Die Geschichte echter Menschen mit echten Problemen und ihren einzigartigen Wegen zur Entdeckung des Glaubens an Jesus erzählt.Die Geschichte echter Menschen mit echten Problemen und ihren einzigartigen Wegen zur Entdeckung des Glaubens an Jesus erzählt.Die Geschichte echter Menschen mit echten Problemen und ihren einzigartigen Wegen zur Entdeckung des Glaubens an Jesus erzählt.
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Like another reviewer, I got hyped about the title and trailer content hoping for a sobering satire on the gimmickry of American evangelicalism. But I'm not sure this effort isn't about 20 years late. The mid to late 90's were especially laden with style driven controversies as so many churches were transitioning away from "traditional" worship styles toward a "contemporary" style.
The early adopters of not only contemporary worship style but felt-needs driven, socioeconomically profiled, ministry that blew up into mega churches are kind of a thing of the past. The current threat to the sincere presentation of the gospel message in churches now is something different i.e. Progressivism, technocracy, mysticism e.g. Soul soaking, wokism etc. This would present a considerable writing challenge but is a far more timely theme.
But that aside, this film has big issues as it is. The acting was mostly bad. Another reviewer mentioned the script being trash. I have to agree. But I think some of it could have been salvaged by some different writing/directing decisions. For example, way too much onscreen time was devoted to a weak plot vector having to do with stopping the crucifixion stunt itself. It may seem counterintuitive, but this stunt should not have been the main focus anymore than it was the real problem the characters needed to solve.
The problem for the antagonist is the appetite the church has for the stunts and gimmicks but the plot was consumed with stopping a gimmick. This needed to happen but the onscreen time was disproportionate toward this effort and only a tiny bit right at the end was devoted to the change of heart by the pastor which was hard to buy in to.
The scene with Guy's daughter was very poorly conceived. This is an example of the writing/direction decision making I was referring to. This was just half-baked. She walks in, announces she is his daughter and he is just like "Sup?" This was an opportunity for some real acting and deserved to have some of the awkwardly long Tino screen time shifted toward it.
Stephen Baldwin's character was just plain weird.
William Baldwin's talent was wasted talent on his brief role. Could have used him for the lead and had Thor play a supporting role? Maybe he was offered this but passed on it?
The Blaze character was too flaky. This made it impossible for any real enlightenment to occur with him.
I am a big supporter of Christian film. I can forgive a lot but I paid $20 to watch this via SalemNow. I am very disappointed. I can't let you off the hook just because your heart was in the right place.
The early adopters of not only contemporary worship style but felt-needs driven, socioeconomically profiled, ministry that blew up into mega churches are kind of a thing of the past. The current threat to the sincere presentation of the gospel message in churches now is something different i.e. Progressivism, technocracy, mysticism e.g. Soul soaking, wokism etc. This would present a considerable writing challenge but is a far more timely theme.
But that aside, this film has big issues as it is. The acting was mostly bad. Another reviewer mentioned the script being trash. I have to agree. But I think some of it could have been salvaged by some different writing/directing decisions. For example, way too much onscreen time was devoted to a weak plot vector having to do with stopping the crucifixion stunt itself. It may seem counterintuitive, but this stunt should not have been the main focus anymore than it was the real problem the characters needed to solve.
The problem for the antagonist is the appetite the church has for the stunts and gimmicks but the plot was consumed with stopping a gimmick. This needed to happen but the onscreen time was disproportionate toward this effort and only a tiny bit right at the end was devoted to the change of heart by the pastor which was hard to buy in to.
The scene with Guy's daughter was very poorly conceived. This is an example of the writing/direction decision making I was referring to. This was just half-baked. She walks in, announces she is his daughter and he is just like "Sup?" This was an opportunity for some real acting and deserved to have some of the awkwardly long Tino screen time shifted toward it.
Stephen Baldwin's character was just plain weird.
William Baldwin's talent was wasted talent on his brief role. Could have used him for the lead and had Thor play a supporting role? Maybe he was offered this but passed on it?
The Blaze character was too flaky. This made it impossible for any real enlightenment to occur with him.
I am a big supporter of Christian film. I can forgive a lot but I paid $20 to watch this via SalemNow. I am very disappointed. I can't let you off the hook just because your heart was in the right place.
I like being supportive of faith-based films and I love a good comedy, and Church People is both! Making the Gospel the main thing is important whether you're a small church or a mega church and bringing that message with humor makes it all the more memorable.
Funny ?, but with everything going on in the world , religion is best left alone . It will have something for some people though .
I really wanted to enjoy this. What a waste of a good premise. After 20 years in a church like the one portrayed here, I thought it might be worth a viewing.
Fellow Christians, please stop giving bad movies high scores simply because they have Christian themes. All that does is encourage more bad Christian movies.
Much of this movie felt like it was written at a church staff retreat after a night of sleep-deprivation. The plot was formulaic and the punchlines easy to see coming. The characters had no depth and their quirks were more cringe-inducing than endearing.
It was sad to see Donald Faison's life sucked out of him with this role.
You could see his eyes closing over a little more each time he was onscreen. The cheesy exit of his character was so lame I'm suprised they didn't take him out to the pasture shoot him afterward.
Fellow Christians, please stop giving bad movies high scores simply because they have Christian themes. All that does is encourage more bad Christian movies.
Much of this movie felt like it was written at a church staff retreat after a night of sleep-deprivation. The plot was formulaic and the punchlines easy to see coming. The characters had no depth and their quirks were more cringe-inducing than endearing.
It was sad to see Donald Faison's life sucked out of him with this role.
You could see his eyes closing over a little more each time he was onscreen. The cheesy exit of his character was so lame I'm suprised they didn't take him out to the pasture shoot him afterward.
I am sure there are tons of talented christian artists, and faith is a unending provider of great subjects. So why do we keep getting these terrible movies?
Where are the christian movie makers and writers that would put faith as part of a great film, or even just a good film. A film that doesn't need to preach, a film that could allow people of faith to be self-mocking without being deriding or self-satisfying without being indulgent. Or films that could still tackle issues without being endlessly militant. It can be done, see for instance the french "coexister" or "of god and men", very different but equally great, or even Terence Malick's "the tree of life".
And maybe it is not an issue with artists but with financing and distribution, but whatever the cause, this is another good premise wasted on a very very poor result.
Where are the christian movie makers and writers that would put faith as part of a great film, or even just a good film. A film that doesn't need to preach, a film that could allow people of faith to be self-mocking without being deriding or self-satisfying without being indulgent. Or films that could still tackle issues without being endlessly militant. It can be done, see for instance the french "coexister" or "of god and men", very different but equally great, or even Terence Malick's "the tree of life".
And maybe it is not an issue with artists but with financing and distribution, but whatever the cause, this is another good premise wasted on a very very poor result.
Wusstest du schon
- WissenswertesOriginal title for the film was "Youth Group"
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