called Platoon and it grew to become a mash-up of the three of them with its own uniqueness called Kong: Skull Island.

Just under two hours in length and "hold onto your butts" and watch the credits.

My favourite quote from the movie is, "A camera is more dangerous than a gun." Seems like SLJ get's all the good lines.