IMDb-BEWERTUNG
7,3/10
40.554
IHRE BEWERTUNG
Ein Bericht über die Romanze zwischen dem General Maratha, Baji Rao I und Mastani, Prinzessin von Bundelkhand.Ein Bericht über die Romanze zwischen dem General Maratha, Baji Rao I und Mastani, Prinzessin von Bundelkhand.Ein Bericht über die Romanze zwischen dem General Maratha, Baji Rao I und Mastani, Prinzessin von Bundelkhand.
- Auszeichnungen
- 91 Gewinne & 61 Nominierungen insgesamt
Priyanka Chopra Jonas
- Kashibai
- (as Priyanka Chopra)
Sukhada Khandkekar
- Anutai
- (as Sukhda Abhijeet Khandkekar)
Anuja Sathe
- Bhiutai
- (as Anuja Anil Sathe)
Swarali Marathe
- Jhumri
- (as Swarangi Mukund Marathe)
Snehlata Vasaikar
- Bhanumati
- (as Snehalata Vasaikar)
Empfohlene Bewertungen
90U
Bollywood reached its cinematic greatness in Bajirao. The sequence, the camera work and story telling at its best. All the actors' performance were notable. Very well put together. Bajirao Mastani just set new standards in Bollywood industry. Nothing recent comes close.
Seriously, I was expecting more from Deepika Padukone in Bajirao Mastani since she is one of the eponymous character in this movie and she can be called this generation's female Bollywood superstar no doubt after her brilliant outing in Piku and Tamasha. Sadly, Deepika failed to live up to my expectations. Her dialogue delivery is so weak in some scenes and her dance in the "rang do mohe lal" song just lacks the charm and grace. She seems like a complete misfit for the role of Mastani and looks too tall and modern to be able to carry off the royal look. Deepika just made me feel the need of the supremely talented Aishwarya Rai in many scenes. She just doesn't have varied expressions. Her last scene with her son where she tells him to go with the guards was supposed to melt our hearts. But sadly, it does not. Deepika just seems to be struggling with her emoting abilities. Also, her face when she gets out of a palanquin induces a laugh from audience. Wooden expression at its best! Surprisingly, it's Priyanka Chopra who stole the show from under Deepika's nose despite being a supporting (or is it?) character. Her confusion, anger and jealousy after learning of her husband and Mastani's (Deepika) love is really well etched. Priyanka seems to have developed a knack for stealing the show in every single movie of hers. With this movie, the stage is all set for Ranveer Singh to claim the throne of this generation's super star from the Khan trio. This guy is just something else. The way he masters the Marathi accent and the fight scenes is just wow! No one can be Bajirao other than Ranveer! He nails it like a pro. The only sore thumb of this movie is sadly Deepika Padukone! It's really sad how she ends up being overshadowed despite being the central character. Even Tanvi Azmi as Bajirao's mother gives a strong account of herself but Deepika simply fails to do so!
Watched Bajirao Mastani. Must say I was disappointed. Not because the movie was bad. By any standard of cinematography and direction, it was tremendously beautiful, but then which SLB's movie isn't? Perhaps I had raised the bar for it in my mind too high?
Here's my gripe with the movie: 1. Editing: very shoddy. Scenes just jumped around with little to no transition. There seem to be two stories told in the movie, the triangle love story and the battles. There was no fluidity in the editing between the two. 2. Bajirao and Mastani: in terms of acting, everyone did a good job. However, I felt like I have seen Deepika as Mastani in other movies as well. She was really good but I wanted to see a phenomenal performance (high expectations). Ranvir's acting is probably his career best but it still falls short in a few scenes. Some of it looks forced and tedious. Coming to the characters of these two, it's hard to like a movie and connect with it when you don't feel empathy for the leading characters. The two love struck characters are clearly shown in grey. It is difficult to feel sorrow for the ailing couple when you know that their affair has caused pain to a loving wife. This made me most uncomfortable. When the narrator proclaimed their love as eternal, it didn't resonate with me as their love was infidelity on Bajirao's part. 3. Unnecessary songs: SLB has a knack for incorporating beautiful, visually stimulating songs into his movies. This one is no exception. However, there are a couple of songs like Pinga and Bajirao and boys' celebratory song which stuck out like a sore thumb in terms of placement in the movie. 4. Rushed ending: don't want to get into details and spoil the ending but it looked like SLB was tired of 12 years of thinking and making the movie and he just ended it. 5. Striking similarity to Devdas and a little bit of Jodhaa Akbar: this one may just be me, partly because Devdas is one of my favorite movies of all time and also because I have watched it more than a dozen times. BM has so many similar themes as Devdas. Take the premise of two women longing for love of their man (I agree this is a pretty common theme), the ethereal dialogues, the widowed mother who seems to be a thorn in B and M's love saga, the choreographed duet song-dance spectacle with Mastani and Kashibai, the eventual fall into intoxication of Bajirao (there's even a scene with him in water very much like Devdas towards the end), war strategy inspired by Jodhaa Akbar, the mirror hall song reminds me of maar dala and kaahe ched, etc.
Having said all the above, I still think it is a good movie, just not SLB's best.
Watch it for Priyanka's brilliant acting as the forgotten Kashibai in a small but significant role. She delivers her lines in full flow, tugs at your heartstrings and makes you feel her pain. Watch it for a beautiful coming together of spectacular costumes and set design, grand music and choreography, larger than life dialogues and theme. Watch it for the movie it is, just don't believe the hype or you're bound to be disappointed. 3/5.
Here's my gripe with the movie: 1. Editing: very shoddy. Scenes just jumped around with little to no transition. There seem to be two stories told in the movie, the triangle love story and the battles. There was no fluidity in the editing between the two. 2. Bajirao and Mastani: in terms of acting, everyone did a good job. However, I felt like I have seen Deepika as Mastani in other movies as well. She was really good but I wanted to see a phenomenal performance (high expectations). Ranvir's acting is probably his career best but it still falls short in a few scenes. Some of it looks forced and tedious. Coming to the characters of these two, it's hard to like a movie and connect with it when you don't feel empathy for the leading characters. The two love struck characters are clearly shown in grey. It is difficult to feel sorrow for the ailing couple when you know that their affair has caused pain to a loving wife. This made me most uncomfortable. When the narrator proclaimed their love as eternal, it didn't resonate with me as their love was infidelity on Bajirao's part. 3. Unnecessary songs: SLB has a knack for incorporating beautiful, visually stimulating songs into his movies. This one is no exception. However, there are a couple of songs like Pinga and Bajirao and boys' celebratory song which stuck out like a sore thumb in terms of placement in the movie. 4. Rushed ending: don't want to get into details and spoil the ending but it looked like SLB was tired of 12 years of thinking and making the movie and he just ended it. 5. Striking similarity to Devdas and a little bit of Jodhaa Akbar: this one may just be me, partly because Devdas is one of my favorite movies of all time and also because I have watched it more than a dozen times. BM has so many similar themes as Devdas. Take the premise of two women longing for love of their man (I agree this is a pretty common theme), the ethereal dialogues, the widowed mother who seems to be a thorn in B and M's love saga, the choreographed duet song-dance spectacle with Mastani and Kashibai, the eventual fall into intoxication of Bajirao (there's even a scene with him in water very much like Devdas towards the end), war strategy inspired by Jodhaa Akbar, the mirror hall song reminds me of maar dala and kaahe ched, etc.
Having said all the above, I still think it is a good movie, just not SLB's best.
Watch it for Priyanka's brilliant acting as the forgotten Kashibai in a small but significant role. She delivers her lines in full flow, tugs at your heartstrings and makes you feel her pain. Watch it for a beautiful coming together of spectacular costumes and set design, grand music and choreography, larger than life dialogues and theme. Watch it for the movie it is, just don't believe the hype or you're bound to be disappointed. 3/5.
Okay, one can expect exactly that with a Sanjay Leela Bhansali. The man sure knows his stuff when it comes to photography and even when something is lacking in the storytelling department, this remains an almost inconsequential detail by the end of the show. This was true for previous Bhansali productions, including Devdas, which was actually a good film in and of itself, while my personal favourite in this regard is probably Saawariya, which was so overwhelmingly stunning I could watch it anytime just for how beautiful it is to look at. Bajirao Mastani is an epic romance, and it definitely works in both story and execution, but it's not a tremendous show as it never really manages to tug at the heartstrings despite its strong story. I wish I could allow myself to get more involved in the story and feel more for the characters and their travails, but it didn't really happen, also probably due to the fact that it's an epic, distant and larger-than-life style of execution, but more because it lacked some depth here and there.
But again, the visuals, oh the visuals - Bhansali is a true craftsman in this regard, and no one can take it from him. The amazing setting, the props, cinematography, the lighting, the extraordinary, impeccable attention to detail, the symmetry, make for a visual treat the kind of which you rarely see. What about the film itself, you ask? Well, it's interesting and captivating, and the music is phenomenal as well. The three leads are really good, particularly Chopra who gets the meatiest part of a woman driven by jealousy, ego, in spite of which she finds room in her heart for compassion and forgiveness. Deepika is stunning, and Ranveer Singh is a good lead whose every expression is clearly carefully thought out before. It also has a phenomenal Tanvi Azmi whose every turn over the past decade has been impressive. At the end of the day, Bajirao Mastani provides viewers with exactly what they want - entertainment and aesthetic delight, and in this regard, the film is a delightful cinematic experience. Pure delight.
But again, the visuals, oh the visuals - Bhansali is a true craftsman in this regard, and no one can take it from him. The amazing setting, the props, cinematography, the lighting, the extraordinary, impeccable attention to detail, the symmetry, make for a visual treat the kind of which you rarely see. What about the film itself, you ask? Well, it's interesting and captivating, and the music is phenomenal as well. The three leads are really good, particularly Chopra who gets the meatiest part of a woman driven by jealousy, ego, in spite of which she finds room in her heart for compassion and forgiveness. Deepika is stunning, and Ranveer Singh is a good lead whose every expression is clearly carefully thought out before. It also has a phenomenal Tanvi Azmi whose every turn over the past decade has been impressive. At the end of the day, Bajirao Mastani provides viewers with exactly what they want - entertainment and aesthetic delight, and in this regard, the film is a delightful cinematic experience. Pure delight.
Bajirao Mastani is sheer brilliance! An epic film that leaves you wanting for more.Realism as a word and theme remains obsolete in the exquisitely crafted world of Sanjay Leela Bhansali's fantasies.Visuals are elephantine.his characteristic style narrates his version of the story in a Mughal-e-azamesque scale of grandiosity, replete with breathtakingly beautiful sets (by Bhansali, Sujit Sriram and Saloni) elaborate and well thought of costumes and accessories (by Anju Modi) and dreamy cinematography. music, screenplay, acting, dialogues and the beautiful story of 3 complex characters - everything is magnificent and spectacular! This movie is poetry in motion, easily one of the most epic tales in Indian history being translated in such a classy yet relatable manner on screen! Each scene and each dialogue gets the viewers completely hooked! People were involved and taken back into the 18th century - such was the appeal of the movie! Ranveer is unbelievable & superlative as Bajirao. Priyanka chopra is amazing & Deepika padukone is just wow! This was your most nuanced performance till date !! Excellent .. !!
Wusstest du schon
- WissenswertesA passion project for director Sanjay Leela Bhansali since the 1990s, even before he made his directorial debut, Khamoshi: The Musical (1996). The film was first announced in 2003. Bhansali initially wanted to cast Salman Khan and Aishwarya Rai Bachchan, his lead pair from Ich gab Dir mein Herz, Geliebter (1999), as the lead actors, with Bhoomika Chawla playing Kashibai, but his plans fell through when the real-life couple had a messy, highly-publicized breakup. Bhansali kept Khan on and approached Kareena Kapoor to play Mastani and Rani Mukerji to play Kashibai but shelved his plans and moved on to other projects after Khan and Kapoor both signed on to star in Schicksalhafte Liebe (2005), as he had wanted to be the first director to unite the pair, as he stated on the talk show Sanjay Leela Bhansali & Aishwarya (2004). Over the following decade, Bhansali kept expecting the project to be his next film, with several major actors being approached or rumored to be linked to the project, including Shahrukh Khan, Ajay Devgn, Hrithik Roshan and Katrina Kaif, while some in the industry believed it would never be made, calling it jinxed. The project was finally properly revived in 2014 when Bhansali finally decided on his lead actress from Mary Kom (2014), Priyanka Chopra Jonas, and his lead pair from Goliyon Ki Raasleela Ram Leela (2013), Ranveer Singh and Deepika Padukone.
- PatzerWhen Mastani arrives at her new home, Mastani Mahal, while Bajirao is calling his brother, at 1:42:44 the water from the left's fountain freezes midair showing a CGI goof.
- VerbindungenFeatured in 61st Britannia Filmfare Awards (2016)
- SoundtracksDeewani Mastani
Written by Siddharth Singh, Garima Wahal, Ganesh Chandanshive and Nasir Faraaz
Produced by Sanjay Leela Bhansali
Performed by Shreya Ghoshal, Ganesh Chandanshive, Mujtaba Aziz Naza, Shadab Faridi, Altamash Faridi and Farhan Sabri
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Details
Box Office
- Budget
- 1.250.000.000 ₹ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 6.557.047 $
- Eröffnungswochenende in den USA und in Kanada
- 1.744.975 $
- 20. Dez. 2015
- Weltweiter Bruttoertrag
- 11.351.628 $
- Laufzeit2 Stunden 38 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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What is the Japanese language plot outline for Bajirao & Mastani - Eine unsterbliche Liebe (2015)?
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