Ein junges Mädchen, das nichts zu verlieren hat, schließt sich einer Gruppe von Außenseitern an, die als Zeitschriftenvertreter kreuz und quer durch den Mittleren Westen reisen, und gerät da... Alles lesenEin junges Mädchen, das nichts zu verlieren hat, schließt sich einer Gruppe von Außenseitern an, die als Zeitschriftenvertreter kreuz und quer durch den Mittleren Westen reisen, und gerät dabei in einen Strudel wilder Parties, Betrügereien und erster Liebesabenteuer.Ein junges Mädchen, das nichts zu verlieren hat, schließt sich einer Gruppe von Außenseitern an, die als Zeitschriftenvertreter kreuz und quer durch den Mittleren Westen reisen, und gerät dabei in einen Strudel wilder Parties, Betrügereien und erster Liebesabenteuer.
- Nominiert für 1 BAFTA Award
- 13 Gewinne & 43 Nominierungen insgesamt
Crystal Ice
- Katness
- (as Crystal B. Ice)
Veronica Ezell
- QT
- (as Verronikah Ezell)
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American Honey follows a young woman as she embarks on a road trip of sorts with a bunch of hippies as they try to swindle their lives away in hopes of living in the purest of utopias. It is an indie film through and through. Everything from the story to the look reeks of an independent production which really intrigued me from the minute American Honey started. Despite this everlasting and enthralling feeling of watching pure art in the way of the indie eye as seen through director Andrea Arnold, I can't help but shake the feeling that this film could have been more. To start off, there really isn't anything terrible or bad about the film outside of its indulging and bloated running time of close to 3 hours. The acting is great, the cinematography is amazing, the soundtrack is arguably perfect and the story (while being paper thin) is acceptable. The biggest enemy the film has is itself. The editing is probably my biggest issue with the film because it ends up damaging the story through this overbearing and extremely indulgent pacing. At times, there are moments where the film is unrelenting. You can't wait to see what happens next. Then there are other moments that move so slow that you question whether or not to get up and stretch your legs. It ends up being a very frustrating film to watch because anyone can see that there is an undeniable masterpiece underneath the running time. A timeless story of youth and innocence is lost in a barrage of fire pit songs, drug fueled rage and useless character traits that end up being lost or muddled in, what felt like, an assembly cut of the film. Despite this, Andrea Arnold has a very keen eye and a natural ability to make her characters feel real even if the film is as boring as the average person. Whether or not this is what Andrea Arnold was going for, I have no idea. Overall, American Honey is a film that will most certainly test the patience of its audience but those who are fans of Arnold's Fish Tank, or just simply fans of character studies or coming of age stories, American Honey will certainly leave you feeling satisfied.
Much of Andrea Arnold's American HONEY reminds me of Larry Clark's 1995 film, "Kids," struggling adolescent years, but American HONEY is much more nuanced in that on one hand you have this somewhat social commentary about how we are the richest nation in the world and yet so many of our teens live in poverty and they have to hustle and do certain demeaning things just to get by, just to survive, just to feed themselves. On the other hand, you could see American HONEY from the perspective of the characters and the impressive way in which they organize, you can see their selling and marketing skills, despite it being a scam and rough around the edges. They're doing what wall street does basically but on a smaller, smaller, way smaller scale.
Sasha Lane plays free spirited teenage named star who leaves her troubled trashy home to go on a road trip with traveling laborers her age, they go from town to town, door to door, to sell magazines. Riley Keough plays Krystal, the leader of the crew, and Shia LaBeouf plays Jake, who recruits new members. There's freedom and hard partying that come with this life, Star doesn't essentially agree with some of the group's methods, although young love and jealousy ultimately motivate Star to bend her own morality rule just to prove herself.
Firstly, just a heads up, this movie is 163 minutes long, probably not quite as long as those "Hobbit" movies but definitely one that you'd have to be willing to set aside a big chunk of your evening for, should you want to check out this film. I have to give credit to writer/director Andrea Arnold, not only for this raw depiction of American youth living on the margins, but also the casting decisions, the actors in this film are so convincing, in terms of their looks, their attitude and the way they carry themselves, you start to wonder if they really do live on the margins. Many of the moments in the film are spent on the characters bonding, so it seems that, and I'm assuming, cinematographer Robbie Ryan had to sit inside that van and operate the camera around as one character has their dialogue with another, and it's already crowded as it is, it'd be interesting to see behind-the-scenes video on how they pulled that off.
Arnold is not focusing on income disparity in the inner cities, nope, American HONEY showcases income disparity out in the plain fields of the American midwest. But this isn't some kind of poverty extravaganza either like "Winter's Bone," or "Slumdog Millionaire," the characters in American HONEY get by, they do OK one day at a time, but they undergo unforgiving journeys through suburban sprawl through small towns clearly affected by economic downturn, and you see the resilience in their hearts. You may disagree with their methods, some might even see it as dangerous but what can a fractured, abandoned life can do but to fill the cracks however way they can. They're still teenagers going through crushes and heartbreaks, your usual teenage ordeals, but they're also in a situation where they're forced to be independent adults faster, and Andrea Arnold beautifully captures all of that in American HONEY.
-- Rama's Screen --
Sasha Lane plays free spirited teenage named star who leaves her troubled trashy home to go on a road trip with traveling laborers her age, they go from town to town, door to door, to sell magazines. Riley Keough plays Krystal, the leader of the crew, and Shia LaBeouf plays Jake, who recruits new members. There's freedom and hard partying that come with this life, Star doesn't essentially agree with some of the group's methods, although young love and jealousy ultimately motivate Star to bend her own morality rule just to prove herself.
Firstly, just a heads up, this movie is 163 minutes long, probably not quite as long as those "Hobbit" movies but definitely one that you'd have to be willing to set aside a big chunk of your evening for, should you want to check out this film. I have to give credit to writer/director Andrea Arnold, not only for this raw depiction of American youth living on the margins, but also the casting decisions, the actors in this film are so convincing, in terms of their looks, their attitude and the way they carry themselves, you start to wonder if they really do live on the margins. Many of the moments in the film are spent on the characters bonding, so it seems that, and I'm assuming, cinematographer Robbie Ryan had to sit inside that van and operate the camera around as one character has their dialogue with another, and it's already crowded as it is, it'd be interesting to see behind-the-scenes video on how they pulled that off.
Arnold is not focusing on income disparity in the inner cities, nope, American HONEY showcases income disparity out in the plain fields of the American midwest. But this isn't some kind of poverty extravaganza either like "Winter's Bone," or "Slumdog Millionaire," the characters in American HONEY get by, they do OK one day at a time, but they undergo unforgiving journeys through suburban sprawl through small towns clearly affected by economic downturn, and you see the resilience in their hearts. You may disagree with their methods, some might even see it as dangerous but what can a fractured, abandoned life can do but to fill the cracks however way they can. They're still teenagers going through crushes and heartbreaks, your usual teenage ordeals, but they're also in a situation where they're forced to be independent adults faster, and Andrea Arnold beautifully captures all of that in American HONEY.
-- Rama's Screen --
People tend to hate something that is different, that is a fact. This movie is different, so do not expect to compare with any other movie. In my opinion if you watch this just for pleasure, you will enjoy the ride. The acting is so real, cinematography is great and also both lead actors. The plot is... there is not a real plot so just try to understand the message, try to be openminded and consequently try to love something different. This is not Twilight.
But it's well done and I like that it's dialogue was mostly unscripted and most of the actors are real people taken from the streets. It felt like a real dysfunctional road trip with some interesting characters. Pretty raw at times.
Andrea Arnold's "American Honey" is a bold and ambitious film filled with good performances, and for the most part I like this film, but boy does it have a ton of pitfalls. "American Honey" is repetitive, bombastic, overlong, and filled with unlikable characters, and most of the repetitiveness comes from these characters constantly listening to and singing to rap music in their white van. Sitting through 2 hours and 43 minutes of this film felt more like a chore than a cinematic experience. I'm looking forward to what Andrea Arnold has in store for us next, I truly am, and hopefully her next film won't be as preposterously long as this.
Wusstest du schon
- WissenswertesDirector Andrea Arnold wanted to work with unknown actors. She would often approach teenagers on the street whom she thought would be good for the movie, and hold impromptu auditions in parking lots.
- PatzerWhen Star reacts to stepping into the pool of blood in the field next to the road, she removes her satchel. The satchel reappears in its original position towards the end of the scene.
- Crazy CreditsThe closing credits, after the lead actor names, consist of a list of names, alphabetized by first name, with no indication of whether they are crew or cast -- no job titles or character names. And there are no opening credits.
- VerbindungenFeatured in Breakfast: Folge vom 16. Oktober 2016 (2016)
- SoundtracksBounce It
Written by Wale (as Olubowale Victor Akantimehin), Trey Songz (as Tremaine Neverson), Dr. Luke (as Lukasz Gottwald), Jacob Kasher (as Jacob Kasher Hindlin), Cirkut (as Henry Russell Walter), Ethan Lowery and Juicy J (as Jordan Houston)
Published by WB Music CORP. (ASCAP), Dead Stock Music (ASCAP), WarnerTamerlane Publishing CORP. (BMI and April's Boy Music, LLC (BMI) - All rights on behalf of itself and Dead Stock Music (Admin. by WB Music CORP)
All rights on behalf of itself and April's Boy Music, LLC (Admin. by Warner-Tamerlane Publishing CORP) / Prescription Songs LLC, Cirkut Breaker LLC, Kasz Money Publishing and Kobalt Music Publishing Ltd (Admin. by Kobalt Music Publishing Ltd) / BMG Rights Management
(c) 2013
Performed by Juicy J featuring Wale and Trey Songz
Courtesy of Sony Music Entertainment Inc.
Used with permission. All rights reserved.
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Box Office
- Bruttoertrag in den USA und Kanada
- 663.246 $
- Eröffnungswochenende in den USA und in Kanada
- 71.203 $
- 2. Okt. 2016
- Weltweiter Bruttoertrag
- 2.888.927 $
- Laufzeit2 Stunden 43 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.37 : 1
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