City Lights

Citylights marks the collaboration of Vishesh Films and the award- winning duo of Shahid fame, director Hansal Mehta and actor Rajkummar Rao. The camp which has an enviable legacy of films portraying realistic issues and the harsh veracities of life adapts the subject from Sean Ellis's much celebrated flick 'Metro Manila'. With an unflinching inside-look at the harrowing experiences of a poor family which migrates to the maximum city for a better life, Mehta jolts the comforted.

Deepak Singh, played by Rajkummar Rao, is a poverty-stricken farmer who moves to Mumbai along with his wife,Raakhi(débutante Patralekha) and daughter Mahi with a hope for better survival. Little does he know that life is not a bed of roses, he gets duped by tricksters upon his arrival and even spends nights on the pavements. Penury forces Raakhi to take up the job of a bar girl while Deepak, trying his hands at daily wage work, eventually lands a job in an armored truck company. He befriends his seemingly compassionate superior Vishnu Sir(Manav Kaul)whose arrival signals a downward spiral for him. Mehta constructs this socially poignant drama with vivid moments only to culminate the story with a devastating end, while surreptitiously carving its way to become a thriller.

Maintaining dim-light atmospherics(Shahid Deja-vu) which gels with the mood of the plot, his treatment has a docu-drama feel. Yet the director is never impassioned. The selection processes of the protagonists for their respective jobs provides space for humor and giggle amidst the raw cruelty that they face in their daily fight for existence. Jeet Ganguly's music(a little overdone with those background scores) augments the proceedings to permeate the emotionally walled-up zones of our minds.

Lending emotional heft to the plot, Rajkummar Rao approaches his character with so much of realism that's bound to leave your feet numb. The phenomenally talented actor overcomes the lacunae evident in the form of no pressure-cooker urgency or repetitive maneuvers to project grimace.Patralekha pitches in with a sterling performance and makes her suffering palpable.Manav Kaul, who was last seen in Kai Po Che, is the real surprise package( Rajkummar and Manav teamed in Kai Po Che as well !)- quite unassuming yet ballistic.

There were days when parallel cinema reckoned with names like Bimal Roy, Satyajit Ray and Guru Dutt. Citylights discreetly takes us back to those good old times where filmmakers put the truths on the table with unapologetic ferocity. Quite heavy and gut-wrenching, yet it has a soul.

4/5 Insanely brilliant. Extremely poignant. True to life. These expressions spring up in my mind as I begin to write this review. You see, I am still recovering from the emotional, thrilling and dramatic sledgehammer which is Citylights. To put it plainly, this is the most consistently brilliant Hindi movie I have watched in all of 2014. I was hooked from the first frame and loved the unpredictable turns the script took. The worst and the best of human nature are vividly portrayed throughout the length of Citylights and it makes for some heart rendering and some truly uncomfortable moments. It casts light on the plight of the rural migrant who comes to the city with high hopes. The contrast between the humane behavior of the so called vulgar elements of the society and the coldness, aloofness and predatory nature of the venerated high society is masterfully displayed.

The acting is as good as it gets. Raj Kumar is easily the best new actor in Hindi industry. He gives a superlative follow up performance to his class act in Shahid. The debutante Patralekha matches him and even manages to outshine him in some scenes. This has the best kind of music, which propels the story forward rather than acting as an impediment to the story telling. Hansal Mehta, the director, deserves the highest praise for acting on his vision and making his second path breaking film (after Shahid) in two years. This is one of those films which helped me reaffirm my faith in the present of Hindi cinema. I loved it.

Great story line as well as star cast. Good screen play. Acting is really heart touching. Such a great movie to watch.

Rajkumar Rao once again scores high in this film. Really gripping story and cinematography with a flavour of excellent acting makes this movie worth watching.

Citylights re-unites the director actor duo Hansal Mehta & Rajkumar Rao after a superb "Shahid" which won each of them the National Award this year.CityLights Citylights is an adaptation of 2013 Award winning movie "METRO MANILA" directed by Sean Elllis and Hansal Mehta does complete justice to the original. The story is credited to Sean Ellis the original writer of METRO MANILA; the adapted screenplay is by Ritesh Shah. Ritesh stays true to the original but adapts it to the Indian context of people from smaller towns who migrate to the city of dreams Mumbai expecting to make a better living. Just a piece of advice if you are looking at an entertaining movie then this is definitely not the right choice.

Citylights is the story of Deepak (Rajkumar Rao) and Rakhee (Patralekha) who come to Mumbai from Rajasthan to make a better living but become victim of the shrewd reality of city life. The story by Sean Ellis captures the pathos of a small town guy well in his story and Ritesh's screenplay captures the nuances well. At times the movie's pace becomes sluggish especially during song sequences which was unnecessary. Some of the sequences are very well written albeit I felt the climax was a bit hurried and could have been presented well.

It is the performances which make the movie memorable. Rajkumar Rao gives another brilliant performance. His portrayal of Deepak Singh is so realistic that you wonder whether he is really acting. The Dialect to the body language is all up to the mark. Another superb performance is of Manav Kaul who plays Vishnu a friend of Deepak with ulterior motives. After "Kai Po Che" Manav again shows his caliber, this is an actor to look forward to. Sadia Siddique as Vishnu's wife is good albeit her role is small. Patralekha as Rakhee does show a spark but gets overshadowed by Rajkumar and Manav.

Production Design by Rajat Poddar is realistic. Editing by Apoorva Asrani could have been sharp. Jeet Ganguli's music is good but does not gel with the narration rather it hampers the pace.

Hansal Mehta's forte is to get the human emotions bang on and he succeeds in this movie as well but fails a bit in giving it a Thriller edge and finesse in the narration which was the highlight in the original METRO MANILA.